With this debut collection, two-time Academy Award-winning writer and director Pedro Almodóvar delivers a tantalizing glimpse into his world, formed by 12 stories carefully selected from his personal writings dating from the late ‘60s to the present. Almodóvar writes: “I’ve been asked to write my autobiography more than once, and I’ve always refused…. I’ve never kept a diary, and whenever I’ve tried, I’ve never made it to page two; in a sense, then, this book represents something of a paradox. It might be best described as a fragmentary autobiography, incomplete and a little enigmatic.” Each entry reflects Almodóvar's most intimate obsessions, as well as his evolution as an artist.

September 1913. A young Pole suffering from tuberculosis arrives at Wilhelm Opitz’s Guesthouse for Gentlemen in the village of Görbersdorf, a health resort in the Silesian mountains. Every evening the residents gather to imbibe the hallucinogenic local liqueur and debate the great issues of the day: Monarchy or democracy? Do devils exist? Are women born inferior? War or peace? Meanwhile, disturbing things are happening in the guesthouse and the surrounding hills. Someone --- or something --- seems to be watching, attempting to infiltrate this cloistered world. Little does the newcomer realize, as he tries to unravel both the truths within himself and the mystery of the sinister forces beyond, that they have already chosen their next target.

Brooke wants. She isn’t in need, but there are things she wants. A sense of purpose, for instance. She wants to make a difference in the world, to impress her mother along the way, to spend time with friends and secure her independence. Her job assisting an octogenarian billionaire in his quest to give away a vast fortune could help her achieve many of these goals. It may inspire new desires as well: proximity to wealth turns out to be nothing less than transformative. What is money, really, but a kind of belief?

CREATION LAKE is about a secret agent --- a 34-year-old American woman of ruthless tactics, bold opinions and clean beauty --- who is sent to do dirty work in France. “Sadie Smith” is how the narrator introduces herself to her lover, to the rural commune of French subversives on whom she is keeping tabs, and to the reader. Sadie has met her love, Lucien, a young and well-born Parisian, by “cold bump” --- making him believe the encounter was accidental. Like everyone Sadie targets, Lucien is useful to her and used by her. In this region of centuries-old farms and ancient caves, Sadie becomes entranced by a mysterious figure named Bruno Lacombe, a mentor to the young activists who communicates only by email. Bruno believes that the path to emancipation from what ails modern life is not revolt, but a return to the ancient past.

In the ancient city of Nineveh, on the bank of the River Tigris, King Ashurbanipal of Mesopotamia --- erudite but ruthless --- built a great library that would crumble with the end of his reign. From its ruins, however, emerged a poem, the Epic of Gilgamesh, that would infuse the existence of two rivers and bind together three lives. THERE ARE RIVERS IN THE SKY entwines these outsiders with a single drop of water, a drop that remanifests across the centuries. Both a source of life and a harbinger of death, rivers --- the Tigris and the Thames --- transcend history, transcend fate: “Water remembers. It is humans who forget.”

When the immortal goddess Hera and her brother, Zeus, overthrow their tyrannical father, she dreams of ruling at Zeus' side. But as they establish their reign on Mount Olympus, Hera begins to see that Zeus is just as ruthless and cruel as the father they betrayed. While Zeus ascends, Hera is relegated to the role of wife and mother, a role she never wanted. She was always born to rule, but must she lose herself in perpetuating this cycle of violence and cruelty? Or can she find a way to forge a better world?

Deborah Harkness first introduced the world to Diana Bishop, an Oxford scholar and witch, and vampire geneticist Matthew de Clermont in A DISCOVERY OF WITCHES. Drawn to each other despite long-standing taboos, these two otherworldly beings found themselves at the center of a battle for a lost, enchanted manuscript known as Ashmole 782. Now, Diana and Matthew receive a formal demand from the Congregation: They must test the magic of their seven-year-old twins, Pip and Rebecca. Concerned with their safety and desperate to avoid the same fate that led her parents to spellbind her, Diana decides to forge a different path for her family’s future and answers a message from a great-aunt she never knew existed, Gwyneth Proctor, whose invitation simply reads: It’s time you came home, Diana.

After a youth marked by upheaval and emotional turbulence, Julia Ames resides on the placid plateau of her mid-50s. But Julia has never navigated the world with the equanimity of her current privileged class. Having nearly derailed herself several times, making desperate bids for the kind of connection that always felt inaccessible to her, she believes she has a firm handle on things. She’s unprepared, though, for a surprise announcement from her straight-arrow son, an impending separation from her spikey teenage daughter, and a seductive resurgence of the past, all of which place her on the kind of razor’s edge that she knows all too well.

Aima and Kalu are a longtime couple who have just split. When Kalu, reeling from the breakup, visits an exclusive sex party hosted by his best friend, Ahmed, he makes a decision that will plunge them all into chaos, brutally and suddenly upending their lives. Ola and Souraya, two Nigerian sex workers visiting from Kuala Lumpur, collide into the scene just as everything goes to hell. Sucked into the city’s corrupt and glittering underworld, they’re all looking for a way out, fueled by a desperate need to escape the dangerous threat that looms over them.

Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success. In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas. At the age of 22, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries. When a mother dies, her children confront her legacy: the stories she told, the roles she assigned to them, the ways she withheld her love. Her death is a kind of freedom.