Jane and her family are living in luxury for a year, house-sitting in the hills above Los Angeles. The gig magically coincides with Jane’s sabbatical, giving her the time and space she needs to finish her second novel --- a centuries-spanning epic that her artist husband, Lenny, dubs her “mulatto WAR AND PEACE.” Finally, some semblance of stability and success seems to be within her grasp. But things don’t work out quite as hoped. Desperate for a plan B, Jane turns her gaze to Hollywood. When she finagles a meeting with Hampton Ford, a hot producer with a major development deal at a streaming network, he seems excited to work with a “real writer,” and together they begin to develop “the Jackie Robinson of biracial comedies.” Things finally seem to be going right for Jane --- until they go terribly wrong.

As the 20th century draws to a close, Maria is at the start of a life she never thought possible. She and Khalil, her college sweetheart, are planning their wedding. Their skin is the same shade of beige. They live together in a black bohemian enclave in Brooklyn, where Khalil is riding the wave of the first dot-com boom and Maria is plugging away at her dissertation, on the Jonestown massacre. They’ve even landed a starring role in a documentary about “new people” like them, who are blurring the old boundaries as a brave new era dawns. Everything Maria knows she should want lies before her --- yet she can’t stop daydreaming about another man, a poet she barely knows.