After Annabelle Gurwitch received an out-of-the-blue diagnosis of Stage 4 lung cancer, an existential dread set in. Precision medicine offered a temporary reprieve --- but instead of turning into a cancer warrior, Annabelle declared herself a cancer slacker. Her motto: no runs, no ribbons, no religion. Told with her signature wit, warmth and gimlet eye, Gurwitch draws inspiration from Greek mythology and TV comedies, Kermit the Frog and Samuel Beckett. She accidentally acquires an angel, embraces being in it “just for the sex,” and finds herself on a European van tour selling merch for a heavy metal band.

Written over the past two decades, Louise Erdrich’s magnificent story collection features a range of characters --- a tribal newsletter editor whose son tells her a story that nothing in her experience can encompass; immigrant farmers whose tenuous hold on the earth, and sanity, is challenged; and ordinary people, bird lovers, artists, grade-school teachers and romantics. A girl decides to spend her life with a stone. A man is confronted with a folk-singing thief. A woman enters a corporately owned afterlife to seek revenge on her father. Accompanied by specially commissioned artwork by Aza Erdrich Abe --- an intimate and revelatory creative collaboration between mother and daughter --- these stories offer an opportunity to celebrate the wisdom and brilliant, wide-ranging imagination of one of America’s most important writers.

KIDS, WAIT TILL YOU HEAR THIS! is the autobiography of EGOT icon Liza Minnelli. This fascinating, untold story reveals the intimate truth of the only child born to Hollywood legends Vincente Minnelli and Judy Garland. For the first time, here is Liza up close. Liza decided at the age of 16 that “sympathy is my mother’s business. I give people joy.” That veil of joy, however, masks a lifelong struggle with Substance Use Disorder, boundless love to give and an equal need to receive it, broken marriages, multiple miscarriages and hospitalizations. Despite every challenge, Liza’s is a life wrapped in laughter and her tremendous capacity to give and receive love. Today at nearly 80, she opens her heart, mind and memories, sharing secrets we never knew.

Christina Applegate came of age on sets and stages. What started as a financial necessity soon became an emotional escape from a tumultuous home life. She rocketed to stardom on the sitcom “Married...with Children” and went on to captivate audiences in classics like Don’t Tell Mom the Babysitter's Dead, Anchorman and Dead to Me. Then it all stopped. A multiple sclerosis diagnosis in 2021 confined her to a king-sized bed and the company of memories she’d rather forget: memories of the self-doubt and body dysmorphia that stalked her meteoric rise, of her mother’s fight against addiction and abuse after her father left, and of the tax life had taken on her body and mind that was suddenly coming due. Now, at her most intimate and vulnerable, she unveils a story not even those closest to her fully know.

Gloria Bonaventura, a divorced mother of three living with her 26-year-old son, Nico, in a sprawling house in Brooklyn, decides to participate in a new city program that would pay her to take in a migrant as a boarder. Gloria is thrilled when sweet, kind, helpful Martine arrives. But Nico is skeptical. A classic live-at-home Gen Zer with no interest in adulthood, Nico resents any interruption of his “hovercraft repose.” As the months go by, Martine endears herself to both Nico’s sisters, while finding her way into Gloria’s heart and even, briefly, Nico’s. But as Martine’s disturbingly dodgy compatriots begin to show up, Nico conceives a dark twin hostile to both his mother’s altruism and the “migrant crisis” in general --- and turns out to be anything but a reliable narrator himself.

Vernice and Annie, two motherless daughters raised in Honeysuckle, Louisiana, have been best friends and neighbors since earliest childhood but are fated to live starkly different lives. Raised by a fierce aunt determined to give her a stable home in the wake of her mother’s death, Vernice leaves Honeysuckle at 18 for Spelman College, where she joins a sisterhood of powerfully connected Black women and discovers a world of affluence, manners, aspiration and inequality. Annie, abandoned by her mother as a child and fixated on the idea of finding her and filling the bottomless hole left by her absence, sets off on a journey that will take her into a world of peril and adversity, as well as love and adventure, culminating in a battle for her life.

Maggie thinks she’s finally found the love of her life. Theo is charming, passionate and crazy about her. So when Theo mysteriously disappears, Maggie certainly doesn’t expect that he’s gone for good --- let alone stolen her life savings, heart and self-esteem. Now she’s living in a caravan in a muddy field in the middle of nowhere, left to pick up the pieces. When junior reporter Flick catches wind of the story, she decides that exposing the romance fraudster may be just the career break she needs. The pair embark on the road trip of their lives, where unexpected twists, hidden secrets and hard truths are revealed. And, as an unlikely friendship begins to blossom, they realize it’s not just about finding the guy, it’s about finding themselves.

Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of all: Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does.

Already the gateway for illegal Canadian liquor during Prohibition, the Motor City becomes a crucible for American class conflict during the Great Depression, with an army of laid-off Ford workers drifting into the ranks of the burgeoning union movement. To keep the hundreds of thousands still employed by Henry Ford in thrall, he recruits black laborers migrating from the deep South to serve as “strike insurance.” The Model T mogul also has bought a sizable chunk of Brazil's Amazonian rainforest, vowing to grow his own rubber for tires, but stubbornly refusing to include a botanist in his troop of would-be jungle tamers. As a series of biological plagues descend on the Fordlandia plantation, the racial melting pot he has created in Detroit begins to boil over, and not even the Sage of Dearborn can control the forces that have been unleashed.

Writing can feel like an endless series of decisions. How does one face the blank page? Move a character around a room? Deal with time? Undertake revision? The good and bad news is that in fiction writing, there are no definitive answers to such questions: writers must come up with their own. Elizabeth McCracken has been teaching for more than 35 years, guiding her many students through their own answers. In A LONG GAME, she shares insights gleaned along the way, offering practical tips and incisive thoughts about her own work as an artist. Writing “is a long game,” she notes. “What matters is that you learn to get work done in the way that is possible for you, through consistency or panic. Through self-recrimination or self-delusion or self-forgiveness: every life needs all three.”