In the wake of the attack on Pearl Harbor in December 1941, Dorothy Thom joins the Women’s Army Corps. Women from all levels of society work together to navigate a military segregated by race and gender. In early 1945, Dorothy and 800 African American WACs cross the turbulent North Atlantic to their post in England. Their orders are to process the mail sent to GIs from their loved ones back home. They arrive to find mail stockpiled for over two years in warehouses and airplane hangars. Many pieces are in poor condition, and the names are illegible. In England and France, the WACs traverse a landscape of unimagined possibilities. With their outlooks changed forever, they return to the United States as the catalysts for change in America and build lives that transcend anything their ancestors ever dreamed of.

She was born Lula Carson Smith in Columbus, Georgia. Her dream was to become a concert pianist, though she’d been writing since she was 16, and the influence of music was evident throughout her work. At 20, she married Reeves McCullers, a fellow southerner, ex-soldier and aspiring writer. They had a fraught, tumultuous marriage lasting 12 years and ending with his suicide in 1953. Her first novel, THE HEART IS A LONELY HUNTER, was published in 1940 when she was 23. Overnight, Carson McCullers became the most widely talked about writer of the time. With unprecedented access to the cache of materials that has surfaced in the past decade, Mary Dearborn gives us the first full picture of this brilliant, complex artist who was decades ahead of her time, a writer who understood --- and captured --- the heart and longing of the outcast.

WITCHCRAFT travels through 13 witch trials across history, some famous --- like the Salem witch trials --- and some lesser-known: on Vardø island, Norway, in the 1620s, where an indigenous Sami woman was accused of murder; in France in 1731, during the country’s last witch trial, where a young woman was pitted against her confessor and cult leader; in Lesotho in 1948, where British colonial authorities executed local leaders. Exploring how witchcraft was feared, then decriminalized and then reimagined as gendered persecution, WITCHCRAFT takes on the intersections between gender and power, indigenous spirituality and colonial rule, political conspiracy and individual resistance.

Andy loves Jen. Jen loved Andy. And he can't work out why she stopped. Now he is without a home, waiting for his stand-up career to take off, and wondering why everyone else around him seems to have grown up while he wasn't looking. Set adrift on the sea of heartbreak, Andy clings to the idea of solving the puzzle of his ruined relationship. Because if he can find the answer to that, then maybe Jen can find her way back to him. But Andy still has a lot to learn, not least his ex-girlfriend's side of the story.

India Allwood grew up wanting to be an actor. Armed with a stack of index cards (for research/line memorization/make-shift confetti), she goes from awkward 16-year-old to Broadway ingenue to TV superhero. Her new movie is a prestige picture about adoption, but its spin is the same old tired story of tragedy. India is an adoptive mom in real life, though. She wants everyone to know there’s more to her family than pain and regret. So she does something you should never do --- she tells a journalist the truth: it’s a bad movie. Soon she’s at the center of a media storm, battling accusations from the press and the paparazzi. Her twin 10-year-olds know they need help --- and who better to call than family? But that’s where it gets really messy because India is not just an adoptive mother.

Evangeline Hussey has made a home for herself on Nantucket, though she knows she is still an outsider to the island’s small, close-knit community. Her husband, Hosea, and the life they built together was once all she needed. But now Hosea is gone, lost at sea. Evangeline is only able to hold on to his inn, and her place on the island, by employing a curious gift to glimpse and re-form the recent memories of those who would cast her out. One night, an idealistic sailor appears on her doorstep asking her to call him Ishmael. Yet her careful illusion suddenly begins to fracture. He soon sails away with Ahab to hunt an infamous white whale, and Evangeline is left to forge a new life from the pieces that remain. Her choices ripple through generations, across continents and into the depths of the sea.

Sasha has had it. She cannot bring herself to respond to another inane, “urgent” email or participate in the corporate employee joyfulness program. Armed with good intentions to drink kale smoothies, try yoga and find peace, she heads to the seaside resort she loved as a child. But it’s the off-season, the hotel is in dilapidated shambles, and she has to share the beach with the only other occupant: a grumpy guy named Finn, who seems as stressed as Sasha. How can she commune with nature when he’s sitting on her favorite rock, watching her? Nor can they agree on how best to alleviate their burnout. When curious messages, seemingly addressed to Sasha and Finn, begin to appear on the beach, the two are forced to talk --- about everything.

Francis Ford Coppola is one of the great American dreamers, and his most magnificent dream is American Zoetrope, the production company he founded in San Francisco years before his gargantuan success, when he was only 30. Through Zoetrope’s experimental, communal utopia, Coppola attempted to reimagine the entire pursuit of moviemaking. Now, more than 50 years later, despite myriad setbacks, the visionary filmmaker’s dream persists, most notably in the production of his decades-in-the-making film and the culmination of his utopian ideals, Megalopolis. Granted total and unprecedented access to Coppola’s archives, conducting hundreds of interviews with the artist and those who have worked closely with him, Sam Wasson weaves together an extraordinary portrait.

Flourishing in just about every climate and culture around the world, onions have provided the essential basis not only for sautés, stews and sauces, but for medicines, metaphors and folklore. Now they're Mark Kurlansky's most flavorful infatuation yet as he sets out to explore how and why the crop reigns from Italy to India and everywhere in between. Featuring historical images and his own pen-and-ink drawings, Kurlansky begins with the science and history of the only sulfuric acid-spewing plant, then digs through its 20 varieties and the cultures built around them. Entering the kitchen, he celebrates the raw, roasted, creamed, marinated and pickled. THE CORE OF AN ONION also includes a recipe section featuring more than 100 dishes from around the world.

Yayoi, a 19-year-old woman from a seemingly loving middle-class family, lately has been haunted by the feeling that she has forgotten something important from her childhood. Her premonition grows stronger day by day. As if led by it, she decides to move in with her mysterious aunt, Yukino. For as long as Yayoi can remember, Yukino has lived alone in an old gloomy single-family home. When she is not working, she spends all day in her pajamas, clipping her nails and trimming her split ends. She sometimes wakes Yayoi at 2am to be her drinking companion and watches Friday the 13th over and over to comfort herself. A child study desk, old stuffed animals --- things Yukino wants to forget --- are piled up in her backyard like a graveyard of her memories.