This story begins when a mother and her daughter take off on a trip. It is a summer of rapidly changing winds, volcanic rumbles and sudden tempests. They’ve landed in Sicily, near the ancient ruins where the mother’s grandmother worked long ago on an archaeological dig. The narrator’s marriage has collapsed, her mother is losing her memory, and her daughter is on the threshold of adolescence, starting to ask difficult questions and form complex memories. How do you begin again? the narrator wonders, pondering her family line. How do you begin again if you got the beginning wrong? While the mother tries to figure out how to reconstruct their lives as a duo, her daughter takes the reins of the story, and their journey soon becomes a quest for origins.

The Mortons are a modern-day, old-money dynasty with impeccable taste --- from their exquisitely crafted cocktails to their expertly tailored vintage garments. They are also stone-cold killers. For the Mortons, homicide is heritage. They, along with the other crime families, send their progeny to Helshire College, where legacy students learn to exercise control over their wealthy peers. Jessica Morton has always excelled at Helshire, secure in the knowledge that she is the prodigy of her generation. Now, having committed her first kill, it should be Jessica’s moment, her honor. But that kill will cut more ways than one, unknotting a series of revelations spanning the Mortons’ country estate, the New York City art world, and Helshire itself.

Will Miles is trapped in tiny Greening, Michigan, where a toxic high school rumor has turned her into a social exile. But when she stumbles across the early poems of Nathaniel Fellow, a famous writer 40 years her senior who also grew up in Greening, she feels she has found a kindred spirit. A passing comment from her mother only adds to Will’s fascination: Is Nathaniel the father she's never known? Will orchestrates a plan to track Nathaniel down, and their meeting sparks a complicated, consuming relationship that gives her sidelong access to a world she’s only ever imagined. But when a torrent of information about his past threatens not just her life with Nathaniel but the story she tells herself about him, Will is faced with a choice that will change everything.

Malti Patel is absolutely fine. Concussed and bruised, maybe, but fine. Certainly fine enough not to need her daughter's soon-to-be ex-husband, Nathan Whitlock, playing nurse in her home while she recuperates. But that's exactly the quandary in which she finds herself. Her doctor insists on in-home supervision for seven days. With her daughter, Kavya, abroad at grad school in India, Nathan proves too much of a do-gooder to let Malti rehabilitate alone. Malti and Nathan want nothing to do with one another. But over the course of the week, they learn that they are the two people who know Kavya best --- and the ones who have hurt her so deeply that she has left them both.

Patrick “Kick” Kilpatrick always has been terrified of the ocean. Drifting alone in the sea after falling (or jumping? He can’t remember as the all-inclusive drinks on the cruise he was taking with his extended family were, well, inclusive), Kick must survive. As the waves crash over him, so too do the thoughts and memories of just how he got there. A Thanksgiving cruise with an obnoxious brother-in-law he has to bite his tongue to keep from screaming at. A father who gives the Great Santini a run for his money. And a mother who already left the family boat, so to speak, a long time ago. His family may be complicated, and the pains of life may seem unbearable --- infuriating enough to leap from the deck --- but maybe the will to survive is stronger.

Billie has built the perfect life. Her medical practice in New York City is thriving, and she’s finally found the right partner in Dean after years spent trying to move on from her high-school sweetheart, Mick. Their young love had been intense and true, but distance and ambition pulled them apart when she left Wisconsin for medical school. Then one morning, just after she’s accepted Dean’s romantic marriage proposal, Billie’s phone rings. It’s Mick --- calling for the first time in nearly a decade. His news is urgent. In a moment, everything changes. As Billie boards a plane back to Wisconsin, her past comes rushing in --- her hometown friendships, the love she and Mick shared, and the choices that shaped them all. What awaits her is a reckoning with what she’s lost, what she’s built, and what she still wants.

When Caroline Lash arrives in Greenhead, Massachusetts, she falls head-over-heels for Van Whittaker. Born and raised in this picturesque coastal village, Van runs with the same crowd he did as a kid: his ex-girlfriend, Bailey; Augusta, who is old money, horsey and snobbish; and Fran, who is too fed up with boys to ever consider marrying one. Together, the group runs wild through the marshes, beaches and bars of Greenhead, drinking on houseboats and spending long afternoons sunbathing with their children. But when Bailey discovers that she is pregnant with Van’s baby, the delicate balance of the group’s friendship is thrown off. Soon Caroline is cast out of the circle. What she does next exposes long-held secrets and works the entire town of Greenhead into a lather. 

Ever since her father broke her heart when she was nine, Julia Heimdahl has tried to be good company for bad men: a jovial drinking companion, an easygoing, witty non-complainer, one of the boys. Now a literary novelist in late middle age and late mid-career, she is at a moment of crisis, although she doesn’t know it yet. GOOD COMPANY takes place over the course of a weekend-long book festival at Baldwin College, which happens to be Julia’s alma mater, where she has come to promote her recently published memoir. She’s been placed on a panel with a fellow memoirist named Ellis Blackwell, a man so outrageously flirtatious and fawningly flattering that Julia is almost too disarmed to recognize how dangerous he is. 

Guinevere Sharpe has two childhoods. In one, she and her brother, Ennis, live in the wooded shadow of their family's isolated Vermont farmhouse. In the other, they live in the pages of their mother’s world-famous Ninth City books. In reality, Guinevere's childhood isn't the enchanted idyll her mother’s readers imagine. As Edith Sharpe’s books explode into epic popularity, the threats of a rural childhood give way to the escalating perils of fame --- until the night it all goes up in flames, leaving Edith’s series unfinished and her children the sole survivors. Now an adult, Guinevere is forced to confront the questions she has spent the last 20 years running from: What really happened the night of the fire? And what dark history lies behind their mother’s fantasy world?

Song is a nobody --- just a food delivery worker from a village in Northeastern China --- but her son, River, is a little wonder. At the age of four, he toddled to a piano and tapped out his favorite song. At eight, he mastered Liszt's three Liebestraume. At 10, he blazed through the complete set of Chopin's études. And at every step, Song is there to light his way --- until finally, at the age of 11, River is invited to study with a preeminent teacher in Beijing. But in the chaos of Beijing Railway Station, Song faces every mother's nightmare. She loses her grip on River’s little hand and is unable to find him after a desperate, harrowing search. Over the next days, weeks and, eventually, years, Song and River fight to forge a path back to each other as they carve out new lives that carry them farther apart.