In the waning days of the Civil War, brothers Prentiss and Landry --- freed by the Emancipation Proclamation --- seek refuge on the homestead of George Walker and his wife, Isabelle. The Walkers, wracked by the loss of their only son to the war, hire the brothers to work their farm. Meanwhile, Prentiss and Landry plan to save money for the journey north and a chance to reunite with their mother, who was sold away when they were boys. Parallel to their story runs a forbidden romance between two Confederate soldiers. When their secret is discovered, the resulting chaos, including a murder, unleashes convulsive repercussions on the entire community.

In her genre-bending debut story collection, Nana Nkweti mixes deft realism with clever inversions of genre. In the Caine Prize finalist story “It Takes a Village, Some Say,” Nkweti skewers racial prejudice and the practice of international adoption, delivering a sly tale about a teenage girl who leverages her adoptive parents to fast-track her fortunes. In other stories, she vaults past realism, upending genre expectations in a satirical romp about a jaded PR professional trying to spin a zombie outbreak in West Africa. In between these two ends of the spectrum, there’s everything from an aspiring graphic novelist at a comic con to a murder investigation driven by statistics to a story organized by the changing hairstyles of the main character.

Through poverty, adolescence and a fraught relationship with her mother, Ashley Ford wishes she could turn to her father for hope and encouragement. But he’s in prison, and she doesn’t know what he did to end up there. She doesn’t know how to deal with the incessant worries that keep her up at night, or how to handle the changes in her body that draw unwanted attention from men. In her search for unconditional love, Ashley begins dating a boy her mother hates. When the relationship turns sour, he assaults her. Still reeling from the rape, Ashley desperately searches for meaning in the chaos. Then her grandmother reveals the truth about her father’s incarceration…and Ashley’s entire world is turned upside down.

In these stories, the mysterious bonds of family are tested, transformed, fractured and fortified. A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children’s game-show villainess ushers in the New Year with her deadbeat half-brother. A mother, pining for her children, feasts on loaves of challah to fill the void. A new couple navigates a tightrope walk toward love. And on a trip to a Texas water park with their son, two fathers each confront a personal fear. Elizabeth McCracken traces how our closely held desires --- for intimacy, atonement, comfort --- bloom and wither against the indifferent passing of time.

It was the Golden Age of Radio, and powerful men were making millions in advertising dollars reaching thousands of listeners every day. When television arrived, few radio moguls were interested in the upstart industry and its tiny production budgets, and expensive television sets were out of reach for most families. But four women --- each an independent visionary --- saw an opportunity and carved their own paths, and in so doing invented the way we watch TV today: Irna Phillips, Gertrude Berg, Hazel Scott and Betty White. Together, their stories chronicle a forgotten chapter in the history of television and popular culture.

A woman invites a famous artist to use her guesthouse in the remote coastal landscape where she lives with her family. Powerfully drawn to his paintings, she believes his vision might penetrate the mystery at the center of her life. But as a long, dry summer sets in, his provocative presence itself becomes an enigma --- and disrupts the calm of her secluded household. SECOND PLACE is a study of female fate and male privilege, the geometries of human relationships, and the moral questions that animate our lives. It reminds us of art’s capacity to uplift --- and to destroy.

After being rescued as infants from a sinking ocean liner in 1914, Marian and Jamie Graves are raised by their dissolute uncle in Missoula, Montana. There, Marian commences her lifelong love affair with flight. At 14, she drops out of school and finds an unexpected and dangerous patron in a wealthy bootlegger who provides a plane and subsidizes her lessons, an arrangement that will haunt her for the rest of her life, even as it allows her to fulfill her destiny: circumnavigating the globe by flying over the North and South Poles. A century later, Hadley Baxter is cast to play Marian in a film that centers on Marian's disappearance in Antarctica. Her immersion into the character of Marian unfolds alongside Marian's own story, as the two women's fates collide.

The eight stories in FIRST PERSON SINGULAR are all told in the first person by a classic Haruki Murakami narrator. From memories of youth, meditations on music, and an ardent love of baseball, to dreamlike scenarios and invented jazz albums, together these stories challenge the boundaries between our minds and the exterior world. Occasionally, a narrator may or may not be Murakami himself. Is it memoir or fiction? The reader decides.

Sharon Stone, one of the most renowned actresses in the world, suffered a massive stroke that cost her not only her health, but her career, family, fortune and global fame. In THE BEAUTY OF LIVING TWICE, Stone chronicles her efforts to rebuild her life and writes about her slow road back to wholeness and health. In a business that doesn’t accept failure, in a world where too many voices are silenced, she found the power to return, the courage to speak up, and the will to make a difference in the lives of men, women and children around the globe. Over the course of these intimate pages, as candid as a personal conversation, Stone talks about her pivotal roles, her life-changing friendships, her worst disappointments and her greatest accomplishments.

“I have been buried under years of dust and now I have so much to say.” These were the first words 25-year-old Emily Grodin ever wrote. Born with nonverbal autism, Emily’s only means of communicating for a quarter of a century had been only one-word responses or physical gestures. Her parents, Valerie and Tom, sought every therapy possible in the hope that Emily would one day be able to reveal herself. When this miraculous breakthrough occurred, Emily was finally able to give insight into the life, frustrations and joys of a person with autism. I HAVE BEEN BURIED UNDER YEARS OF DUST highlights key moments of Emily’s childhood that led to her communication awakening --- and how her ability rapidly accelerated after she wrote that first sentence.