In November 1999, Joan Didion began seeing a psychiatrist because, as she wrote to a friend, her family had had “a rough few years.” She described the sessions in a journal she created for her husband, John Gregory Dunne. For several months, Didion recorded conversations with the psychiatrist in meticulous detail. The initial sessions focused on alcoholism, adoption, depression, anxiety, guilt, and the heartbreaking complexities of her relationship with her daughter, Quintana. The subjects evolved to include her work, which she was finding difficult to maintain for sustained periods. There were discussions about her own childhood and the question of legacy, or, as she put it, “what it’s been worth.” The analysis would continue for more than a decade.

From the time she was young, Suleika Jaouad has kept a journal. She’s used it to mark life's biggest occasions and to weather its most ferocious storms. Journaling has buoyed her through illness, heartbreak and the deepest uncertainty. And she is not alone. For so many people, keeping a journal is an essential tool for navigating both the personal peaks and valleys and the collective challenges of modern life. In THE BOOK OF ALCHEMY, Suleika explores the art of journaling and shares everything she's learned about how this life-altering practice can help us tap into that mystical trait that exists in every human: creativity. She has gathered wisdom from 100 writers, artists and thinkers in the form of essays and writing prompts. Their insights invite us to inhabit a more inspired life.

Naema, an elderly princess dedicated to her pet causes, is in a bind. Struck by a malady that maroons her in Montreux, she’s unable to host an exclusive gala dinner in Berlin to honor author Masud al-Huzeil for his lifetime achievement in Arabic literature. Not only is she unable to attend, RSVPs have been slow to materialize. Masud invites his old friend Demian, a native Berliner, who in turn invites his two best friends: the troubled, innocent Livia and an American publisher, Toto. But Toto doesn’t come alone. In tow are his younger internet date and Demian’s 15-year-old daughter, Nicole. Not to mention the cop who’s been trailing Nicole since she left the red-light district. Presiding over the affair is Naema’s infinitely rich, endlessly disaffected grandson, Prince Radi, whose pass at Nicole culminates in an epic midnight food run that changes all their lives.

The film Oppenheimer has awakened interest in this vital period of American history. Now, for the first time in a generation, RED SCARE presents a narrative history of the anti-Communist witch hunt that gripped America in the decade following World War II. The cultural phenomenon, most often referred to as McCarthyism, was an outgrowth of the conflict between social conservatives and New Deal progressives, coupled with the terrifying onset of the Cold War. This defining moment in American history was marked by an unprecedented degree of political hysteria. Drawing upon newly declassified documents, journalist Clay Risen recounts how politicians like Joseph McCarthy, with the help of an extended network of other government officials and organizations, systematically ruined thousands of lives in their deluded pursuit of alleged Communist conspiracies.

Sara has just landed at LAX when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for 21 days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes. With every deviation from the strict and ever-shifting rules of the facility, their stay is extended. Months pass, and Sara seems no closer to release. Then one day, a new resident arrives, disrupting the order of the facility and leading Sara on a collision course with the very companies that have deprived her of her freedom.

Over the 50 years that Lorne Michaels has been at the helm of “Saturday Night Live,” he has become a revered and inimitable presence in the entertainment world. He’s a tastemaker, a mogul, a withholding father figure, a genius spotter of talent, a shrewd businessman, a name-dropper, a raconteur, the inspiration for Dr. Evil, the winner of more than a hundred Emmys --- and, essentially, a mystery. Generations of writers and performers have spent their lives trying to figure him out, by turns demonizing and lionizing him. LORNE will introduce you to him, in full, for the first time. With unprecedented access to Michaels and the entire “SNL” apparatus, Susan Morrison takes readers behind the curtain for the lively, up-and-down, definitive story of how Michaels created and maintained the institution that changed comedy forever.

Many cultural and religious traditions expect those who are grieving to step away from the world. In contemporary life, we are more often met with red tape and to-do lists. This is exactly what happened to Geraldine Brooks when her partner of more than three decades, Tony Horwitz, collapsed and died on a Washington, D.C. sidewalk. After spending their early years together in conflict zones as foreign correspondents, Geraldine and Tony settled down to raise two boys on Martha’s Vineyard. But their happy life ended abruptly when, on Memorial Day 2019, Geraldine received the phone call we all dread. Nearly four years later, she booked a flight to a remote island off the coast of Australia with the intention of finally giving herself the time to mourn. There, she pondered the various ways in which cultures grieve and what rituals of her own might help to rebuild a life around the void of Tony’s death.

The stories in Paul Theroux’s fascinating collection are both exotic and domestic, their settings ranging from Hawaii to Africa and New England. Each focuses on life’s vanishing points --- a moment when seemingly all lines running through one’s life converge, and one can see no farther, yet must deal with the implications. With the insight, subtlety and empathy that has long characterized his work, Theroux has written deeply moving stories about memory, longing and the passing of time, once again reclaiming his status as a master of the form.

Griffin Hurt is in over his head. Between his role as Peter Proton on the hit TV show “The Nuclear Family” and the pressure of high school at New York's elite Boyd Prep --- along with the increasingly compromising demands of his wrestling coach --- he's teetering on the edge of collapse. Then comes Naomi Shah, 22 years Griffin’s senior. Unwilling to lay his burdens on his shrink --- whom he shares with his father, mother and younger brother, Oren --- Griffin soon finds himself in the back of Naomi’s Mercedes sedan, again and again, confessing all to the one person who might do him the most harm.

Wit’s End isn’t just a state of mind. It’s the name of a gravel road, the address of a run-down off-the-grid cabin, 120 shabby square feet of fixer-upper that Patrick Hutchison purchased on a whim in the mossy woods of the Cascade Mountains in Washington state. To say Hutchison didn’t know what he was getting into is no more an exaggeration than to say he’s a man with nearly zero carpentry skills. Well, used to be. You can learn a lot over six years of renovations. CABIN is the story of those renovations, but it's also a love story --- of a place, of possibilities, and of the process of construction, of seeing what could be instead of what is. It is a book for those who know what it’s like to bite off more than you can chew, or who desperately wish to.