Michael and Megan Fitzgerald’s parents are public intellectuals, an Ivy League clinical psychologist and a renowned psychiatrist, and they brought up their adopted children in a rarefied, experimental environment. It forced secrets upon them that they keep at all costs. In Los Angeles, Detective Garrett Dobbs and FBI Agent Jessica Gimble have joined forces to work a murder that seems like a dead cinch. Their chief suspect is quickly identified and apprehended. But then there's another killing just like the one they've been investigating. And another. And not just in Los Angeles. The Fitzgerald family comes to the investigators' attention, but Dobbs and Gimble are at a loss. If one of the four is involved, which Fitzgerald might it be?

In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes. Together they call themselves The Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer before it's too late?

Sydney Green is Brooklyn born and raised, but her beloved neighborhood seems to change every time she blinks. Condos are sprouting like weeds, FOR SALE signs are popping up overnight, and the neighbors she’s known all her life are disappearing. To hold onto her community’s past and present, Sydney channels her frustration into a walking tour and finds an unlikely and unwanted assistant in one of the new arrivals to the block --- her neighbor Theo. But Sydney and Theo’s deep dive into history quickly becomes a dizzying descent into paranoia and fear. Their neighbors may not have moved to the suburbs after all, and the push to revitalize the community may be more deadly than advertised.

Britain’s secret intelligence service, MI6, has lost contact with its informant in northern Italy, just as important information about the future plans of Austria and Nazi Germany is coming to light. And young Elena Standish is the only person who can recognize MI6’s man --- because he is her former lover. Aiden Strother betrayed her six years before, throwing shame on her entire family. Now, with so much to prove, Elena heads to Trieste to track down Aiden and find out what happened to his handler, who has mysteriously cut off contact with Britain. As Elena gets word of a secret group working to put Austria in the hands of Germany, her older sister, Margot, is in Berlin to watch a childhood friend get married --- to a member of the Gestapo.

Ann Workman is a misfit who has traveled from rural Kentucky to graduate school in the transformative years of the late 1960s. Although he comes from a very different place, upper-middle class suburban Chicago, Jimmy is also a misfit, a rebel who rejects his upbringing and questions everything. Ann and Jimmy bond through music and literature and their own quirkiness, diving headfirst into what seems to be a perfect relationship. But with the Vietnam War looming and the country in turmoil, their future is uncertain. Many years later, Ann recalls this time of innocence --- and her own obsession with Jimmy --- as she faces another life crisis. Seeking escape from her problems, she tries to imagine where she might be if she had chosen differently all those years ago.

Kerri Arsenault grew up in the rural working class town of Mexico, Maine. For over 100 years, the community orbited around a paper mill that employs most townspeople, including three generations of Arsenault’s own family. Years after she moved away, Arsenault realized the price she paid for her seemingly secure childhood. The mill, while providing livelihoods for nearly everyone, also contributed to the destruction of the environment and the decline of the town’s economic, physical and emotional health in a slow-moving catastrophe, earning the area the nickname “Cancer Valley.” In MILL TOWN, Arsenault illuminates the rise and collapse of the working class, the hazards of loving and leaving home, and the ambiguous nature of toxics and disease.

What would you do if you knew your life's potential? That's the question facing the residents of Deerfield, Louisiana, when the DNAMIX machine appears in their local grocery store. Its promise is amazing: With just a quick swab of your cheek and two dollars, the device claims to use the science of DNA to tell you your life's potential. With enough credibility to make the townspeople curious, soon the former teachers, nurses and shopkeepers of Deerfield are abruptly changing course to pursue their destinies as magicians, cowboys and athletes --- including the novel's main characters, Douglas Hubbard and his wife, Cherilyn, who both believed they were perfectly happy until they realized they could dream for more.

Quantum physicist Matt Bronik is suffering from strange, violent seizures that medical science seems powerless to explain --- much to the consternation of his wife, Brigid. Matt doesn’t think these fits could be related to his research, which he has always described as benign and esoteric. That, it turns out, is not quite true: Matt has been prodding the mysteries of the quantum universe, with terrible repercussions for his health. And perhaps even for humanity as a whole. Then, in the midst of another seizure, Matt disappears. With his life in clear danger, Brigid sets out to find him. Will Matt be killed before she reaches him, or could the physics that endangered him actually be used to save his life?

As a columnist for Time magazine, among many other publications, Tom Callahan witnessed an extraordinary number of defining moments in American sport across four decades. He takes us from Roberto Clemente clinching his 3,000th, and final, regular-season hit in Pittsburgh; to ringside for the Muhammad Ali–George Foreman fight in Zaire; and to Arthur Ashe announcing, at a news conference, that he’d tested positive for HIV. There are also little-known private moments: Joe Morgan whispering thank you to a virtually blind Jackie Robinson on the field at the 1972 World Series, or Kareem Abdul-Jabbar saying he was more interested in being a good man than in being the greatest basketball player.

When Debora Harding was just 14, she was abducted at knifepoint from a church parking lot. She was thrown into a van, assaulted, held for ransom and left to die. Debora survived. She identified her attacker to the police and then returned to her teenage life in a dysfunctional home where she was expected to simply move on. Denial became the family coping strategy offered by her fun-loving, conflicted father and her cruelly resentful mother. It wasn't until decades later --- when beset by the symptoms of PTSD --- that Debora undertook a radical project: she met her childhood attacker face-to-face in prison and began to reconsider and reimagine his complex story.

Once upon a time, Emily Bennett was part of a middle school clique called the Harpies --- six popular girls who bullied the new girl to her breaking point. The Harpies took a blood oath: never tell a soul what they did to Grace Farmer. Now, 14 years later, it seems karma has caught up to them when one member of that vicious circle commits suicide. But when a second Harpy is discovered dead shortly after, also from an apparent suicide, the deaths start to look suspicious. And when Emily begins seeing a woman who looks a lot like Grace Farmer lurking in the shadows, she is forced to wonder: Is Grace back for revenge? Or is Emily’s guilt driving her mad?

Isabel Lincoln is gone. But is she missing? It’s up to Grayson Sykes to find her. Although she is reluctant to track down a woman who may not want to be found, Gray’s search for Isabel Lincoln becomes more complicated and dangerous with every new revelation about the woman’s secrets and the truth she’s hidden from her friends and family. Featuring two complicated women in a dangerous cat-and-mouse game, Rachel Howzell Hall's AND NOW SHE'S GONE explores the nature of secrets --- and how violence and fear can lead you to abandon everything in order to survive.