Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success. In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas. At the age of 22, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries. When a mother dies, her children confront her legacy: the stories she told, the roles she assigned to them, the ways she withheld her love. Her death is a kind of freedom.

A woman invites a famous artist to use her guesthouse in the remote coastal landscape where she lives with her family. Powerfully drawn to his paintings, she believes his vision might penetrate the mystery at the center of her life. But as a long, dry summer sets in, his provocative presence itself becomes an enigma --- and disrupts the calm of her secluded household. SECOND PLACE is a study of female fate and male privilege, the geometries of human relationships, and the moral questions that animate our lives. It reminds us of art’s capacity to uplift --- and to destroy.

Rachel Cusk redrew the boundaries of fiction with the Outline Trilogy, whose narrator, Faye, perceives the world with a glinting, unsparing intelligence while remaining opaque to the reader. Now, in COVENTRY, Cusk gathers a selection of her nonfiction writings that both offers new insights on the themes at the heart of her fiction and forges a startling critical voice on some of our most urgent personal, social and artistic questions. The book encompasses memoir, cultural criticism and writing about literature with pieces on family life, gender and politics, and on D. H. Lawrence, Françoise Sagan and Kazuo Ishiguro.

A woman writer visits a Europe in flux, where questions of personal and political identity are rising to the surface and the trauma of change is opening up new possibilities of loss and renewal. Within the rituals of literary culture, Faye finds the human story in disarray amid differing attitudes toward the public performance of the creative persona. She begins to identify among the people she meets a tension between truth and representation. In this conclusion to her Outline trilogy, Rachel Cusk explores the nature of family and art, justice and love, and the ultimate value of suffering.

In the wake of her family’s collapse, a writer and her two young sons move to London. The process of this upheaval is the catalyst for a number of transitions --- personal, moral, artistic and practical --- as she endeavors to construct a new reality for herself and her children. In the city, she is made to confront aspects of living that she has, until now, avoided, and to consider questions of vulnerability and power, death and renewal, in what becomes her struggle to reattach herself to, and believe in, life.

OUTLINE is a novel in 10 conversations that follows a novelist teaching a course in creative writing during one oppressively hot summer in Athens. She leads her students in storytelling exercises, meets other visiting writers for dinner and discourse, and goes swimming in the Ionian Sea with her neighbor from the plane. The people she encounters speak volubly about themselves. And through these disclosures, a portrait of the narrator is drawn by contrast --- a portrait of a woman learning to face a great loss.