For decades, Joni Mitchell’s life and music have enraptured listeners. One of the most celebrated artists of her generation, Mitchell has inspired countless musicians --- from peers like James Taylor, to inheritors like Prince and Brandi Carlile --- and authors, who have dissected her music and her life in their writing. At the same time, Mitchell has always been a force beckoning us still closer, as --- with the other arm --- she pushes us away. Given this, music critic Ann Powers wondered if there was another way to draw insights from the life of this singular musician who never stops moving, never stops experimenting. In TRAVELING, Powers seeks to understand Mitchell through her myriad journeys.

In 1938, a dead whale washes up on the shores of remote Welsh island. For Manod, who has spent her whole life on the island, it feels like both a portent of doom and a symbol of what may lie beyond the island's shores. A young woman living with her father and her sister (to whom she has reluctantly but devotedly become a mother following the death of their own mother years prior), Manod can't shake her welling desire to explore life beyond the beautiful yet blisteringly harsh islands that her hardscrabble family has called home for generations. So the arrival of two English ethnographers who hope to study the island culture feels like a boon to her. The longer the ethnographers stay, the more she feels herself pulled towards them, reckoning with a sensual awakening inside herself, despite her misgivings that her community is being misconstrued and exoticized.

Writing as Lemony Snicket, Daniel Handler has led several generations of young readers into that special and curious space of being hopelessly lost, and joyfully finding yourself, in the essential strangeness of literature. The wondrous and perilous journey of the Baudelaire orphans sprung from the author’s own path, from his childhood discovery of Baudelaire’s poetry through the countless peculiarities of his pursuit of a literary life --- abject failure and startling success, breakthrough and breakdown, concordance and controversy --- lit along the way by the books and culture he loved best. AND THEN? AND THEN? WHAT ELSE? is a book not just for anyone curious about the creator of Lemony Snicket, but for anyone who loved books when they were a child and still loves them now.

Paris, 1885: Aubry Tourvel, a spoiled and stubborn nine-year-old girl, comes across a wooden puzzle ball on her walk home from school. She tosses it over the fence, only to find it in her backpack that evening. Days later, at the family dinner table, she starts to bleed to death. When medical treatment only makes her worse, she flees to the outskirts of the city, where she realizes that it is this very act of movement that keeps her alive. So begins her lifelong journey on the run from her condition, which won’t allow her to stay anywhere for longer than a few days or return to a place where she’s already been. But the longer Aubry wanders and the more desperate she is to share her life with others, the clearer it becomes that the world she travels through may not be quite the same as everyone else’s.

It’s midsummer in Wyoming, and Alexandra Fuller is barely hanging on. Grieving her father and pining for her home country of Zimbabwe, reeling from a midlife breakup, freshly sober, and piecing her way uncertainly through a volatile new relationship with a younger woman, Alexandra vows to get herself back on even keel. And then, her 21-year-old son, Fi, dies suddenly in his sleep. Alexandra is painfully aware that she cannot succumb and abandon her two surviving daughters as her mother before her had done. From a sheep wagon deep in the mountains of Wyoming to a grief sanctuary in New Mexico to a silent meditation retreat in Alberta, Canada, Alexandra journeys up and down the spine of the Rocky Mountains in an attempt to find how to grieve herself whole.

Barbara Walters was a force from the time TV was exploding on the American scene in the 1960s to its waning dominance in a new world of competition from streaming services and social media half a century later. In THE RULEBREAKER, Susan Page conducts 150 interviews and extensive archival research to discover that Walters was driven to keep herself and her family afloat after her mercurial and famous impresario father attempted suicide. But she never lost the fear of an impending catastrophe, which is what led her to ask for things no woman had ever asked for before, to ignore the rules of misogynistic culture, to outcompete her most ferocious competitors, and to protect her complicated marriages and love life from scrutiny.

When the enslaved Jim overhears that he is about to be sold to a man in New Orleans, separated from his wife and daughter forever, he decides to hide on nearby Jackson Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father, who recently has returned to town. As all readers of American literature know, thus begins the dangerous and transcendent journey by raft down the Mississippi River toward the elusive and too-often-unreliable promise of the Free States and beyond. While many narrative set pieces of ADVENTURES OF HUCKLEBERRY FINN remain in place, Jim’s agency, intelligence and compassion are shown in a radically new light.

The idea for Britain’s first female rock band, The Liverbirds, started one evening in 1962, when 16-year-old Mary McGlory saw The Beatles play live at The Cavern Club in Liverpool. Then and there, she decided she was going to be just like them --- and be the first girl to do it. Joining ranks in 1963 with three other working-class girls from Liverpool --- drummer Sylvia Saunders and guitarists Valerie Gell and Pamela Birch --- The Liverbirds went on to tour alongside the Rolling Stones, the Kinks and Chuck Berry, and were on track to hit international stardom. That is, until life intervened, and the group was forced to disband just five years after forming in 1968. Now, Mary and Sylvia, the band’s two surviving members, are ready to tell their stories.

TJ Devlin is the charming disappointment in the prominent Devlin family, all of whom are lawyers at their highly successful firm --- except him. After a stint in prison and rehab for alcoholism, TJ can’t get hired anywhere except at the firm, in a make-work job with the title of investigator. But one night, TJ’s world turns upside down after his older brother, John, confesses that he murdered one of their clients, an accountant he’d confronted with proof of embezzlement. It seems impossible coming from John, the firstborn son and Most Valuable Devlin. TJ plunges into the investigation, seizing the chance to prove his worth and save his brother. But in no time, TJ and John find themselves entangled in a lethal web of deception and murder. TJ will fight to save his family, but what he learns might break them first.

Best known for playing loner rebel Dylan McKay on “Beverly Hills 90210,” Luke Perry was 52 years old when he died of a stroke in 2019. There have been other deaths of ’90s stars, but this one hit different. Gen X was reminded of their own inescapable mortality and robbed of an exciting career resurgence for one of their most cherished icons --- with recent roles in the hit series “Riverdale” and Quentin Tarantino’s Once Upon a Time in Hollywood bringing him renewed attention and acclaim. Only upon his death, as stories poured out online about his authenticity and kindness, did it become clear how little was known about the exceedingly humble actor and how deeply he impacted popular culture. In A GOOD BAD BOY, Margaret Wappler attempts to understand who Perry was and why he was unique among his Hollywood peers.