Seventeen-year-old Bret is a senior at the exclusive Buckley prep school when a new student arrives with a mysterious past. Robert Mallory is shielding a secret from Bret and his friends even as he becomes a part of their tightly knit circle. Bret’s obsession with Mallory is equaled only by his increasingly unsettling preoccupation with the Trawler, a serial killer on the loose who seems to be drawing ever closer to Bret and his friends. The coincidences are uncanny, but they are also filtered through the imagination of a teenager whose gifts for constructing narrative from the filaments of his own life are about to make him one of the most explosive literary sensations of his generation. Can he trust his friends --- or his own mind --- to make sense of the danger they appear to be in?

A year after her divorce, Joyce is settling into being single again and has developed a secret comforting hobby: trolling the neighborhood social networking site Small World for posts that help solve life’s easiest problems. When her older sister, Lydia, calls to tell her she’s moving back east after almost 30 years away, Joyce invites Lydia to temporarily move into her Cambridge apartment. But instead of forging the bond she always dreamed of having with Lydia, their relationship frays. And they rarely discuss the loss of their sister, Eleanor, who was significantly disabled and died when she was only 10 years old. When new revelations from their family’s history come to light, will those secrets further split them apart, or course-correct their connection for the future?

It’s December 22nd, and siblings Henry, Kate and Martin have converged with their spouses on Henry’s house in upstate New York. This is the first Christmas the siblings are without their mother, the first not at their mother’s Florida house. Over the course of the next three days, old resentments and instabilities arise as the siblings, with a gaggle of children afoot, attempt to perform familiar rituals, while also trying to decide what to do with their mother’s house, their sole inheritance. As tensions rise, the whole group is forced to come together unexpectedly when a local mother and daughter need help.

It is April 1900 on the imaginary island of Mingheria --- a state of the Ottoman Empire --- located between Crete and Cyprus. Half the population is Muslim, the other half are Orthodox Greeks, and tension is high between the two. When a plague arrives, the island revolts. To stop the epidemic, an accomplished quarantine expert races to the island. What follows is a shocking murder. The plague continues its rapid spread and stricter quarantine measures are declared, but the incompetence of the island’s governor, increased hostility between the two religions, and the people’s refusal to respect the bans doom the quarantine to failure. As the death count rises, warships blockade the island to keep the disease from spreading. Now the people of Mingheria are on their own, and they must find a way to defeat the plague themselves.

In 2018, without any plan or agenda for what might happen next, Patti Smith posted her first Instagram photo: her hand with the simple message “Hello Everybody!” Known for shooting with her beloved Land Camera 250, Smith started posting images from her phone, including portraits of her kids, her radiator, her boots and her Abyssinian cat, Cairo. Followers felt an immediate affinity with these miniature windows into Smith’s world. Over time, a coherent story of a life devoted to art took shape, and more than a million followers responded to Smith’s unique aesthetic in images that chart her passions, devotions, obsessions and whims. In wide-ranging yet intimate daily notations, Smith shares dispatches from her travels around the world.

“Hi, my name is Matthew, although you may know me by another name. My friends call me Matty.” So begins the riveting story of acclaimed actor Matthew Perry, taking us along on his journey from childhood ambition to fame to addiction and recovery in the aftermath of a life-threatening health scare. Before the frequent hospital visits and stints in rehab, there was five-year-old Matthew, who traveled from Montreal to Los Angeles, shuffling between his separated parents; 14-year-old Matthew, who was a nationally ranked tennis star in Canada; 24-year-old Matthew, who nabbed a coveted role as a lead cast member on the talked-about pilot then called “Friends Like Us”; and so much more.

Sally Gunnar spends her days alone at home, reading drugstore mysteries, polishing the doorknobs and waxing the floors. Her only companions are a vase of goldfish, a garden toad, and the door-to-door salesman who sells her cleaning supplies once a month. She broods over her deepest regrets: her blighted romances with self-important men, her lifelong struggle to feel at home in her own body, and her wayward early 20s, when she was a fish out of water among a group of eccentric, privileged young people at a liberal arts college. There was Sam, an unabashed collector of other people’s stories; Carlotta, a troubled free spirit; and Rennel, a self-obsessed philosophy student. Self-deprecating and sardonic, Sally recounts their misadventures, up to the tragedy that tore them apart.

1910, Mexico. As the country’s revolution spreads, Dolores, the daughter of a wealthy banker, must flee her comfortable life in Durango or risk death. Her family settles in Mexico City, where, at 16, she marries the worldly Jaime del Río. But in a twist of fate, at a party she meets an influential American director who recognizes in her a natural performer. He invites her to Hollywood, and practically overnight, the famous Miss del Río is born. In California, Dolores’ star quickly rises, and her days become a whirlwind of moviemaking and glamorous events. But as her career soars to new heights, her personal life becomes increasingly complicated, with family tragedy, painful divorce and real heartache.

Set in the mountains of southern Appalachia, DEMON COPPERHEAD is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father’s good looks and copper-colored hair, a caustic wit and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities.

Growing up in the friendly suburbs of Richmond, Virginia, Constance Wu was often scolded for having big feelings or strong reactions. “Good girls don’t make scenes,” people warned her. And while she spent most of her childhood suppressing her bold, emotional nature, she found an early outlet in local community theater. At 18 she moved to New York, where she’d spend the next 10 years of her life auditioning, waiting tables and struggling to make rent before her two big breaks: the TV sitcom “Fresh Off the Boat” and the hit film Crazy Rich Asians. Through raw and relatable essays, Constance shares private memories of childhood, young love and heartbreak, sexual assault and harassment, and how she “made it” in Hollywood.