During the 1920s, dozens of expeditions scoured the Chinese and Tibetan wilderness in search of the panda bear, a beast that many believed did not exist. When the two eldest sons of President Theodore Roosevelt sought the bear in 1928, they had little hope of success. Together with a team of scientists and naturalists, they accomplished what a decade of explorers could not, ultimately introducing the panda to the West. In the process, they documented a vanishing world and set off a new era of conservation biology. Along the way, the Roosevelt expedition faced an incredible series of hardships as they disappeared in a blizzard, were attacked by robbers, overcome by sickness and disease, and lost their food supply in the mountains. The explorers would emerge transformed, although not everyone would survive.

Surrey, England, 1938. After 30 devoted years of marriage, Ellie Endicott is blindsided by her husband’s appeal for divorce. It’s Ellie’s opportunity for change too. The unfaithful cad can have the house. She’s taking the Bentley. Ellie, her housekeeper Mavis, and her elderly friend Dora --- each needing escape --- impulsively head for parts unknown in the South of France. With the Rhône surging beside them, they have nowhere to be and everywhere to go. Until the Bentley breaks down in the inviting fishing hamlet of Saint Benet. Here, Ellie rents an abandoned villa in the hills, makes wonderful friends among the villagers, and finds herself drawn to Nico, a handsome and enigmatic fisherman. But fates soon change when the threat of war encroaches.

Immigrating alone from Paris to New York after the crucible of World War II, young Gazala becomes friends with two spirited sisters, Anne and Alma. When Gazala’s lost, beloved brother, Samir, joins her in Manhattan, this contentious, inseparable foursome makes their way into the 21st century, becoming the beating heart of a multigenerational found family. The passing years are marked by the business of everyday existence and the inevitable surprises of erupting passions, of great and small waves of joy and despair, from the beginning of life to its end. Gazala and Samir make a home together, Anne leaves her husband for his sister, and Anne’s restless daughter grows up to raise a child on her own and to join a throuple, becoming who she wants to be. 

Adrift in the winter of 2021 after a sudden breakup and the ensuing depression, the novelist Catherine Lacey began cataloguing the wreckage of her life and the beauty of her friendships, a practice that eventually propagated fiction both entirely imagined and strangely true. Betrayed by the mercurial partner she had trusted with a shared mortgage and suddenly catapulted into the unknown, Lacey’s appetite vanished completely, a visceral reminder of the teenage emaciation that came when she stopped believing in God. Through relationships, travel, reading and memories of her religious fanaticism, Lacey charts the contours of faith’s absence and reemergence. Bending form, she and her characters recall gnostic experiences with animals, close encounters with male anger, grief-driven lust, and the redemptive power of platonic love and narrative itself.

Lately, Julia Pritzker is beginning to think she’s cursed. She’s lost her adoptive parents, then her husband is murdered. When she realizes that her horoscope essentially foretold his death, she begins to spiral. Then a letter arrives out of the blue, informing her that she has inherited a Tuscan villa and vineyard --- but her benefactor is a total stranger named Emilia Rossi. In Tuscany, Julia is horrified to discover that Rossi was a paranoid recluse with delusions of grandeur, who believed herself to be a descendant of Duchess Caterina Sforza, a legendary Renaissance ruler. Julia is stunned by her uncanny resemblance to Rossi, and even to Caterina. Then she unearths eerie parallels between them. Before long, Julia suspects that she’s being followed, and strange things begin to happen.

Adela Woods is 16 years old and pregnant. Her parents banish her from her comfortable upbringing in Indiana to her grandmother’s home in the small town of Padua Beach, Florida. When she arrives, Adela meets Emory, who brings her newborn to high school, determined to graduate despite the odds; Simone, mother of four-year-old twins, who weighs her options when she finds herself pregnant again; and the rest of the Girls, a group of outcast young moms who raise their growing brood in the back of Simone’s red truck. The town thinks the Girls have lost their way, but really they are finding it: looking for love, making and breaking friendships, and navigating the miracle of motherhood and the paradox of girlhood.

One summer night, Louisa and her father take a walk on the breakwater. Her father is carrying a flashlight. He cannot swim. Later, Louisa is found on the beach, soaked to the skin, barely alive. Her father is gone. Louisa is an only child of parents who have severed themselves from the past. Her father, Serk, is Korean, but was born and raised in Japan; he lost touch with his family when they bought into the promises of postwar Pyongyang and relocated to North Korea. Her American mother, Anne, is estranged from her Midwestern family after a reckless adventure in her youth. And then there is Tobias, Anne’s illegitimate son, whose reappearance in their lives will have astonishing consequences. But now it is just Anne and Louisa, adrift and facing the challenges of ordinary life in the wake of great loss. What really happened to Louisa’s father?

Molly Jong-Fast is the only child of a famous woman, writer Erica Jong, whose sensational book FEAR OF FLYING launched her into second-wave feminist stardom. She grew up yearning for a connection with her dreamy, glamorous, just-out-of-reach mother, who always seemed to be heading somewhere that wasn’t with Molly. When, in 2023, Erica was diagnosed with dementia just as Molly’s husband discovered he had a rare cancer, Jong-Fast was catapulted into a transformative year. HOW TO LOSE YOUR MOTHER is a compulsively readable memoir about an intense mother–daughter relationship, a sometimes chaotic upbringing with a fame-hungry parent, and the upheavals that challenge our hard-won adulthood.

“There is no good way to say this,” Yiyun Li writes at the beginning of this book. “There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.” There is no good way to say this --- because words fall short. It takes only an instant for death to become fact, “a single point in a timeline.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: “doing the things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.

Bo knows she should go. Years of rain have drowned the city, and almost everyone else has fled. Her mother was carried away in a storm surge, and Bo has been alone ever since. She is stalled: an artist unable to make art, a daughter unable to give up the hope that her mother may still be alive. Half-heartedly, she allows her cousin to plan for her escape --- but as the departure day approaches, she finds a note slipped under her door from Mia, an elderly woman who lives in her building and wants to hire Bo to be her caregiver. Suddenly, Bo has a reason to stay. Mia can be prickly, but they forge a connection deeper than any Bo has had with a client. Then Mia’s health turns, and Bo determines to honor their disappearing world and this woman who has brought her back to it.