On the eve of the Nazi occupation, in the heart of Brussels, life for the residents of 33 Place Brugmann is about to change forever. Charlotte Sauvin knows all the details of the building and its people --- including the distinct knock of her dear friend, Julian Raphaël. Then the Raphaëls disappear, leaving everything behind but their priceless art collection, which has simply vanished. All else that’s familiar fractures when whispers of German occupation become reality, and the lives of the residents grow increasingly intertwined. Charlotte’s godmother, Masha, deepens her risky affair with a wartime compatriot of Colonel Warlemont --- a man far more calculating than his neighbors believe. When a Nazi functionary with an interest in the Raphaëls moves into the building, knowing who can and cannot be trusted becomes a matter of life and death.

ALL THE WATER IN THE WORLD is told in the voice of a girl gifted with a deep feeling for water. In the years after the glaciers melt, Nonie, her older sister and her parents, and their researcher friends have stayed behind in an almost deserted New York City, creating a settlement on the roof of the American Museum of Natural History. The rule: Take from the exhibits only in dire need. They hunt and grow their food in Central Park as they work to save the collections of human history and science. When a superstorm breaches the city’s flood walls, Nonie and her family must escape north on the Hudson. They carry with them a book that holds their records of the lost collections. Racing on the swollen river towards what may be safety, they encounter communities that have adapted in very different and sometimes frightening ways to the new reality.

The word atavism, coined by a botanist and popularized by a criminologist, refers to the resurfacing of a primitive evolutionary trait or urge in a modern being. This inventive collection from Lydia Millet offers overlapping tales of urges ranging from rage to jealousy to yearning. The titular atavists include an underachieving, bewildered young bartender; a middle-aged mother convinced that her gentle son-in-law is fixated on geriatric porn; a bodybuilder with an incel’s fantasy life; an arrogant academic accused of plagiarism; and an empty-nester dad determined to host refugees in a tiny house in his backyard. As they pick away at the splitting seams in American culture, Millet’s characters shimmer with the sense of powerlessness we share in an era of mass overwhelm.

On November 6, 1860, Abraham Lincoln became the fluky victor in a tight race for president. Southern extremists were moving ever closer to destroying the Union, with one state after another seceding and Lincoln powerless to stop them. Slavery fueled the conflict, but somehow the passions of North and South came to focus on a lonely federal fortress in Charleston Harbor: Fort Sumter. Erik Larson offers a gripping account of the chaotic months between Lincoln’s election and the Confederacy’s shelling of Sumter --- a period marked by tragic errors and miscommunications, inflamed egos and craven ambitions, personal tragedies and betrayals. Lincoln himself wrote that the trials of these five months were “so great that, could I have anticipated them, I would not have believed it possible to survive them.”

Candy Wilson has forgotten to buy the paprika. Turner Davis needs to get his zinnias in. Della Dorner told her mother she was going to the Galaxy Swirl, but that's not where she's really headed on her new Schwinn five-speed. FLOAT UP, SING DOWN is the story of a single day. But in that day, how much teeming life! The residents of this rural town have their routines, preferences, joys, grudges and regrets. Gossip is paramount. Lives are entwined. Retired sheriffs climb corn bins and muse on lost love, French teachers throw firecrackers out of barn windows, and teenagers borrow motorcycles to ride the back roads. Each of these 14 stories follows one character's day in the life in one of Laird Hunt's most beloved and enduring landscapes.

Torn between her girlfriend, Magdu, and her best friend, Daphne, Finn is looking forward to a day of rock climbing and bonding for the three women on the soaring cliffs near their Australian town. But nothing goes as she planned, and in a horrific accident, Magdu falls to her death. Rocked by grief, Finn tries to pinpoint where it all went wrong. Did Magdu die because of Finn’s friendship with overbearing Daphne, who has never wanted Finn to change or leave her? Can Finn trace it all the way back to the tragic childhood loss of her sister? What about Magdu’s family, who never would have accepted their relationship? When the police suspect foul play in Magdu’s death, Finn begins to search for the shocking truth about her relationships and what has been in front of her all along.

Sanjana Satyananda is trying to recover her life. It’s been a year since she walked out on her husband, a struggling actor named Killian, at a commune in India, after a disagreement about whether to have children. Now, Sanjana is struggling to resurrect her busted anthropology dissertation and crashing at her annoyingly perfect sister’s while her well-adjusted peers obsess over marriages, mortgages and motherhood. Sanjana needs to move forward --- and finalize her divorce ASAP. There’s just one problem: Killian is missing. As Sanjana tries to track him down, she’s bombarded with unnerving calls from women seeking her advice on pregnancy and fertility. Soon, Sanjana comes face to face with what her life might have been if she’d chosen parenthood. And the road not taken turns out to be wilder, stranger and more tempting than she imagined.

Twenty-something Frida Rodriguez, the daughter of LOVE & SAFFRON’s own Joan Bergstrom, comes to Paris in 1991, relishing the city’s butter-soaked cuisine and seeking her future as a war correspondent. But when she writes to a bookshop in Seattle, she receives more than just the book she requests. A friendship begins that will redefine the person she thought she wanted to become. Seattle bookseller Kate Fair is transformed by Frida’s free spirit, spurred to kiss her handsome coworker, to believe in herself as a writer, and to find beauty even in loss. Through the most tumultuous years of their young lives --- personally and globally --- Kate and Frida’s friendship sustains and nourishes them as they show each other how to overcome self-doubt and the necessity of embracing joy even through our darkest hours.

Verbena Montrose must marry to save herself and her odious family from abject poverty. When she hears an alarming rumor about her very dear, very queer friend Étienne that could ruin him, she comes to his aid with a proposal --- for a marriage of convenience, that is. But when Verbena discovers that a mysterious and celebrated poet by the name of Flora Witcombe has been publishing verses that hint she is onto their scheme, Verbena has no choice but to pretend to be a poet herself to confront her in a local salon. And --- unexpectedly --- be charmed by her. Flora, in turn, is terrified by and smitten with Verbena in equal measure. But she holds a secret of her own: he is also William Forsyth, a struggling novelist and fifth son of a minor noble family. And if circumstances don’t allow Flora to woo Verbena, perhaps William can.

Mercury Carter is a deliveryman who takes his job very seriously. When a parcel is under his care, he will stop at nothing to deliver it directly to its intended recipient. Not even, as in the current case, when he finds a crew of violent men at the indicated address who threaten his life and take the woman who lives there hostage. That’s because Carter has special skills from his former life as a federal agent with the postal inspection service. After Carter dispatches the goons sent to kill him, he enters a home besieged by criminals --- but the leader of the gang escapes with attorney Rachel Stanfield before the mailman can complete his assignment. With Rachel’s husband, Glenn, in tow, Carter takes off in pursuit of the kidnapper and his quarry. Along the way, he slowly picks off members of the crew and uncovers a far-reaching conspiracy and a powerful crime syndicate.

At 25 years old, Michael Stewart was a young Black aspiring artist, deejay and model, looking to make a name for himself in the vibrant downtown art scene of the early 1980s New York City. On September 15, 1983, he was brutally beaten by New York City Transit Authority police for allegedly tagging a 14th Street subway station wall. Witnesses reported officers beating him with billy clubs and choking him with a nightstick. Stewart arrived at Bellevue Hospital hog-tied with no heartbeat and died after 13 days in a coma. This was, at that point, the most widely noticed act of police brutality in the city's history. THE MAN NOBODY KILLED recounts the cultural impact of Michael Stewart’s life and death.

After the death of his father, a young journalist named Faruq Zaidi takes the opportunity to embed himself in a mysterious cult based in the California redwoods and known as “the nameless,” whose strikingly attractive members adhere to the 18 Utterances, including teachings such as “all suffering is distortion” and “see only beauty.” Shepherding them is Odo, an enigmatic Vietnam War veteran who received “the sight” --- the movement’s foundational principles --- during his time as an infantryman. Through flashbacks that recount the cult’s wartime origins, we see four soldiers contend with the existential struggles of combat and with their responsibilities to each other. By the end of the novel, we learn which one becomes Odo.

With a newborn and two children, Molly Murphy Sullivan is tackling motherhood. Her husband, Daniel, is off to work in Washington as Easter break begins in New York. Her dear friend and writer, Ryan O’Hara, is shooting a movie and invites her and the children to visit the set. When one of the actresses is fired, Molly’s adopted daughter, Bridie, is called to replace her in the scene. It turns out she is a natural and is asked to star in the rest of the film. The movie industry is still experimenting with ways to get the best shot. But soon, their special effects start to malfunction. After a few mishaps where no one is hurt, the special effects turn deadly. With rumors of a feud between studios, Molly believes these malfunctions are sabotage. She is invited to go undercover on set to investigate the burgeoning film war.