In the early morning of November 29, 2019, surveillance cameras at the headquarters of MI6, Britain’s spy agency, captured video of a young man pacing back and forth on a high balcony of Riverwalk, a luxury tower on the bank of the river Thames. At 2:24 a.m., he jumped into the river. In a quiet London neighborhood several miles away, Rachelle Brettler was worried about her son. Zac had told her that he had gone to stay with a friend, but then he did not come home. Days later, a police car pulled up, and two officers relayed the dreadful news: her son was dead. In their unbearable grief, Rachelle and her husband, Matthew, struggled to understand what had happened to Zac. He had his troubles, but in no way did he seem suicidal. As they would soon discover, however, there was a lot they did not know about their son.

Colm Tóibín is a master of short fiction as well as the novel, able to summon an extraordinary intensity of emotion in a brief tale. These 11 stories transport readers across continents and eras. In “The Journey to Galway,” a mother who has learned of the death of her son, a fighter pilot in World War I, travels to Galway to inform his wife and their three now fatherless children. “Sleep,” originally published in The New Yorker, explores the rift between two lovers as one of them cannot reckon with his grief and fear after the death of his brother. Death, again, is a central character in the title story, “The News from Dublin,” as Maurice Webster travels to Dublin to try to save his younger brother who is dying of tuberculosis. Maurice must petition the health minister for access to a new experimental drug, and this is the only hope.

A woman sends postcards to a former lover from the idyllic Gold Coast. A chorus of hometown voices gossip about a wayward friend returned. A young girl discovers a hidden box of horrors. Helen Garner is best known for her frank, unsparing and intricate portraits of Australian life. Now, in STORIES, comes the collected short fiction of a singular literary voice. These stories delve into the complexities of love and longing, of the pain, darkness and joy of life, and all told with Garner's characteristic sharpness, honesty and humor. Each one is a perfect piece, but together they showcase a rare talent and a master of many literary forms.

LEAVING HOME is a portrait of the artist both as a child and as an adult. His parents were not really cut out for the job of having children. They were cut out, respectively, for the jobs of designing abattoirs and keeping a pathologically clean and tidy house. At least he had the consolations of The Weetabix Solar System Wallchart, walnut whips and the occasional Babycham. Astringently honest and scalpel sharp, this is a book about being different and seeing the world differently. It’s about being a cartoonist and a care assistant. It’s about family. It’s about knickerbocker glories and heart surgery, about papier mâché and mental breakdown and great white sharks. It’s about how art, in all its varied forms, provides a way of understanding and coming to terms with the mess of human life.

Reeling from tragedy, a former jazz musician turned schoolteacher named Adi answers a job listing advertising a chance to save the world. The assignment: to spend five weeks alone on the tiny, isolated Pacific Island of Santa Flora righting an ecological balance that has gone severely out of whack, with the aim of preserving countless bird and plant species from certain extinction. What follows, however, is anything but balanced. The threats to the once-Edenic island, Adi soon learns, aren’t exactly what his employers said they were --- and, complicating things further, he discovers he’s not alone on the island. Fearful for his own life, and for the fate of the island's, Adi spends his sun-drenched days rooting out the true threat to Santa Flora, and, by extension, to the world it occupies --- and the desperate steps he must take to eradicate it.

Not for the first time, Jill “Doll” Blaine finds herself hurtling toward earth, reconstituting as she falls. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold life, and the world is better for it. Isn’t it? Crowds of people and animals --- worldly and otherworldly, alive and dead --- arrive, clamoring for a reckoning. Birds swarm the dying man’s room, and two oil-business cronies from decades past show up with chilling plans for his post-death future.

Dan and Tamma are two teenagers in their last year of high school in the southern Mojave Desert. One is a gifted golden child, the other a mouthy burnout. Climbing boulders in trash-strewn parking lots during cold desert nights, they seal their unique bond and dream of a life of adventure. As the year progresses and adult reality looms, they are rocked by change and pulled apart by irreconcilable obligations. Differences of class, talent and prospects take on new importance; options dwindle, and their decisions grow ever more consequential and perilous. It feels inevitable, finally, that something must give.

When Tom Layward’s wife had an affair 12 years ago, he resolved to leave her as soon as his youngest child left the nest. Now, while driving his college-bound daughter to Pittsburgh, he remembers his promise to himself. He is also on the run from his own health issues and a forced leave from work. So, rather than returning to his wife in Westchester, Tom keeps driving west, with the vague plan of visiting people from his past --- an old college friend, his ex-girlfriend, his brother, his son --- en route, maybe, to California. He’s moving towards a future he hasn’t even envisioned yet while he considers his past and the choices he’s made that have brought him to this particular present.

Why do we read? What is it that we hope to take away from the intimate, personal experience of reading for pleasure? How often do we ask these profound, expansive questions of ourselves and of our relationship to the joy of reading? In each of the essays in EVERY DAY I READ, Hwang Bo-reum contemplates what living a life immersed in reading means. She goes beyond the usual questions of what to read and how often, exploring the relationship between reading and writing, when to turn to a bestseller vs. browse the corners of a bookstore, the value of reading outside of your favorite genre, falling in love with book characters, and more.

On the eve of the American Revolution, half a million enslaved African Americans were embedded in the North American population. The slave trade was flourishing, even as the 13 colonies armed themselves to defend against the idea of being governed without consent. This paradox gave birth to what Joseph J. Ellis calls the “great contradiction”: How could a government that had been justified and founded on the principles articulated in the Declaration of Independence institutionalize slavery? How could it permit a tidal wave of western migration by settlers who understood the phrase “pursuit of happiness” to mean the pursuit of Indian lands? In THE GREAT CONTRADICTION, Ellis addresses the questions that lie at America’s twisted roots --- questions that turned even the sharpest minds of the Revolutionary generation into mental contortionists.