Coming Soon

It's the mid-1980s in the tiny town of Longview, Texas. Nellie Anderson, the beautiful daughter of the Anderson family dynasty, has burst onto the scene. She always gets what she wants. What she can't get for herself… well, that's what her mother is for. Because Charleigh Anderson --- blond, beautiful and ruthlessly cunning --- remembers all too well having to claw her way to the top. When she was coming of age on the poor side of East Texas, she was a loser and an outcast, humiliated and shunned by the in-crowd, whose approval she'd so desperately thirsted for. When a prairie-kissed family moves to town --- all trad wife, woodworking dad, wholesome daughter vibes --- Charleigh's entire self-made social empire threatens to crumble. Who will be left standing when the dust settles?

Already the gateway for illegal Canadian liquor during Prohibition, the Motor City becomes a crucible for American class conflict during the Great Depression, with an army of laid-off Ford workers drifting into the ranks of the burgeoning union movement. To keep the hundreds of thousands still employed by Henry Ford in thrall, he recruits black laborers migrating from the deep South to serve as “strike insurance.” The Model T mogul also has bought a sizable chunk of Brazil's Amazonian rainforest, vowing to grow his own rubber for tires, but stubbornly refusing to include a botanist in his troop of would-be jungle tamers. As a series of biological plagues descend on the Fordlandia plantation, the racial melting pot he has created in Detroit begins to boil over, and not even the Sage of Dearborn can control the forces that have been unleashed.

Dan and Tamma are two teenagers in their last year of high school in the southern Mojave Desert. One is a gifted golden child, the other a mouthy burnout. Climbing boulders in trash-strewn parking lots during cold desert nights, they seal their unique bond and dream of a life of adventure. As the year progresses and adult reality looms, they are rocked by change and pulled apart by irreconcilable obligations. Differences of class, talent and prospects take on new importance; options dwindle, and their decisions grow ever more consequential and perilous. It feels inevitable, finally, that something must give.

Shortly after our narrator, a writer named Julian, begins this compact book by discussing the workings of involuntary memory, he interrupts himself with a bulletin to the reader: "There will be a story --- or a story within the story --- but not just yet.” Of course, whether DEPARTURE(S) is mostly fiction or not, there is a lot of its author in it, including Julian Barnes' reckoning with the blood disorder he has been living with since he was diagnosed in 2020, his long preoccupation with dying and grief, and his mordant sense of the indignities and lost opportunities we're prey to in love. The story he promises to deliver is a love story, that of two friends he met at university in the 1960s, that time of touted but rarely experienced sexual freedom.

Christine is on tour for her novel, a revenge fantasy based on a real-life relationship gone bad with an older professor 10 years prior. Now on the road, she’s seeking answers --- about how to live a good life and what it means to make art --- through intimate conversations with strangers, past lovers and friends. But when the antagonist of her novel --- her old painting professor --- reaches out in a series of sly communiques after years of silence to tell her that he’s read her book, Christine must reckon with what it means to lose the reins of a narrative she wrote precisely to maintain control. When her professor invites her to join him at his house, on a remote island off the coast of Maine, their encounter threatens to change the very foundations of her life as she’s imagined it.

Alone and adrift in Barcelona, an unnamed narrator is haunted by the death of her teenage brother, Diego. Diego, the little boy she helped raise in Mexico while their mother struggled to make a living in Spain. Diego, who loved Vampire Weekend and dreamed of becoming a pilot. Diego, who hated Madrid as much as she did. Now, his ashes in hand, she must return to Mexico. Plagued by memories, she recounts their young lives leading up to tragedy in blistering detail: the acute loneliness that accompanied their emigration; the siblings’ first separation, when she left for Barcelona to make her own way in the world; her activism against labor abuses, which is threatened by her tumultuous relationship with an entitled lover; and the final, heavyhearted confrontation with her brother. 

Radically open-minded, formidably strong, and unusually clear-eyed about herself and others, Evelyn Bednarz has always been a misfit. She's easily bored, unsuited to life at school, asks odd questions about faith and time, and sees through conventions that others take for granted. Seeking to be true to herself, she hitchhikes across the American West taking odd jobs. In distant Tibet, another life unfolds as remote from Evelyn’s as can be: the life of a boy named Tsering, raised as a Buddhist monk in the mountains of Tibet, who eventually becomes a high lama. And yet, their lives are strangely linked --- as Evelyn discovers when a trio of Buddhist lamas show up at her door to announce that her five-year-old son, Cliff, is the seventh reincarnation of the illustrious Norbu Rinpoche, recently deceased. The lamas’ visit sets off a family crisis and a media firestorm over Cliff’s future.

Chuck Klosterman did not write this book to deepen your appreciation of football. He’s not trying to help you become that person at the party, or to teach you how to make better bets, or to validate any preexisting views you might have about the sport (positive or negative). Football does, in fact, do all of those things. But not in the way such things have been done in the past. Cultural theorists talk about hyperobjects --- phenomena that bulk so large that their true dimensions are hidden in plain sight. In 2023, 93 of the 100 most-watched programs on U.S. television were NFL football games. This is not an anomaly. This is how society is best understood. Football is not merely the country’s most popular sport; it is ingrained in almost everything that explains what America is, even for those who barely pay attention. Klosterman gets to the bottom of all of it.

Waldo is ravenous. Horny. Blunt. Naive. Wise. Impulsive. Lonely. Angry. Forceful. Hurting. Perceptive. Endlessly wanting. And the thing she wants most of all: Mr. Korgy, her creative writing teacher with the wife and the kid and the mortgage and the bills, with the dead dreams and the atrophied looks and the growing paunch. She doesn’t know why she wants him. Is it his passion? His life experience? The fact that he knows books and films and things that she doesn’t? Or is it purer than that, rooted in their unlikely connection, their kindred spirits, the similar filter with which they each take in the world around them? Or, perhaps, it’s just enough that he sees her when no one else does.

Summer, 1986. The Creel sisters, Georgie Ayyar and Agatha Krishna, welcome their aunt, uncle and young cousin --- newly arrived from India --- into their house in rural Wyoming where they’ll all live together. Because this is what families do. That is, until the sisters decide that it’s time for their uncle to die. According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West. Her account is, at every turn, cheeky, unflinching and infectiously inflected with the trappings of teendom, including the magazine quizzes that help her make sense of her life.

KINGS AND PAWNS is the untold story of sports and fame, Black America, and the promise of integration through the Cold War lens of two transformative events. The first occurred on July 18, 1949 in Washington, D.C., when a reluctant Jackie Robinson, the Brooklyn Dodgers baseball star who integrated the game, appeared before the House Un-American Activities Committee to discredit Paul Robeson, the legendary athlete, baritone and actor --- himself once the most famous Black man in America. The testimony would be a defining moment in Robinson’s life and contribute heavily to the destruction of his iconic reputation in the eyes of America. The second occurred on June 12, 1956, when a battered, defiant Robeson --- prohibited from leaving the United States --- faced off in a final showdown with HUAC in the same setting that Robinson appeared in seven years earlier.

Eden Fox, an artist on the brink of her big break, sets off for a run before her first exhibition. When she returns to the home she recently moved into, Spyglass, an enchanting old house in Hope Falls, nothing is as it should be. Her key doesn’t fit. A woman, eerily similar to her, answers the door. And her husband insists that the stranger is his wife. One house. One husband. Two women. Someone is lying. Six months earlier, a reclusive Londoner called Birdy, reeling from a life-changing diagnosis, inherits Spyglass. This unexpected gift from a long-lost grandmother brings her to the pretty seaside village of Hope Falls. But then Birdy stumbles upon a shadowy London clinic that claims to be able to predict a person's date of death, including her own. Secrets start to unravel, and as the line between truth and lies blurs, Birdy feels compelled to right some old wrongs.

No one knows exactly how the Goblin War began, but folks will tell you that goblins are stinking, slinking, filthy, sheep-stealing, henhouse-raiding, obnoxious, rude and violent. Goblins would actually agree with all of this, and they might throw in “cowardly” and “lazy”  for good measure. But goblins don't go around killing people for fun, no matter what the propaganda posters say. And when a confrontation with an evil wizard lands a troop of nine goblins deep behind enemy lines, goblin sergeant Nessilka must figure out how to keep her hapless band together and get them home in one piece. Unfortunately, between them and safety lies a forest full of elves, trolls, monsters, and that most terrifying of creatures: a human being.

A woman is filibustering for her life. Every night she tells a story. Every morning, she lives one more day. ONE ALADDIN TWO LAMPS cracks open the legendary story of Shahrazad in ONE THOUSAND AND ONE NIGHTS to explore new and ancient questions. Who should we trust? Is love the most important thing in the world? Does it matter if you are honest? What makes us happy? In her guise as Aladdin --- the orphan who changes his world --- Jeanette Winterson asks us to reread what we think we know. To look again. Especially to look again at how fiction works in our lives, giving us the courage to change our own narratives and alter endings we wish to subvert. As a young working-class woman, with no obvious future beyond factory work or marriage, Winterson realizes through the power of books that she can read herself as fiction as well as a fact.

Shadow --- the head of Treadstone --- has found evidence of massive Chinese espionage activity in the U.S. The spy running the operations is a shadowy American known only by the codename Bai Ze. No one knows who he is, but when Shadow consults the Files --- the hacked AI database she stole from the Chinese --- she discovers that Jason Bourne encountered Bai Ze during an operation eight years earlier. The trouble is, Bourne doesn’t remember him. As Bourne hunts for the elusive spy, he meets a reporter named Laney Reese, who shares his strange affliction: eight years ago, Laney lost her entire memory, too. Bourne is convinced that whatever happened to both of them is at the heart of the Chinese espionage operation. With Laney at his side, Bourne follows a zigzagging trail of clues to a quirky billionaire and his ex-wife, both of whom may have ties to Bai Ze.

Kate’s children and her husband are her whole world. Since marrying young, she’s dedicated her life to making her little family grow. But in the last few years, she’s carved out something just for herself: hours stolen away with another man. After one midday tryst with her lover, Kate’s double life is thrown into chaos when she turns on the TV to find their hotel has been overtaken by an unnamed, dangerous group. As Kate’s life hangs in the balance, she is faced with “a gripping exploration of the murky grey areas of marriage, relationships, and womanhood” (Hazel Hayes).

You can’t buy a ticket for the Elsewhere Express. Appearing only to those whose lives are adrift, it’s a magical train seeming to carry very rare and special cargo: a sense of purpose, peace and belonging. Raya is one of those lost souls. She had dreamed of being a songwriter, but when her brother died, she gave up on her dream and started living his instead. One day on the subway, as her thoughts wander, she’s swept off to the Elsewhere Express. There she meets Q, an intriguing artist who, like her, has lost his place in the world. Together they find a train full of wonders. Over the course of their long, strange night on the train, they also discover that it harbors secrets --- and danger: A mysterious stranger has stowed away and brought with him a dark, malignant magic that threatens to destroy the train.

It's always sunny in Detroit for Faith Richards. The popular TV meteorologist, endearingly referred to as "The Fair Weather Friend" by her viewers, has the world by the tail. But one night, Faith leaves work on a dinner break and never returns. Her body is found the next morning. The town is reeling, suspects emerge, and long-buried secrets are uncovered. While her allies rally, her list of adversaries also grows. Little does anyone know that only the deepest secrets will expose the truth.

On September 24, 2021, Rachel Eliza Griffiths married her husband, the novelist Salman Rushdie. On the same day, hundreds of miles away, Griffiths’ closest friend and chosen sister, the poet Kamilah Aisha Moon, who was expected to speak at the wedding, died suddenly. Eleven months later, as Griffiths attempted to piece together her life as a newlywed with heartbreak in one hand and immense love in the other, a brutal attack nearly killed her husband. As trauma compounded trauma, Griffiths realized that in order to survive her grief, she would need to mourn not only her friend, but the woman she had been on her wedding day, a woman who had also died that day.

The human “oddities” in the Museum of the Strange are less wondrous than the gawking rubes had been promised. But Alida is something else. The real thing. Traveling Depression-era America from carnival midways to speakeasies, Alida is resigned to an exploited and lonely life on the road as the museum’s golden ticket. Until she’s rescued by two compassionate strangers. Franklin and Loretta Fairchild see in Alida a gifted and uncannily well-read girl in need of a loving touch and a family. With the openhearted couple and their three precociously imaginative children, Alida finds it. Yet despite everyone’s overwhelming generosity and acceptance, Alida knows she is still a very different kind of girl. Her dreams bear that out. They’re vivid, unsettling and threatening. Alida fears that they’re also warnings. And that it’s the Fairchilds who may need rescue from a bad, bad world.

When record executive Theo meets the Future Saints, they’re bombing at a dive bar in their hometown. Since the tragic death of their manager, the band has been in a downward spiral. Theo has been dispatched to coax a new --- and successful --- album out of them, or else let them go. He is immediately struck by Hannah, the group’s impetuous lead singer, who replaces their California pop with gut-wrenching rock. When this new music goes viral, striking an unexpected chord with fans, Theo puts his career on the line to give the Saints one last shot at success with a new tour, new record and new start. But Hannah’s grief has larger consequences for the group, and her increasingly destructive antics become a distraction as she and her sister, Ginny --- her lifelong partner in crime --- undermine Theo at every turn.

Actress Anna Vaughn is fearless --- on screen, at least. She likes to believe she is as tough as her characters, but off-camera she leads a far quieter life. When her best friend Natalie, her rock, disappears after a night out with a mysterious new man, the signs point to foul play and a circle of spies operating in Manhattan. Anna must use all the tricks she’s learned for her roles to hunt for her missing friend. She crosses paths with Kevin Matthews, an FBI agent on the same trail, tracking a string of killings and disappearances and a powerful clique of oligarchs. With Matthews as her handler, she has only days to prepare for the greatest performance of her life --- going undercover. As the killers close in, her only chance for survival is to become as lethal as the characters she once played.

Harry Dresden has been through a lot, and so has his city. After Harry and his allies narrowly managed to save Chicago from being razed to the ground, everything is different --- and it’s not just the current lack of electricity. In the battle, Harry lost people he cared about. And that's the kind of loss that takes a toll. Harry being Harry, he’s doing his level best to help the city and his friends recover and rebuild. But it’s a heavy load, and he needs time. But time is one thing Harry doesn’t have. Ghouls are prowling Chicago and taking out innocent civilians. Harry’s brother is dying, and Harry doesn’t know how to help him. And last but certainly not least, the Winter Queen of the Fae has allied with the White Court of vampires --- and Harry has been betrothed to the seductive, deadly vampire Lara Raith to seal the deal.

When most of their peers were moving in with romantic partners and having children, Kim Hana and Hwang Sunwoo chose independence. But in their 40s, something shifted, and they were met with a new, unexpected loneliness. Refusing to settle for the outdated choice between marriage or isolation, Hana and Sunwoo made a radical decision: to buy a home and live together --- not as lovers or roommates, but as chosen family. Now a bustling household of two women and four cats, Hana and Sunwoo still value solitude, but can do so while sharing a life and its meaning with someone else. Together they navigate the challenges and comforts of cohabiting in midlife, the growing pains of interdependence, and the unexpected rewards of compromise when you’ve grown set in your ways.

Osama is a Palestinian professor, originally from Gaza, who cannot leave the West Bank city of Ramallah. Sari is an Israeli-American lawyer and long-distance runner who petitions Israel's Supreme Court for his right to travel freely. When the case began, neither expected to fall in love --- and when it was over, nobody expected their love to endure. First published in Hebrew in 2021, Osama and Sari's star-crossed romance --- an intimate, vulnerable portrait of an astoundingly resilient Israeli-Palestinian relationship --- has since become a beacon of hope in the aftermath of October 7, 2023. UPSIDE-DOWN LOVE speaks to the unique circumstances of this specific moment in history, while also illustrating a timeless truth: Love will triumph over bigotry and destruction.