Beginning in his hometown of New Orleans, Clint Smith leads the reader on an unforgettable tour of monuments and landmarks --- those that are honest about the past and those that are not --- that offer an intergenerational story of how slavery has been central in shaping our nation’s collective history, and ourselves. HOW THE WORD IS PASSED illustrates how some of our country’s most essential stories are hidden in plain view --- whether in places we might drive by on our way to work, holidays such as Juneteenth, or entire neighborhoods like downtown Manhattan, where the brutal history of the trade in enslaved men, women and children has been deeply imprinted.

For cynical 23-year-old August, moving to New York City is supposed to prove her right: that things like magic and cinematic love stories don’t exist, and the only smart way to go through life is alone. There’s certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures. But then, there’s this gorgeous girl on the train. Jane. Her subway crush becomes the best part of her day, but pretty soon, she discovers there’s one big problem: Jane doesn’t just look like an old school punk rocker. She’s literally displaced in time from the 1970s, and August is going to have to use everything she tried to leave in her own past to help her.

British star Mia Eliot has landed leading roles in costume dramas in her native country, but now it’s time for Hollywood to take her to the next level. She flies across the Atlantic to join the horde of talent scrambling for their big breaks. One day she meets Emily, another actress from out of town and a kindred spirit. Emily is friendly and genuine and reassuringly doesn’t seem to be taking any of it too seriously. But a simple favor takes a dark twist when Emily disappears and Mia realizes she was the last person to see her. And when a woman knocks on Mia’s door the following day claiming to be Emily and isn’t the woman Mia remembers at all, Mia is deeply troubled. All Mia has to go on is the memory of a girl she met only once...and the suffocating feeling that something terrible has happened.

The queen is Marie of Roumania. A famous beauty who was married at 17 into Roumania’s young dynasty, Marie singlehandedly transformed Roumania from a backwater into a force. The castle is Bran: a tall, quirky, ancient structure perched on high rocks overlooking the border between Roumania and its newly regained territory of Transylvania. The threat is…well, that is less clear. Shadowy figures, vague whispers, the fears of girls, dangers that may be only accidents. When Queen Marie calls, Mary Russell and Sherlock Holmes are as dubious as they are reluctant. But surely it won’t take long to shine light on this unlikely case of what would seem to be strigoi. Or, as they are known in the West…vampires.

In 2013, after an on-stage meltdown during a nationally televised quiz contest, 14-year-old Citoyen “City” Coldson becomes an overnight YouTube celebrity. The next day, he’s sent to stay with his grandmother in the small coastal community of Melahatchie, where a young girl named Baize Shephard has disappeared. Before leaving, City is given a strange book called Long Division, which is set in 1985. This version of City travels into the future, and steals a laptop and cell phone from an orphaned teenage rapper called Baize Shephard. They take these items with them to 1964 to help another time-traveler they meet to protect his family from the Ku Klux Klan. City’s two stories converge in the work shed behind his grandmother’s house, where he discovers the key to Baize’s disappearance.

In three critically acclaimed novels, Akwaeke Emezi has introduced readers to a landscape marked by familial tensions, Igbo belief systems, and a boundless search for what it means to be free. Now, in DEAR SENTHURAN, he reveals the harrowing yet resolute truths of their own life. Through candid, intimate correspondence with friends, lovers and family, Emezi traces the unfolding of a self and the unforgettable journey of a creative spirit stepping into power in the human world. Their story weaves through transformative decisions about their gender and body, their precipitous path to success as a writer, and the turmoil of relationships on an emotional, romantic and spiritual plane.

When Alan Maimon got the assignment in 2000 to report on life in rural Eastern Kentucky, his editor at the Louisville Courier-Journal told him to cover the region “like a foreign correspondent would.” Maimon had landed in a place in the vice grip of ecological devastation and a corporate-made opioid epidemic. While reporting on the intense religious allegiances, the bitter, bare-knuckled political rivalries, and the faltering attempts to emerge from a century-long coal-based economy, Maimon learns that everything --- and nothing --- you have heard about the region is true. And far from being a foreign place, it is a region whose generations-long struggles are driven by quintessentially American forces.

In her forest-veiled pagan village, Évike is the only woman without power, making her an outcast clearly abandoned by the gods. The villagers blame her corrupted bloodline --- her father was a Yehuli man, one of the much-loathed servants of the fanatical king. When soldiers arrive from the Holy Order of Woodsmen to claim a pagan girl for the king’s blood sacrifice, Évike is betrayed by her fellow villagers and surrendered. But when monsters attack the Woodsmen and their captive en route, slaughtering everyone but Évike and the cold, one-eyed captain, they have no choice but to rely on each other. Except he’s no ordinary Woodsman --- he’s the disgraced prince, Gáspár Bárány, whose father needs pagan magic to consolidate his power.

Required to have a college education, speak two languages and possess the political savvy of a Foreign Service officer, a jet-age stewardess serving on iconic Pan Am between 1966 and 1975 also had to be between 5′3" and 5′9", between 105 and 140 pounds, and under 26 years of age at the time of hire. Julia Cooke’s intimate storytelling weaves together the real-life stories of a memorable cast of characters --- from small-town girl Lynne Totten, a science major who decided life in a lab was not for her, to Hazel Bowie, one of the relatively few Black stewardesses of the era --- as they embraced the liberation of their new jet-set life.

When Shawna Kay Rodenberg was four, her father spirited her family from their home in the hills of Eastern Kentucky to Minnesota, renouncing all of their earthly possessions to live in the Body, an off-the-grid End Times religious community. Disciplined harshly for her many infractions, Shawna was sexually abused by a predatory adult member of the community. Soon after the leader of the Body died and revelations of the sexual abuse came to light, her family returned to the same Kentucky mountains that their ancestors have called home for 300 years. Shawna ultimately leaves her mountain home but only as she masters a perilous balancing act between who she has been and who she will become.

In the aftermath of a bloody heist, Nolan and Jon find themselves flying home to count their ill-gotten gains --- but a skyjacker taking the same flight has other plans. Meanwhile, in Des Moines, someone is offing members of the Mob-connected DiPreta family, and the Mob thinks maybe Nolan can make it stop. Maybe he can --- for a six-figure fee. Originally published as two separate novels (and unavailable in bookstores for 40 years!), DOUBLE DOWN finds Nolan and Jon pursuing the American dream in their inimitable criminal fashion.

A young Black American raised in France and living in New York City, Jonah Winters tries on a couple of careers only to find that nothing feels right. And as Jonah struggles to envision his future, he feels pressured by his friends and family to put the struggles of his community before his search for self. But then a chance encounter with an ex-NBA player with his own regrets inspires Jonah to take his life into his own hands. Deciding to leave the country entirely, he sets off for Brazil. As he makes and breaks friendships on the way, reflects on his past relationships and learns to rely on himself, Jonah slowly forms an understanding of self, community and freedom that is rarely afforded to young Black men.