When Shek Yeung sees a Portuguese sailor slay her husband, a feared pirate, she knows she must act swiftly or die. Instead of mourning, Shek Yeung launches a new plan: immediately marrying her husband's second-in-command, and agreeing to bear him a son and heir, in order to retain power over her half of the fleet. But as Shek Yeung vies for control over the army she knows she was born to lead, larger threats loom. The Chinese Emperor has charged a brutal, crafty nobleman with ridding the South China Seas of pirates, and the Europeans --- tired of losing ships, men and money to Shek Yeung's alliance --- have new plans for the area. Even worse, Shek Yeung's cutthroat retributions create problems all their own.

Newly married and with a baby on the way, Jacy and her husband, Jed, embark on their first road trip together to visit his father, Dr. Ash. The moment they arrive at the cottage, snug within the lush woods, Jacy feels bathed in love by the warm and hospitable Dr. Ash. But their Edenic first days take a turn when Jacy has a health scare. Swiftly, vacation activities are scrapped, and all eyes are on Jacy’s condition. Suddenly, whispers about Jed’s long-dead mother seem to eerily impinge upon the present, and Jacy begins to feel trapped in the cottage. But are her fears founded? Or is it paranoia, or cabin fever, or --- as is suggested to her --- a stubborn refusal to take necessary precautions? The dense woods surrounding the cottage are full of dangers, but are the greater ones inside?

Denied a dog, a baby and even a faithful fiancé, Cat suddenly craves a snake: a glistening, writhing creature that can be worn like “jewelry, living jewelry” to match her black jeans. But when the budding social media star promptly loses the young “Burmie” she buys from a local pet store, she inadvertently sets in motion a chain of increasingly dire and outrageous events that comes to threaten her very survival. In BLUE SKIES, T.C. Boyle transports us to water-logged and heat-ravaged coastal America, where Cat and her hapless, nature-loving family is struggling to adapt to the “new normal,” in which once-in-a-lifetime natural disasters happen once a week and drinking seems to be the only way to cope.

Rachel Louise Snyder was eight years old when her mother died, and her distraught father thrust the family into an evangelical, cult-like existence. Furiously rebellious, she was expelled from school and home at age 16. Living out of her car and relying on strangers, Rachel found herself masquerading as an adult, talking her way into college, and eventually travelling the globe. In places like India, Tibet and Niger, she interviewed those who had been through the unimaginable. In Cambodia, where she lived for six years, she watched a country reckon with the horrors of its own recent history. When she returned to the States with a family of her own, it was with a new perspective on old family wounds, and a chance for healing from the most unexpected place.

Authors June Hayward and Athena Liu were supposed to be twin rising stars. But while Athena is a literary darling, June is literally nobody. When June witnesses Athena’s death in a freak accident, she acts on impulse: she steals Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I. So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song --- complete with an ambiguously ethnic author photo? Doesn’t this piece of history deserve to be told, whoever the teller? But June can’t get away from Athena’s shadow, and emerging evidence threatens to bring June’s (stolen) success down around her.

Summer is coming to a close on the East End of Long Island, and Alex is no longer welcome. A misstep at a dinner party, and the older man she’s been staying with dismisses her with a ride to the train station and a ticket back to the city. With few resources and a waterlogged phone, but gifted with an ability to navigate the desires of others, Alex stays on Long Island and drifts like a ghost through the hedged lanes, gated driveways and sun-blasted dunes of a rarefied world that is, at first, closed to her. Propelled by desperation and a mutable sense of morality, she spends the week leading up to Labor Day moving from one place to the next, a cipher leaving destruction in her wake.

Alexis Stone, a shy school librarian, meets Logan at a hotel bar. Audacious and filterless, Logan is Alexis’ opposite. Just as she’s about to fulfill her hookup wish, the hotel catches fire in a freak lightning storm. In their rush to escape, Logan is discovered carrying her into the street, where people are waiting with cameras. Alexis is bewildered until suddenly pictures of her and Logan escaping the fire are all over the internet. It turns out Logan is none other than Logan Arthur, the hotshot candidate challenging the Texas governor’s seat. The salacious scandal is poised to sink his career --- and jeopardize Alexis’ job --- until a solution is proposed: he and Alexis could pretend to be in a relationship until Election Day…in two months. What could possibly go wrong?

Loretta Thurwar and Hamara “Hurricane Staxxx” Stacker are the stars of Chain-Gang All-Stars, the cornerstone of CAPE --- or Criminal Action Penal Entertainment --- a highly popular, highly controversial, profit-raising program in America’s increasingly dominant private prison industry. It’s the return of the gladiators, and prisoners are competing for the ultimate prize: their freedom. In CAPE, prisoners travel as Links in Chain-Gangs, competing in death-matches for packed arenas with righteous protestors at the gates. Thurwar and Staxxx, both teammates and lovers, are the fan favorites. And if all goes well, Thurwar will be free in just a few matches. As she prepares to leave her fellow Links, she considers how she might help preserve their humanity, in defiance of these so-called games.

In this wryly humorous and innovative look at a marriage gone wrong, Hannah Pittard recalls a decade’s worth of unforgettable conversations, beginning with the one in which she discovers her husband has been having sex with her charismatic best friend, Trish. These time-jumping exchanges are fast-paced, intimate and often jaw-dropping in their willingness to reveal the vulnerabilities inherent in any friendship or marriage. Blending fact and fiction, sometimes recreating exchanges with extreme accuracy and sometimes diving headlong into pure speculation, Pittard takes stock not only of her own past and future but also of the larger, more universal experiences they connect with --- from the depths of female rage to the heartbreaking ways we inevitably outgrow certain people.

Harriet and Wyn have been the perfect couple since they met in college. But they broke up five months ago and still haven’t told their best friends. This is how they find themselves sharing a bedroom at the Maine cottage that has been their friend group’s yearly getaway for the last decade. Only this year, Harriet and Wyn are lying through their teeth while trying not to notice how desperately they still want each other. The cottage is for sale, and this is the last week they’ll all have together in this place. They can’t stand to break their friends’ hearts, and so they’ll play their parts. It’s a flawless plan (if you look at it from a great distance and through a pair of sunscreen-smeared sunglasses). After years of being in love, how hard can it be to fake it for one week…in front of those who know you best?