Dublin, 1969: Maura has just married Dr. Christy Davenport, and they look forward to growing their family. But as her husband’s vicious temper emerges, Maura worries that her home might never be safe for a child. Meanwhile, her close friend Bernie, a mother of three, learns the devastating news that if she conceives again, her health complications could prove fatal. Dublin, 2023: A close call makes Saoirse realize that she may never want to be a mother. Little does she know that only a few decades ago, a group of women made this option possible for her. And she’s about to meet one of them.

I had it all: a fantastic husband, two great kids, an exciting career. And then, at the age of 43, I found out I would be dead before my next birthday. My mother also died at 43. I was 17, and she warned me that women would flock to my suddenly single father like stray cats to an overturned milk truck. They did. And one absolutely evil woman practically destroyed his life, mine and my sister’s. I am not letting that happen to my family. I have three months, and I plan to spend every waking minute searching for the perfect woman to take my place as Alex’s wife, and mother to Kevin and Katie. You’re probably thinking that I’ll never do it. Did I mention that in high school I was voted “Most Likely to Kill Someone to Get What She Wants”?

Joan Didion opened THE WHITE ALBUM (1979) with what would become one of the most iconic lines in American literature: “We tell ourselves stories in order to live.” Today, this phrase is deployed inspirationally, printed on T-shirts and posters, used as a battle cry for artists and writers. In truth, Didion was describing something much less rosy: our human tendency to manufacture delusions that might ward away our anxieties when society seems to spin off its axis. Nowhere was this collective hallucination more effectively crafted than in Hollywood. In this riveting cultural biography, New York Times film critic Alissa Wilkinson examines Joan Didion’s influence through the lens of American mythmaking.

Something wicked is going on in the village of Ascension. A mother wasting away from cancer is suddenly up and about. A boy trampled by a milk cart walks away from the accident. A hanged man can still speak, broken neck and all. The dead are not dying. When Rabbit and Sadie Grace accompany their friend, Rose, to Ascension to help take care of her ailing cousin, they immediately notice that their new house, Bethany Hall, is occupied by dozens of ghosts. And something is waiting for them in the attic. The villagers of Ascension are unwelcoming and wary of their weird visitors. As the three women attempt to find out what’s happening in the town, they must be careful not to be found out. But a much larger --- and more dangerous --- force is galloping straight for them.

When wildlife biologist Alex Carter is tasked with locating jaguars on a vast desert preserve in New Mexico, she is ecstatic. While jaguars once roamed throughout the Southwest, they are now endangered, and Alex hopes that some of the sleek and elusive creatures have found their way to the protected sanctuary. Meanwhile, an archaeological team is excavating the gravesite of a 16th-century Spanish conquistador on a neighboring piece of land. While learning about their discoveries, Alex encounters a dangerous group of anti-immigrant vigilantes roaming the area, threatening the team and demanding they leave. And when the militants learn of Alex’s mission, they become bent on stopping her. And then there are the strange holes that keep appearing on the preserve. Who is digging them, and what are they looking for?

Antonia Scott has an unusually gifted forensic mind, whose ability to reconstruct crimes and solve baffling murders is legendary. She’s the linchpin of a top-secret project, Red Queen, created to work across borders and behind the scenes to solve the most devious and dangerous crimes. But the Red Queen project is under attack on all fronts. The mysterious Mr. White has been weaving a web around Antonia for a very long time. Jon Gutierrez, Antonia’s protector and the only person she trusts, has been kidnapped. Antonia’s husband has been killed, and her remaining family is in hiding. With Jon’s life at stake, Mr. White gives her a seemingly innocuous challenge: solve three crimes and bring the perpetrators to justice. The only way to keep Jon alive is to play Mr. White’s game. But can even Antonia win a game when she can only see part of the board?

Sanjana Satyananda is trying to recover her life. It’s been a year since she walked out on her husband, a struggling actor named Killian, at a commune in India, after a disagreement about whether to have children. Now, Sanjana is struggling to resurrect her busted anthropology dissertation and crashing at her annoyingly perfect sister’s while her well-adjusted peers obsess over marriages, mortgages and motherhood. Sanjana needs to move forward --- and finalize her divorce ASAP. There’s just one problem: Killian is missing. As Sanjana tries to track him down, she’s bombarded with unnerving calls from women seeking her advice on pregnancy and fertility. Soon, Sanjana comes face to face with what her life might have been if she’d chosen parenthood. And the road not taken turns out to be wilder, stranger and more tempting than she imagined.

Neighbors Gwen, Aimee and Lisa share more than playdates and coffee mornings on their tranquil street in East Bethesda. They confide their deepest secrets, navigate the challenges of motherhood together, and provide a support system that seems unbreakable. But when Gwen’s husband is found murdered after one of their weekly Friday night dinners, the peaceful quiet of their cul-de-sac shatters. As the police investigate, the veneer of friendship begins to crack, revealing hidden tensions, clandestine affairs, and long-buried jealousies among the three women. With suspicions mounting and the neighborhood gripped by fear, Gwen, Aimee and Lisa must confront the chilling truth about their husbands, and the sinister undercurrents in their own friendship.

Mortimer Angel --- call him Mort --- is on a case in northern Nevada when he comes across a girl being kidnapped. He saves her, then finds himself embroiled in a whirlwind of death and violence as he tries to keep one step ahead of a succession of thugs trying to grab the girl again. It's another typically dangerous and bawdy case for Mort as layers upon layers of complications unfold that could end up killing him and the girl he saved.