Joy Bergman is not slipping into old age with the quiet grace that her children, Molly and Daniel, would prefer. Her marriage to their father, Aaron, has lasted through health and dementia, as well as some phenomenally lousy business decisions. The Bergman clan has always stuck together, growing as it incorporated in-laws, ex-in-laws and same-sex spouses. But families don't just grow, they grow old. Cathleen Schine's novel is an intergenerational story about searching for where you belong as your family changes with age.

At once bighearted and remorseless in its excavation of a lost world, PORCELAIN is both a chronicle of a city and a time and a deeply intimate exploration of finding one’s place during the most gloriously anxious period in life --- when you are on your own and betting on yourself, but have no idea how the story ends, and so you live with the honest dread that you’re one false step from being thrown out on your face. Moby’s voice resonates with honesty, wit and, above all, an unshakable passion for his music that steered him through some very rough seas.

In September 1776, the vulnerable Continental Army under an unsure George Washington evacuates New York after a devastating defeat by the British Army. Three weeks later, Benedict Arnold miraculously succeeds in postponing the British naval advance down Lake Champlain that might have ended the war. Four years later, Washington has vanquished his demons and Arnold has fled to the enemy after a foiled attempt to surrender the American fortress at West Point to the British. After four years of war, America is forced to realize that the real threat to its liberties might not come from without but from within.

A generation gap has emerged between parents and their girls. Even in this age of helicopter parenting, the mothers and fathers of tomorrow’s women have little idea what their daughters are up to sexually or how they feel about it. Drawing on in-depth interviews with over 70 young women and a wide range of psychologists, academics and experts, renowned journalist Peggy Orenstein goes where most others fear to tread, pulling back the curtain on the hidden truths, hard lessons and important possibilities of girls’ sex lives in the modern world.

In this long-awaited follow-up to 1993’s NOBODY’S FOOL, Doug Raymer has become the chief of police and is tormented by the improbable death of his wife --- not to mention his suspicion that he was a failure of a husband. Meanwhile, the irrepressible Sully has come into a small fortune, but is suddenly faced with a VA cardiologist’s estimate that he only has a year or two left to live. As Sully frantically works to keep the bad news from the important people in his life, we are reunited with his son and grandson; Ruth, the married woman with whom he carried on for years; and the hapless Rub Squeers, who worries that he and Sully aren’t still best friends.

Welcome to SoHo at the onset of the ’80s: a gritty, not-yet-gentrified playground for artists and writers looking to make it in the big city. Among them are James Bennett, a synesthetic art critic for the New York Times whose unlikely condition enables him to describe art in profound, magical ways, and Raul Engales, an exiled Argentinian painter running from his past and the Dirty War that has enveloped his country. As the two men ascend in the downtown arts scene, dual tragedies strike, and each is faced with a loss that acutely affects his relationship to life and to art.

Mary Frances "Frankie" Lombard is fiercely in love with her family's sprawling apple orchard and the tangled web of family members who inhabit it. But she cannot help being haunted by the historical fact that some family members end up staying on the farm and others must leave. Change is inevitable, and threats of urbanization, disinheritance and college applications shake the foundation of Frankie's roots. As Frankie is forced to shed her childhood fantasies and face the possibility of losing the idyllic future she had envisioned for her family, she must decide whether loving something means clinging tightly or letting go.

Texas in the early 1900s was on the cusp of an oil boom that, unbeknownst to its residents, would spark a period of dramatic changes and economic growth. In the midst of this transformative time in Southern history, two unforgettable characters emerge and find their fates irrevocably intertwined: Samantha Gordon, the privileged heiress to the sprawling Las Tres Lomas cattle ranch, and Nathan Holloway, a sweet-natured and charming farm boy. As changes sweep the rustic countryside, Samantha and Nathan's connection drives this narrative compulsively forward as they love, lose and betray.

When Alison and Kyle meet in high school, it is both completely forgettable and utterly life-changing. Each has big dreams: Alison wants to be a great actress, while Kyle yearns for a life of service as a doctor in the third world. But as their fates rocket them apart, neither can fully let go of the past. And when their lives inevitably intersect, they must face each other in the revealing light of their decisions.

Set deep in the mountains of Virginia, the Grundy of Lee Smith’s youth was a place of coal miners, tent revivals, mountain music, drive-in theaters and her daddy’s dimestore. It was in that dimestore --- listening to customers and inventing adventures for the store’s dolls --- that she became a storyteller. Even when she was sent off to college to earn some “culture,” she understood that perhaps the richest culture she might ever know was the one she was driving away from --- and it’s a place that she never left behind.