When 13-year-old Ruthy disappeared after track practice without a trace, it left her family scarred and scrambling. One night, 12 years later, oldest sister Jessica spots a woman on her TV screen in “Catfight,” a raunchy reality show. She rushes to tell her younger sister, Nina: This woman's hair is dyed red, and she calls herself Ruby, but the beauty mark under her left eye is instantly recognizable. Could it be Ruthy after all this time? Jessica and Nina hatch a plan to drive to where the show is filmed. When their mother Dolores catches wind of their scheme, she insists on joining, along with her best friend, Irene. What follows is a family road trip and reckoning that will force the Ramirez women to finally face the past and look toward a future --- with or without Ruthy in it.

On a rainy November evening, trainee doctor Sasha Johnson hurries through the crowd in London's historic Russell Square. Out of the darkness, someone jostles her as they brush past. A moment later, Sasha stumbles and then collapses. When Detective Superintendent Duncan Kincaid and his sergeant, Doug Cullen, are called to the scene, they discover that she's been stabbed. Kincaid immediately calls in his detective wife, Gemma James, who recently has been assigned to a task force on knife crimes that are on the rise. As the team unravels the victim's tangled connections, another murder raises the stakes. Kincaid, Gemma and their colleagues must put even friendships on the line to find the killer stalking the dark streets of Bloomsbury.

Growing up, Alice Robb dreamed of becoming a ballet dancer. But by age 15, she had to face the reality that she would never meet the impossibly high standards of the hyper-competitive ballet world. After she quit, she tried to avoid ballet --- only to realize, years later, that she was still haunted by the lessons she had absorbed in the mirror-lined studios of Lincoln Center, and that they had served her well in the wider world. The traits ballet takes to an extreme --- stoicism, silence, submission --- are valued in girls and women everywhere. Profound, nuanced and passionately researched, DON’T THINK, DEAR is Robb’s excavation of her adolescent years as a dancer and an exploration of how those days informed her life for years to come.

Lily Greene has always felt inadequate compared to the rest of her accomplished family, who strive for Black excellence. She dreams of becoming a children’s books editor, but she’s been frustratingly stuck in the nonfiction division for years. Lily finds escapism in her correspondences with her favorite fantasy author, which turns into a tentative friendship and possibly something else she won’t let herself entertain --- until he ghosts her without a word. Months later, Lily is determined to get a hold of her life, starting with finding a date to her sister’s wedding. And the perfect person to help her is Nick Brown, her charming, attractive new neighbor, who she feels drawn to for reasons she can’t explain. But little does she know that Nick is an author --- her favorite fantasy author.

How can Anna Ellis, a geeky, brilliant and hopelessly smitten cosmetic chemist, possibly win over Craig Kimball, the man of her dreams --- who also happens to be her boss? The answer is Craig’s empathetic (and handsome) CEO half-brother, Marco. The makeup mogul knows Craig for the ridiculously competitive rival he is. Whatever Marco has, Craig wants. That can be Anna, if she’s game to play. All Anna and Marco have to do is pretend they’re falling in love and let the rumors begin. If the experiment in attraction works, a jealous Craig will swoop in and give Anna her happily ever after --- if it weren’t for one hitch in the plan. There’s more to Marco than meets the eye. With every fake date, Anna’s feelings are starting to become dizzyingly real.

When a local teenager discovers a severed hand and foot washed up on the shore of the small town of Point Mettier, Alaska, Cara Kennedy is on the case. A detective from Anchorage, she has her own motives for investigating the possible murder in this isolated place, which can be accessed only by a tunnel. After a blizzard causes the tunnel to close indefinitely, Cara is stuck among the odd and suspicious residents of the town --- all 205 of whom live in the same high-rise building and are as icy as the weather. Cara teams up with Point Mettier police officer Joe Barkowski, but before long the investigation is upended by fearsome gang members from a nearby native village. Haunted by her past, Cara soon discovers that everyone in this town has something to hide.

Maria’s one-night-stand --- the thick-thighed, sexy Viking of a man she left without a word or a note --- just reappeared. Apparently, Peter is her surly “Gods of the Gates” co-star, and they’re about to spend the next six years filming on a desolate Irish island together. She still wants him…but he now wants nothing to do with her. Peter knows this role could finally transform him from a forgettable character actor into a leading man. He also knows a failed relationship with Maria could poison the set. Given time, maybe they can be cooperative colleagues or friends, but not lovers again. No matter how much he aches for her. For years, they don’t touch off-camera. But on their last night of filming, their mutual restraint finally shatters, and all their pent-up desire explodes into renewed passion.

Nisha Cantor lives the globetrotting life of the seriously wealthy, until her husband announces a divorce and cuts her off. Nisha is determined to hang onto her glamorous life. But in the meantime, she must scramble to cope --- she doesn’t even have the shoes she was, until a moment ago, standing in. That’s because Sam Kemp --- in the bleakest point of her life --- has accidentally taken Nisha’s gym bag. But Sam hardly has time to worry about a lost gym bag --- she’s struggling to keep herself and her family afloat. When she tries on Nisha’s six-inch-high Christian Louboutin red crocodile shoes, the resulting jolt of confidence makes her realize something must change --- and that thing is herself.

It’s fair to say that Maddie’s life in London is far from rewarding. With a mother who spends most of her time in Ghana (yet still somehow manages to be overbearing), Maddie is the primary caretaker for her father, who suffers from advanced stage Parkinson’s. At work, her boss is a nightmare and Maddie is tired of always being the only Black person in every meeting. So when her mum returns from her latest trip to Ghana, Maddie seizes the chance to move out of the family home and finally start living. A self-acknowledged late bloomer, she’s ready to experience some important “firsts.” But when tragedy strikes, Maddie is forced to face the true nature of her unconventional family, and the perils --- and rewards --- of putting her heart on the line.

“The first thing we did was change our names. We were going to be Sappho.” So begins Selby Wynn Schwartz’s debut novel, centuries after the Greek poet penned her lyric verse. Ignited by the same muse, a myriad of women break from their small, predetermined lives for seemingly disparate paths. In 1892, Rina Faccio trades her needlepoint for a pen; in 1902, Romaine Brooks sails for Capri with nothing but her clotted paintbrushes; and in 1923, Virginia Woolf writes, “I want to make life fuller and fuller.” Writing in cascading vignettes, Schwartz spins an invigorating tale of women whose narratives converge and splinter as they forge queer identities and claim the right to their own lives.