Jackie Stinson’s best friend is dead, and everyone knows who killed her. Jackie is an ex–emotional eater and mother of four who finally has lost the weight she long yearned to be free of. In her new, sharp-edged body, she goes by Jacqueline. But leaving her old self behind proves harder than she ever imagined. And while she believes she should be happier, misery still chases her, and motherhood threatens to subsume what little is left of her. Jacqueline’s only salve is her best friend Theresa, whose seemingly perfect life she desperately covets. Since they met in the maternity ward 15 years earlier, the two have survived the trials of motherhood side by side. Their bond is tight, but it is not enough to keep Jacqueline from stealing a bit of Theresa’s perfect life.

Meet Celine and Luke. For all intents and purposes, the happy couple. Luke (a serial cheater) and Celine (more interested in piano than domestic life) plan to marry in a year. Archie (the best man) should be moving on from his love for Luke and up the corporate ladder, but he finds himself utterly stuck. Phoebe (the bridesmaid and Celine’s sister) just wants to get to the bottom of Luke’s frequent unexplained disappearances. And Vivian (a wedding guest) is the only one with any emotional distance and observes her friends like ants in a colony. As the wedding approaches and their five lives intersect, these characters will each look for a path to the happily ever after. But does it lie at the end of an aisle?

Claire Keegan gifts us three exquisite stories that together forms a brilliant examination of gender dynamics. In "So Late in the Day," Cathal faces a long weekend as his mind agitates over a woman with whom he could have spent his life, had he acted differently; in "The Long and Painful Death," a writer's arrival at the seaside home of Heinrich Bèoll for a two-week writing residency is disrupted by an academic who imposes his criticisms and opinions; and in "Antarctica," a married woman travels out of town to see what it's like to sleep with another man and ends up in the grip of a possessive stranger. Each story probes the dynamics that corrupt what could be between women and men: a lack of generosity, the weight of expectation, the looming threat of violence.

Frankie Attleboro returns home to Cape Cod with thrilling news. She’s met the love of her life, and they’re getting married with a baby on the way. That’s the moment her widowed father makes his own jaw-dropping announcement. At 60, he’s getting married as well, to Frankie’s best friend, Ariel, who is also pregnant, and due soon. As Frankie and Ariel struggle to adjust to their new relationship, Ariel’s estranged mother, Carlotta, returns after a decade-long absence. She claims to be a changed woman. But is she really? And where has she been all these years? Frankie is suspicious, and as Carlotta’s unpredictable behavior intensifies, Frankie must untangle the threads of the past to protect Ariel’s future --- and her own.

Lucy Young is 26 and tired. Tired of fetching coffees for senior TV producers, sick of going on disastrous dates, and done with living in a damp flat with roommates who never buy toilet paper. After another disappointing date, Lucy stumbles upon a wishing machine. Pushing a coin into the slot, she closes her eyes and wishes with all her might: Please, let me skip to the good part of my life. When she wakes the next morning to a handsome man, a ring on her finger, a high-powered job and two storybook-perfect children, Lucy can’t believe this is real. As she begins to embrace new relationships and the perks of maturity, Lucy will have to ask herself: Can she go back to her previous life? If so, can she stand to leave the good part behind?

In this delightfully chilling collection, the iconic Jeanette Winterson turns her fearless gaze to the realm of ghosts, interspersing her own encounters with the supernatural alongside hair-raising fictions. Lifting the veil between the living and the dead, Winterson spirits us away to a haunted estate that ensnares a nomadic young couple in its own dark past, a staged immersive ghost tour gone awry, a West Village séance that threatens the bounds between AI and reality, and a vacation home in the metaverse where a widow visits an improved version of her deceased husband. Gloriously gothic and unnervingly contemporary, Winterson examines grief, revenge, and the myriad ways in which technology can disrupt the boundary between life and death.

Julia Worthing is a mechanic, working in the Fiction Department at the Ministry of Truth. It’s 1984, and Britain (now called Airstrip One) has long been absorbed into the larger trans-Atlantic nation of Oceania. Oceania has been at war for as long as anyone can remember and is ruled by an ultra-totalitarian Party, whose leader is a quasi-mythical figure called Big Brother. In short, everything about this world is as it is in Orwell’s 1984. One day, Julia finds herself walking toward Winston Smith in a corridor and impulsively slips him a note, setting in motion the devastating, unforgettable events of the classic story. Julia takes us on a surprising journey through Orwell’s now-iconic dystopia, with twists that reveal unexpected sides not only to Julia, but to other familiar figures in the 1984 universe.

Not long ago, celebrated activist and public intellectual Naomi Klein was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? In DOPPELGANGER, Klein turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical and political crises.

Grace Henderson has been a star of the US Women’s National Team for 10 years. But when she’s sidelined with an injury, a bold new upstart, Phoebe Matthews, takes her spot. The last thing Grace expects is to become teammates with benefits with this class clown she sees as her rival. Phoebe is too focused on her first season as a professional soccer player to think about seducing her longtime idol. But when Grace ends up making the first move, they can’t keep their hands off of each other. As the World Cup approaches and Grace works her way back from injury, a miscommunication leaves the women with hilariously different perspectives on their relationship. But they’re on the same page on the field, realizing they can play together instead of vying for the same position.

In 1874, in the wake of the War, erasure, trauma and namelessness haunt civilians and veterans, renegades and wanderers, freedmen and runaways. Twelve-year-old ConaLee, the adult in her family for as long as she can remember, finds herself on a buckboard journey with her mother, Eliza, who hasn’t spoken in more than a year. They arrive at the Trans-Allegheny Lunatic Asylum in West Virginia, delivered to the hospital’s entrance by a war veteran who has forced himself into their world. There, far from family, a beloved neighbor, and the mountain home they knew, they try to reclaim their lives. They get swept up in the life of the facility --- the mysterious man they call the Night Watch; the orphan child called Weed; the fearsome woman who runs the kitchen; and the remarkable doctor at the head of the institution.