Molly Jong-Fast is the only child of a famous woman, writer Erica Jong, whose sensational book FEAR OF FLYING launched her into second-wave feminist stardom. She grew up yearning for a connection with her dreamy, glamorous, just-out-of-reach mother, who always seemed to be heading somewhere that wasn’t with Molly. When, in 2023, Erica was diagnosed with dementia just as Molly’s husband discovered he had a rare cancer, Jong-Fast was catapulted into a transformative year. HOW TO LOSE YOUR MOTHER is a compulsively readable memoir about an intense mother–daughter relationship, a sometimes chaotic upbringing with a fame-hungry parent, and the upheavals that challenge our hard-won adulthood.

“There is no good way to say this,” Yiyun Li writes at the beginning of this book. “There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.” There is no good way to say this --- because words fall short. It takes only an instant for death to become fact, “a single point in a timeline.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: “doing the things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.

Bo knows she should go. Years of rain have drowned the city, and almost everyone else has fled. Her mother was carried away in a storm surge, and Bo has been alone ever since. She is stalled: an artist unable to make art, a daughter unable to give up the hope that her mother may still be alive. Half-heartedly, she allows her cousin to plan for her escape --- but as the departure day approaches, she finds a note slipped under her door from Mia, an elderly woman who lives in her building and wants to hire Bo to be her caregiver. Suddenly, Bo has a reason to stay. Mia can be prickly, but they forge a connection deeper than any Bo has had with a client. Then Mia’s health turns, and Bo determines to honor their disappearing world and this woman who has brought her back to it.

In 1932 Berlin, a trans man named Bertie and his friends spend carefree nights at the Eldorado Club, the epicenter of Berlin's thriving queer community. An employee of the renowned Dr. Magnus Hirschfeld at the Institute of Sexual Science, Bertie works to improve queer rights in Germany and beyond. But everything changes when Hitler rises to power. The Institute is raided, the Eldorado is shuttered, and queer people are rounded up. Bertie barely escapes with his girlfriend, Sofie, to a nearby farm. There they take on the identities of an elderly couple and live for more than a decade in isolation. In the final days of the war, Bertie and Sofie find a young trans man collapsed on their property, still dressed in Holocaust prison clothes. They vow to protect him --- not from the Nazis, but from the Allied forces who are arresting queer prisoners while liberating the rest of the country.

In San Francisco in 1866, an Irish nun, abandoned following a torrid relationship with a Chilean aristocrat, gives birth to a daughter named Emilia del Valle. Raised by a loving stepfather, Emilia grows into an independent thinker and a self-sufficient young woman. At the age of 17, she begins to publish pulp fiction using a man’s pen name. When these fictional worlds can no longer satisfy her sense of adventure, she turns to journalism, convincing an editor at The Daily Examiner to hire her. There she is paired with another talented reporter, Eric Whelan. As Emilia proves herself, her restlessness returns, until an opportunity arises to cover a brewing civil war in Chile. While there, she meets her estranged father and delves into the violent confrontation in the country where her roots lie.

The Kenner siblings are at odds. Jenn is a harried mom struggling under the weight of family obligations. Fred is a novelist who can’t write, maybe because she’s lost faith in storytelling itself. Jude is a recovering corporate lawyer with her own story to tell, and a grudge against her former favorite sister, Fred. George, the baby, is estranged from his wife and harboring both a secret about his former employer and an ill-advised crush on one of his sisters’ friends. Gathered after a major loss, each sibling needs the others more than ever --- if only they could trust each other.

Anthony Fennell, an Irish journalist and playwright, is assigned to cover the underwater cables that carry the world’s information. The sum of human existence --- words, images, transactions, memes, voices, viruses --- travels through the tiny fiber-optic tubes. But sometimes the tubes break, at an unfathomable depth. Fennell’s journey brings him to the west coast of Africa, where he uncovers a story about the raw human labor behind the dazzling veneer of the technological world. He meets a fellow Irishman, the mysterious John Conway, who is a skilled engineer and a freediver capable of reaching extraordinary depths. When the ship is sent up the coast to repair a series of major underwater breaks, both men learn that the very cables they seek to fix carry the news that may cause their lives to unravel.

In 2018, poverty and domestic violence cast Evelyn and her children into the urban wilderness of Los Angeles, where she avoids the family crisis network that offers no clear pathway for her children to remain together and in a decent school. For the next five years, Evelyn works full time as a waitress yet remains unable to afford legitimate housing or qualify for government aid. All the while she strives to provide stability, education, loving memories and college aspirations for her children, even as they sleep in motels and in her car, living in fear of both her ex and the nation’s largest child welfare agency. Eventually Evelyn encounters Wendi Gaines, a recently trained social worker who decades earlier survived her own abusive marriage and housing crisis. Evelyn becomes one of Wendi’s first clients, and the relationship transforms them both.

John Lennon once described Yoko Ono as the world’s most famous unknown artist. “Everybody knows her name, but no one knows what she does.” She has only been important to history insofar as she impacted Lennon. Throughout her life, Yoko has been a caricature, curiosity and, often, a villain --- an inscrutable seductress, manipulating con artist and caterwauling fraud. The Lennon/Beatles saga is one of the greatest stories ever told, but Yoko’s part has been missing --- hidden in the Beatles’ formidable shadow, further obscured by flagrant misogyny and racism. This definitive biography of Yoko Ono’s life will change that. In this book, Yoko Ono takes center stage.

At 25 years old, Michael Stewart was a young Black aspiring artist, deejay and model, looking to make a name for himself in the vibrant downtown art scene of the early 1980s New York City. On September 15, 1983, he was brutally beaten by New York City Transit Authority police for allegedly tagging a 14th Street subway station wall. Witnesses reported officers beating him with billy clubs and choking him with a nightstick. Stewart arrived at Bellevue Hospital hog-tied with no heartbeat and died after 13 days in a coma. This was, at that point, the most widely noticed act of police brutality in the city's history. THE MAN NOBODY KILLED recounts the cultural impact of Michael Stewart’s life and death.