In 1988, eight men in Kingston, Jamaica, begin rehearsals for a play. Though strangers to one another, they share an inescapable truth: All of them are gay. And they live in a world that refuses to accept them. One night, the men are savagely beaten, and one of them is killed. As their bodies heal, the survivors begin to face the hatred and contempt that the violence laid bare. Some try to ignore what happened. Others double down on retribution. Some disappear completely.

“Is home the place where we are born? Or is it the place where we die?” These questions haunt Magnolia, a successful Haitian American real estate agent in Miami. When she hears gunfire while at a shopping mall, she takes shelter in a nearby restaurant. Once she’s safely home, Magnolia keeps this traumatic event from everyone. But given her life back, she begins to see everything clearly: her extraordinary bond with her daughter, Zoë; her nearly broken relationship with Zoë’s father; the challenges of her mentally troubled mother; and her father’s affair with a woman who has borne him a child. While struggling through the labyrinth of her past, Magnolia also must come to terms with the losses sustained that life-altering day, and nearly every day by her parents and sibling in Haiti.

From the moment Aphrodite emerges fully formed from the sea, she is devastatingly beautiful and imbued with ancient power. When fate brings her face to face with Ares, she bristles at this surly, hot-tempered warrior who’s seemingly her opposite: disliked by everyone and devoted to stirring up conflict. Yet these gods are no more immune to the dizzying highs and lows of love and loss than anyone else. They are soon irresistibly drawn to one another. As their love affair spans mortal lifetimes, Aphrodite begins to question the gods’ games and her role in them. But there’s only so much room for fire and passion in Zeus’ kingdom. Before long, she must test her devotion to her own divine purpose --- and to a love that can only lead to ruin.

Mira Guhathakurta is a poetry editor at a distinguished literary magazine in New York, a dream job that has given her nearly everything she's always wanted. And then she reconnects with Jack from college, and suddenly she feels as if she might have found her soulmate. They've woven their lives together so thoroughly. All that remains is for Jack to meet her family: her beloved father and dear sister, Joy. But when Joy commits an unthinkable act of betrayal, the sisters are impossibly fractured and their father's heart is broken. As the sisters navigate their tumultuous relationship and Mira starts over, it turns out that Joy isn't the only one who has been --- or continues to be --- dishonest.

At the age of three, Michael Cunningham began obsessively collecting the names of things: oak, Chevrolet, finch, tulip, Tupperware. Each word rendered the world ever so slightly more understandable, more describable, kicking off a lifelong love affair with language --- one that would, eventually, maybe inevitably, lead him to become a writer. In UNSAYABLE, Cunningham’s memories spill forth, and with them reflections on the craft of writing. He is 15, in a swimming pool at night, gazing at the first boy he ever fell in love with. He is a new college graduate, setting off for nowhere in a Dodge Dart, hoping to pull meaning (and a novel) from the expanse of America. He is in an art gallery, unwittingly having the first in a lifetime of conversations with the man he would marry. 

In this spirited and emotionally resonant collection, award-winning novelist Ruth Ozeki turns her singular gaze to the short story, exploring childhood ambition, youthful desire, midlife reinvention, and the unsparing clarity of old age. A college student falls for her professor and learns to transmute longing into language. A disquieted husband watches with tenderness and unease as the ghost of his wife’s ambition roams the woods outside their home. A long-deceased Beat poet hijacks the mind of a young publishing assistant during a sales meeting, railing against the state of modern literature. A curious grandmother creates a fake online dating profile to spy on her granddaughter’s romantic life --- and sets in motion a deception she can’t control.

Tasked with hunting down arcane artifacts for the council of immortal peris, Amina al-Sirafi can savor the occasional rollicking adventure on the high seas with her cherished criminal companions while still returning home to raise her beloved daughter, Marjana. But when Raksh, the spirit of discord with whom she is reluctantly wed, provokes the council’s wrath, Amina is charged with a seemingly impossible quest: steal a spindle capable of rewriting fate from a mysterious sorceress on an island no one can escape. Forced to leave Marjana, Amina finds her mission almost immediately thrown into peril. But deadly storms, an erratic poison mistress and old enemies are the least of her worries. For the peris’ story is unraveling, hinting at a far deadlier game whose rules Amina must swiftly puzzle out.

All great music is a threat. What left is there to say about The Rolling Stones? A hell of a lot, it turns out. Bob Spitz has brought his indefatigable energy and five decades of experiences in the fields and hollows of rock 'n’ roll to bear on his five-year journey to reexamine one of popular music’s greatest stories. There are myriad revisions to the conventional narrative that underscore just how in control of that narrative the band has been up to now. But, as with the Beatles and Led Zeppelin, Spitz’s greatest gift is for the big picture. He knows where the magic is, and why it is. He is as clear-eyed a connoisseur of the show business, the spectacle and the collateral damage of this whirlwind as anyone alive. But the ultimate goal is to connect with a creative force whose power shows no signs of fading, over 60 years on. 

Tapped at the young age of 16 to star as Meadow Soprano, by the time “The Sopranos” ended in 2007, Jamie Lynn Sigler suffered from an eating disorder, kept private her diagnosis of MS, and entered a disastrous early marriage. Over the next years, Jamie would remarry, become a mother, launch a hugely popular podcast, and, most recently, nearly lose her beloved son to a mysterious illness. Amidst the stardust showered and all the slings and arrows that life has thrown, Jamie emerges with grace and a generosity of spirit that she is ready to share. In this moving and fiercely honest memoir, she reflects on her life and her years on “The Sopranos.” But this is no tale of woe. Jamie guides us through her darkest moments and comes out the other side emboldened and not embittered.

In the summer of 1857, an unusual-looking stranger arrived at Charles Dickens' home. Dickens had met Hans Christian Andersen at a dinner party a decade before and, in a moment of desperation, had invited him to visit. The eccentric Danish author of classic fairy tales outstayed his welcome and alienated the Dickens household, which included nine children. Even the oblivious, obsessively self-conscious Andersen sensed the increasing tension between Dickens and his unhappy wife, Catherine, but was slow to understand --- or to believe --- that Dickens had fallen in love with a young actress appearing in his new play. For Andersen, those five weeks were a series of social mistakes and embarrassments but ultimately a lesson in how life's most humbling experiences can be transformed into art.