When X --- an iconoclastic artist, writer and polarizing shape-shifter --- falls dead in her office, her widow, wild with grief and refusing everyone’s good advice, hurls herself into writing a biography of the woman she deified. Though X was recognized as a crucial creative force of her era, she kept a tight grip on her life story. Not even CM, her wife, knew where X had been born. In her quest to find out, she opens a Pandora’s box of secrets, betrayals and destruction. All the while, she immerses herself in the history of the Southern Territory, a fascist theocracy that split from the rest of the country after World War II, as it is finally, in the present day, forced into an uneasy reunification.

In a small, unnamed town in the American South, a church congregation arrives for a service and finds a figure asleep on a pew. The person is genderless and racially ambiguous and refuses to speak. One family takes in the strange visitor and nicknames them Pew. As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. By the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of who they really are --- a devil or an angel or something else entirely --- is dwarfed by even larger truths.

The characters in Catherine Lacey’s first collection of short stories are continually coming to terms with their place in the world, and how to adapt to that place, before change inevitably returns. A woman leaves her dead husband’s clothing on the street, only for it to reappear on the body of a stranger; a man reads his ex-wife’s short story and neurotically contemplates if it's about him; a young woman whose Texan mother insists on moving to New York City with her has her daily attempts to get over a family tragedy interrupted by a mute stranger showing her incoherent messages on his phone. These are stories of breakups, abandonment and strained family ties; dead brothers and distant surrogate fathers; loneliness, happenstance, starting over and learning to let go.

Mary Parsons is a young woman living in New York City and struggling to cope with a body that has betrayed her. All but paralyzed with pain, she seeks relief from a New Agey treatment called Pneuma Adaptive Kinesthesia, PAKing for short. And, remarkably, it works. But PAKing is prohibitively expensive and Mary is dead broke. So she scours Craigslist for fast-cash jobs and finds herself applying for the “Girlfriend Experiment,” the brainchild of an eccentric actor, Kurt Sky, who is determined to find the perfect relationship --- even if that means paying different women to fulfill distinctive roles. Mary is hired as the “Emotional Girlfriend” and pulled into Kurt’s ego-driven and messy attempt at human connection.

Without telling her family, Elyria takes a one-way flight to New Zealand, abruptly leaving her stable but unfulfilling life in Manhattan. Haunted by her sister’s death and consumed by an inner violence, her growing rage remains so expertly concealed that those who meet her sense nothing unwell. This discord between her inner and outer reality leads her to another obsession: If her truest self is invisible and unknowable to others, is she even alive?