Isaac Fitzgerald has lived many lives. He's been an altar boy, a bartender, a fat kid, a smuggler, a biker, a prince of New England. But before all that, he was a bomb that exploded his parents' lives --- or so he was told. In DIRTBAG, MASSACHUSETTS, Fitzgerald recounts his ongoing search for forgiveness, a more far-reaching vision of masculinity, and a more expansive definition of family and self. Fitzgerald's memoir-in-essays begins with a childhood that moves at breakneck speed from safety to violence, recounting an extraordinary pilgrimage through trauma to self-understanding and, ultimately, acceptance.

Paul is a recently demoted adjunct instructor of freshman comp, a divorced but doting Brooklyn father, and a self-described “curmudgeonly crank” cataloging his resentment of the priorities of modern life in a book called The Luddite Manifesto. Outraged by the authoritarian creeps ruining the country, he is determined to better the future for his young daughter, one aggrieved lecture at a time. Shockingly, others aren't very receptive to Paul's scoldings. As one indignity follows the next, and Paul's disaffection with his circumstances and society mounts, he concocts a dramatic plan to right the world's wrongs and give himself a more significant place in it.

Absorbing and evocative, these drawn-from-life stories by Hilary Mantel begin in the 1950s in an insular northern village “scoured by bitter winds and rough gossip tongues.” For the young narrator, the only way to survive is to get up, get on, get out. In “King Billy Is a Gentleman,” the child must come to terms with the loss of a father and the puzzle of a fading Irish heritage. “Curved Is the Line of Beauty" is a story of friendship, faith and a near-disaster in a scrap-yard. The title story sees our narrator ironing out her northern vowels with the help of an ex-actress with one lung and a Manchester accent. In “Third Floor Rising," she watches, amazed, as her mother carves out a stylish new identity.

Little Marek, the abused and delusional son of the village shepherd, believes his mother died giving birth to him. One of Marek’s few consolations is his enduring bond with the blind village midwife, Ina. For some people, Ina’s ability to receive transmissions of sacred knowledge from the natural world is a godsend. For others, Ina’s home in the woods is a godless place. The people’s desperate need to believe that there are powers that be who have their best interests at heart is put to a cruel test by their depraved lord and governor, especially in this year of record drought and famine. But when fate brings Marek into violent proximity to the lord’s family, new and occult forces arise to upset the old order. By year’s end, the veil between blindness and sight, life and death, and the natural world and the spirit world will prove to be very thin indeed.

Bran’s Southern California upbringing is anything but traditional. After her mother joins a Buddhist colony, Bran is raised by her “common-law stepfather” on Bourdon Farms --- a plant nursery that doubles as a cover for a biker gang. She spends her days tending plants, slogging through high school, and imagining what life could be if she had been born to a different family. And then she meets Peter, a beautiful, troubled and charming train wreck of a college student from the East Coast, who launches his teaching career by initiating her into the world of literature and aesthetics. As the two begin a volatile and ostensibly doomed long-distance relationship, Bran searches for meaning in her own surroundings.

A day spent locked in a room by border officials without any explanation as to why. A riddle that seemingly has no answer: curlew or curfew, you choose. A phone call from a college friend who hasn't been in touch in years. And all of it is somehow inextricably linked to the life of a young blacksmith hounded from her trade and branded a vagrant nearly 500 years ago. Award-winning author Ali Smith shines a guiding light through the nightmarish now with a provocative novel that intertwines our atomized present and the uncannily parallel era of the Black Plague. In the hope that our medieval past may unlock the answers we seek to understand our hazy future, COMPANION PIECE is a kaleidoscope of human history and experience, and a stunning addition to Smith's gorgeous canon.

Tasha Morton is a force of nature: a brilliant educator who’s left her mark on generations of students --- and also a whirlwind of a mother, intrusive, chaotic, oppressively devoted and irrepressible. For decades, her son Brian has kept her at a self-protective distance, but when her health begins to fail, he knows it’s time to assume responsibility for her care. Even so, he’s not prepared for what awaits him, as her refusal to accept her own fragility leads to a series of epic outbursts and altercations that are sometimes frightening, sometimes wildly comic, and sometimes both.

What really matters in life? What truly lasts in our hearts and minds? Where can we find community, history, humanity? In WRITE FOR YOUR LIFE, the answer is clear: through writing. This is a book for what Anna Quindlen calls “civilians,” those who want to use the written word to become more human, more themselves. It argues that there has never been a more important time to stop and record what we are thinking and feeling. Using examples from past, present and future --- from Anne Frank to Toni Morrison, from love letters written after World War II to journal reflections from nurses and doctors today --- WRITE FOR YOUR LIFE vividly illuminates the ways in which writing connects us to ourselves and to those we cherish.

The Garretts take their first and last family vacation in the summer of 1959. They hardly ever leave home, but in some ways they have never been farther apart. Mercy has trouble resisting the siren call of her aspirations to be a painter, which means less time keeping house for her husband, Robin. Their teenage daughters, steady Alice and boy-crazy Lily, could not have less in common. Their youngest, David, is already intent on escaping his family's orbit, for reasons none of them understand. Yet, as these lives advance across decades, the Garretts' influences on one another ripple ineffably but unmistakably through each generation.

In the first line of OCEAN STATE, we learn that a high school student was murdered, and we find out who did it. The story that unfolds from there is thus one of the build-up to and fallout from the murder, told through the alternating perspectives of the four women at its heart. Angel, the murderer; Carol, her mother; and Birdy; the victim all converge in a climax both tragic and inevitable. Watching over it all is the retrospective testimony of Angel’s younger sister Marie, who reflects on that doomed autumn of 2009 with all the wisdom of hindsight. Angel and Birdy love the same teenage boy and are compelled by the intensity of their feelings to extremes neither could have anticipated.