Nina Dean is about to publish her second book. She has a great relationship with her ex-boyfriend, and enough friends to keep her social calendar full. When she downloads a dating app, she does the seemingly impossible: She meets a great guy on her first date. Max is handsome and built like a lumberjack; he has floppy blond hair and a stable job. More surprising than anything else, Nina and Max have chemistry. But when Max ghosts her, Nina is forced to deal with everything she's been trying so hard to ignore: her father's Alzheimer's is getting worse, and so is her mother's denial of it; her editor hates her new book idea; and her best friend from childhood is icing her out.

In the fictional Chinese city of Yong’an, an amateur cryptozoologist is commissioned to uncover the stories of its fabled beasts. These creatures live alongside humans in near-inconspicuousness --- save their greenish skin, serrated earlobes and strange birthmarks. Aided by her elusive former professor and his enigmatic assistant, our narrator sets off to document each beast, and is slowly drawn deeper into a mystery that threatens her very sense of self.

Everyone knows everyone in the tiny town of Bourne, but the Mitchell triplets are especially beloved. For a few weeks 17 years ago, Bourne was national news when its water turned green. The girls have come of age watching their mother’s endless fight for justice. But just when it seems life might go on the same forever, the first moving truck anyone has seen in years pulls up and unloads new residents and old secrets. Soon, the Mitchell sisters are taking on a system stacked against them and uncovering mysteries buried longer than they’ve been alive. Because it's hard to let go of the past when the past won't let go of you.

In the waning days of the Civil War, brothers Prentiss and Landry --- freed by the Emancipation Proclamation --- seek refuge on the homestead of George Walker and his wife, Isabelle. The Walkers, wracked by the loss of their only son to the war, hire the brothers to work their farm. Meanwhile, Prentiss and Landry plan to save money for the journey north and a chance to reunite with their mother, who was sold away when they were boys. Parallel to their story runs a forbidden romance between two Confederate soldiers. When their secret is discovered, the resulting chaos, including a murder, unleashes convulsive repercussions on the entire community.

In her genre-bending debut story collection, Nana Nkweti mixes deft realism with clever inversions of genre. In the Caine Prize finalist story “It Takes a Village, Some Say,” Nkweti skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In other stories, she vaults past realism, upending genre expectations in a satirical romp about a jaded PR professional trying to spin a zombie outbreak in West Africa. In between these two ends of the spectrum, there’s everything from an aspiring graphic novelist at a comic con to a murder investigation driven by statistics to a story organized by the changing hairstyles of the main character.

Through poverty, adolescence and a fraught relationship with her mother, Ashley Ford wishes she could turn to her father for hope and encouragement. But he’s in prison, and she doesn’t know what he did to end up there. She doesn’t know how to deal with the incessant worries that keep her up at night, or how to handle the changes in her body that draw unwanted attention from men. In her search for unconditional love, Ashley begins dating a boy her mother hates. When the relationship turns sour, he assaults her. Still reeling from the rape, Ashley desperately searches for meaning in the chaos. Then her grandmother reveals the truth about her father’s incarceration…and Ashley’s entire world is turned upside down.

In these stories, the mysterious bonds of family are tested, transformed, fractured and fortified. A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children’s game-show villainess ushers in the New Year with her deadbeat half-brother. A mother, pining for her children, feasts on loaves of challah to fill the void. A new couple navigates a tightrope walk toward love. And on a trip to a Texas water park with their son, two fathers each confront a personal fear. Elizabeth McCracken traces how our closely held desires --- for intimacy, atonement, comfort --- bloom and wither against the indifferent passing of time.

It was the Golden Age of Radio, and powerful men were making millions in advertising dollars reaching thousands of listeners every day. When television arrived, few radio moguls were interested in the upstart industry and its tiny production budgets, and expensive television sets were out of reach for most families. But four women --- each an independent visionary --- saw an opportunity and carved their own paths, and in so doing invented the way we watch TV today: Irna Phillips, Gertrude Berg, Hazel Scott and Betty White. Together, their stories chronicle a forgotten chapter in the history of television and popular culture.

A woman invites a famous artist to use her guesthouse in the remote coastal landscape where she lives with her family. Powerfully drawn to his paintings, she believes his vision might penetrate the mystery at the center of her life. But as a long, dry summer sets in, his provocative presence itself becomes an enigma --- and disrupts the calm of her secluded household. SECOND PLACE is a study of female fate and male privilege, the geometries of human relationships, and the moral questions that animate our lives. It reminds us of art’s capacity to uplift --- and to destroy.

After being rescued as infants from a sinking ocean liner in 1914, Marian and Jamie Graves are raised by their dissolute uncle in Missoula, Montana. There, Marian commences her lifelong love affair with flight. At 14, she drops out of school and finds an unexpected and dangerous patron in a wealthy bootlegger who provides a plane and subsidizes her lessons, an arrangement that will haunt her for the rest of her life, even as it allows her to fulfill her destiny: circumnavigating the globe by flying over the North and South Poles. A century later, Hadley Baxter is cast to play Marian in a film that centers on Marian's disappearance in Antarctica. Her immersion into the character of Marian unfolds alongside Marian's own story, as the two women's fates collide.