In 26 sparkling essays, illuminated through both text and image, celebrated author and artist A. Kendra Greene is trying to make sense of the things that matter most in life: love, connection, death, grief, the universe, meaning, nothingness and everythingness. Through a series of encounters with strangers, children and animals, the wild merges with the domestic; the everyday meets the sublime. Each essay returns readers to our smallest moments and our largest ones in a book that makes us realize --- through its exuberant language, playful curation and delightful associative leapfrogging --- that they are, in fact, one and the same.

After a disastrous relationship with a colleague who stole her heart and her ideas, podcaster Cecily Foster has put romantic love on hold. When the boss who’s disappointed her again and again finally offers her the chance to host her own show, she wants to be thrilled. But the show will be about Cecily’s dating life, and she has to follow the guidance of influencer and newly minted relationship coach Eliza Cassidy. Once she’s committed to 20 blind dates of Eliza’s choosing, Cecily finds herself unable to stop thinking about Will, a photographer she helped to rescue a lost dog. Even though there are sparks between the two, Will’s own path is uncertain, and Eliza’s skeptical comments about Cecily’s decision-making aren’t helping. As Cecily struggles to balance the life she truly desires and the one Eliza wants to create for her, she finds herself at a crossroads.

Drawing on her background --- her father's abuse, her complicated dynamic with her disabled mother, the death of her child, her sexual relationships with men and women --- and her creative life as an author and teacher, Lidia Yuknavitch has come to understand that by using the power of literature and storytelling to reframe her memories, she can loosen the bonds that have enslaved her emotional growth. Armed with this insight, she allows herself to look with the eye of an artist at the wounds she suffered and come to understand the transformational power this has to restore her soul. By turns candid and lyrical, stoic and forgiving, blunt and evocative, READING THE WAVES reframes memory to show how crucial this process can be to gaining a deeper understanding of ourselves.

Grabbing an armful of clothes off the clothesline, Ciara Fay straps her two young daughters into her car and drives away. All she knows for certain is that home is no longer safe. On the surface, she has a perfect life. Her husband, Ryan, is a good provider, and they have another baby on the way. But he also monitors Ciara's every move, flies into unpredictable rages where he convinces her she can do nothing right, and has isolated her from work, friends and her beloved family. With no job and no support, Ciara struggles to provide a sense of normalcy for her little girls. Facing a broken housing system, they move into a hotel room on a floor reserved for women like her. Ryan, meanwhile, wages a relentless campaign to win her back, and Ciara wavers. He never hit her, after all. And don't the girls need a stable home?

A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure, SWEET NOTHINGS is made up of 100 illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites --- and least favorites --- are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals. An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy? And in THE LION, THE WITCH AND THE WARDROBE, how could Edmund sell out his siblings for, of all things, Turkish delight?

Lila Kennedy has a lot on her plate. A broken marriage, two wayward daughters, a house that is falling apart, and an elderly stepfather who seems to have quietly moved in. Her career is in freefall, and her love life is…complicated. So when Lila’s real dad --- a man she barely has seen since he ran off to Hollywood 35 years ago --- suddenly appears on her doorstep, it feels like the final straw. But it turns out that even the family you thought you could never forgive might have something to teach you: about love, and what it actually means to be family.

An uncertain near-future. A story of new boundaries drawn between people daily. A not-very brave new world. Add two children. And a horse. From a Scottish word meaning a transient moment, a shock, a faint glimpse, GLIFF explores how and why we endeavor to make a mark on the world. In a time when western industry wants to reduce us to algorithms and data --- something easily categorizable and predictable --- Ali Smith shows us why our humanity, our individual complexities, matter more than ever.

Books can seduce you. They can, Sarah Chihaya believes, annihilate, reveal and provoke you. And anyone incurably obsessed with books understands this kind of unsettling literary encounter. Sarah calls books that have this effect “Life Ruiners.” Her Life Ruiner, Toni Morrison’s THE BLUEST EYE, became a talisman for her in high school when its electrifying treatment of race exposed Sarah’s deepest feelings about being Japanese American in a predominantly white suburb of Cleveland. But Sarah had always lived through her books, seeking escape, self-definition and rules for living. She built her life around reading, wrote criticism, and taught literature at an Ivy League University. Then she was hospitalized for a nervous breakdown, and the world became an unreadable blank page. In the aftermath, she was faced with a question. Could we ever truly rewrite the stories that govern our lives?

When Vivian Lesperance meets Oscar Schmidt, a middle manager at a soap company, at the turn of the 20th century, she finds a partner she can guide to build the life she wants --- not least because, more interested in men himself, Oscar will leave Vivian to tend to her own romances with women. But Vivian's plans require capital, so the two pair up with Squire Clancey, scion of an old American fortune. Together they found Clancey & Schmidt, a preeminent manufacturer of soap, perfume and candles. When Oscar and Squire fall in love, the trio form a new kind of partnership. Vivian reaches the pinnacle of her power, building Clancey & Schmidt into an empire of personal care products while operating behind the image of both men. But exposure threatens, and all three partners are made aware of how much they have to lose.

One winter morning, Kyungha receives an urgent message from her friend, Inseon, to visit her at a hospital in Seoul. Inseon has injured herself in an accident, and she begs Kyungha to return to Jeju Island, where she lives, to save her beloved pet --- a white bird called Ama. A snowstorm hits the island when Kyungha arrives. She must reach Inseon’s house at all costs, but the icy wind and squalls slow her down as night begins to fall. She wonders if she will arrive in time to save the animal --- or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn’t yet suspect the vertiginous plunge into the darkness that awaits her at her friend’s house.