One summer, Heidi Julavits sees her son silhouetted by the sun and notices he is at the threshold of what she calls “the end times of childhood.” When did this happen?, she asks herself. Who is my son becoming --- and what qualifies me to be his guide? The next four years feel like uncharted waters. Rape allegations rock the university campus where Julavits teaches, unleashing questions of justice and accountability. She begins to wonder how to prepare her son to be the best possible citizen of the world he’s about to enter. Looking back to her childhood in Maine, Julavits takes us on an intellectual navigation of the self. Throughout, she intertwines her internal analysis with a wide-ranging exploration of what it means to raise a child in a time full of contradictions and moral complexity.

In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe’s theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe.

One June day when Mia Jacob can no longer see a way to survive, the power of words saves her. THE SCARLET LETTER was written almost 200 years earlier, but it seems to tell the story of Mia’s mother, Ivy, and their life inside the Community --- an oppressive cult in western Massachusetts where contact with the outside world is forbidden, and books are considered evil. But how could this be? How could Nathaniel Hawthorne have so perfectly captured the pain and loss that Mia carries inside her? Through a journey of heartbreak, love and time, Mia must abandon the rules she was raised with at the Community. As she does, she realizes that reading can transport you to other worlds or bring them to you, and that readers and writers affect one another in mysterious ways.

Montserrat is a talented sound editor, but she’s left out of the boys’ club running the film industry in ’90s Mexico City. And she’s all but invisible to her best friend, Tristán, a charming if faded soap opera star. Then Tristán discovers that his new neighbor is the cult horror director Abel Urueta, and the legendary auteur claims he can change their lives --- even if his tale of a Nazi occultist imbuing magic into highly volatile silver nitrate stock sounds like sheer fantasy. The magic film was never finished, which is why, Urueta swears, his career vanished overnight. He is cursed. Now the director wants Montserrat and Tristán to help him shoot the missing scene and lift the curse. But Montserrat soon notices a dark presence following her, and Tristán begins seeing the ghost of his ex-girlfriend.

Vietnamese refugees Debbie and Phil Tran have built a comfortable life for themselves in Toronto with their family nail salon. But when an ultra-glam chain salon opens across the street, their world is rocked. Complicating matters further, their landlord has jacked up the rent, and it seems only a matter of time before they lose their business and everything they’ve built. They enlist the help of their daughter, Jessica, who has just returned home after a messy breakup and a messier firing. Together with their son, Dustin, and niece, Thuy, they devise some good old-fashioned sabotage. Relationships are put to the test as the line between right and wrong gets blurred. Debbie and Phil must choose: Do they keep their family intact or fight for their salon?

Cornelia Brown is reeling from a terrifying act of violence when she gets word that her mother, Ellie, has been badly injured in an accident. She returns to Virginia, to the house she grew up in, and in the weeks that follow, she watches her mother struggle to recover. In grief-stricken tones, Ellie begs Cornelia to bring her the Northern Lights, and despite her confusion at this mysterious plea, Cornelia vows to do so. With the help of her prickly sister, Ollie, Cornelia embarks on a mission to piece together the lost years of their mother’s life. Their quest takes them to unexpected places and into the worlds of strangers whose lives Ellie touched and irrevocably changed.

“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. But for Elliot, two steps forward had always come with one step back. With Juno’s massive success, Elliot became one of the world’s most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent. Until enough was enough.

Eighteen-year-old Natalie has just arrived at her first year of university in Toronto. Everyone she encounters seems to know exactly who they are. She reads advice listicles, watches videos online and thinks about how to fit in, how to really become someone, whoever that might be. And then she meets Nora, an older woman who takes an unexpected interest in her. She begins spending more and more of her time at Nora’s perfect, tidy home in her beautiful, quiet world. Natalie lies to her floormates about her absence, inventing a fake off-campus boyfriend, and carefully protects this sacred, adult relationship. This only deepens her obsession, even as she comes to suspect that Nora is hiding something.

Emma Woodhouse has lived 23 years in her tight-knit Upper East Side neighborhood with very little to distress her…that is, until her budding matchmaking hobby results in her sister’s marriage --- and subsequent move downtown. Now, Emma must start her final year of grad school grappling with an entirely new emotion: boredom. So when she meets Nadine, a wide-eyed Ohio transplant, Emma not only sees a potential new friend but a new project. If only her overbearing neighbor, George Knightley, would get out of her way. The only thing that frustrates Knightley more than a corked whiskey is his childhood friend, Emma. But despite his gripes, Knightley can’t help but notice that the girl next door is a woman now…one who he suddenly can’t get out of his head.

In the shared and private spaces of Iowa City, a loose circle of lovers and friends encounter, confront and provoke one another in a volatile year of self-discovery. Among them are Seamus, a frustrated young poet; Ivan, a dancer turned aspiring banker who dabbles in amateur pornography; Fatima, whose independence and work ethic complicate her relationships with friends and a trusted mentor; and Noah, who “didn’t seek sex out so much as it came up to him like an anxious dog in need of affection.” As each prepares for an uncertain future, the group heads to a cabin to bid goodbye to their former lives --- a moment of reckoning that leaves each of them irrevocably altered.