An interpreter has come to The Hague to escape New York and work at the International Court. A woman of many languages and identities, she is looking for a place to finally call home. She's drawn into simmering personal dramas: her lover, Adriaan, is separated from his wife but still entangled in his marriage. Her friend, Jana, witnesses a seemingly random act of violence, a crime the interpreter becomes increasingly obsessed with as she befriends the victim's sister. And she's pulled into an explosive political controversy when she’s asked to interpret for a former president accused of war crimes. Soon she’s pushed to the precipice, where betrayal and heartbreak threaten to overwhelm her, forcing her to decide what she wants from her life.

Samantha Raymond's life has begun to come apart: her mother is ill, her teenage daughter is increasingly remote, and at 52 she finds herself staring into "the Mids" --- that hour of supreme wakefulness between three and four in the morning in which women of a certain age suddenly find themselves contemplating motherhood, mortality and, in this case, the state of our unraveling nation. When she falls in love with a beautiful, decrepit house in a hardscrabble neighborhood in Syracuse, she buys it on a whim and flees her suburban life --- and her family --- as she grapples with how to be a wife, a mother and a daughter in a country that is coming apart at the seams.

It’s 1953, and Simon Putnam has just been hired by a distinguished New York publishing firm. But his first assignment --- editing The Vixen, the Patriot and the Fanatic, a lurid bodice-ripper improbably based on the recent trial and execution of Ethel and Julius Rosenberg --- makes him question the cost of admission. Simon has a secret that, at the height of the Red Scare and the McCarthy hearings, he cannot reveal: his beloved mother was a childhood friend of Ethel Rosenberg’s. As the confluence of sex, money, politics and power spirals out of Simon’s control, he must face what he’s lost by exchanging the loving safety of his middle-class Jewish parents’ Coney Island apartment for the witty, whiskey-soaked orbit of his charismatic boss.

Joan has spent a lifetime enduring the cruelties of men. But when one of them commits a shocking act of violence in front of her, she flees New York City in search of Alice, the only person alive who can help her make sense of her past. In the sweltering hills above Los Angeles, Joan unravels the horrific event she witnessed as a child --- that has haunted her every waking moment --- while forging the power to finally strike back.

In a tiny settlement on the west coast of Greenland, 11-year-old Aleq and his best friend, frequent trespassers at a mining site exposed to mountains of long-buried and thawing permafrost, carry what they pick up back into their village. PHASE SIX follows Aleq, one of the few survivors of the initial outbreak, through his identification and radical isolation as the likely index patient. While he shoulders both a crushing guilt for what he may have done and the hopes of a world looking for answers, we also meet two Epidemic Intelligence Service investigators dispatched from the CDC --- Jeannine, an epidemiologist and daughter of Algerian immigrants, and Danice, an M.D. and lab wonk. As they attempt to head off the cataclysm, Jeannine does what she can to sustain Aleq.

Sebastian Junger examines the tension that lies at the heart of what it means to be human. For much of a year, Junger and three friends --- a conflict photographer and two Afghan War vets --- walked the railroad lines of the East Coast. It was an experiment in personal autonomy, but also in interdependence. Dodging railroad cops, sleeping under bridges, cooking over fires, and drinking from creeks and rivers, the four men forged a unique reliance on one another. In FREEDOM, Junger weaves his account of this journey together with primatology and boxing strategy, the history of labor strikes and Apache raiders, the role of women in resistance movements, and the brutal reality of life on the Pennsylvania frontier.

Jhumpa Lahiri’s narrator, a woman questioning her place in the world, wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home acts as a companion and interlocutor. We follow her to the pool she frequents, and to the train station that leads to her mother, who is mired in her own solitude after her husband’s untimely death. Among those who appear on this woman’s path are colleagues with whom she feels ill at ease, casual acquaintances, and “him,” a shadow who both consoles and unsettles her. Until one day at the sea, both overwhelmed and replenished by the sun’s vital heat, her perspective will abruptly change.

In ANTIQUITIES, Lloyd Wilkinson Petrie, one of the seven elderly trustees of the now-defunct (for 34 years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with the troubling distractions of present events. As he navigates, with faltering recall, between the subtle anti-Semitism that pervaded the school's ethos and his fascination with his own family's heritage, he reconstructs the passions of a childhood encounter with the oddly named Ben-Zion Elefantin, a mystifying older pupil who claims descent from Egypt's Elephantine Island. Included alongside this wondrous tale are four additional stories weaving myth and mania, history and illusion: "The Coast of New Zealand," "The Bloodline of the Alkanas," "Sin" and "A Hebrew Sibyl."

In present-day Miami, Jeanette is battling addiction. She is determined to learn more about her family history from her reticent mother, a Cuban immigrant named Carmen, and makes the snap decision to take in the daughter of a neighbor detained by ICE. Still wrestling with the trauma of displacement, Carmen must process her difficult relationship with her own mother while trying to raise a wayward Jeanette. Steadfast in her quest for understanding, Jeanette travels to Cuba to see her grandmother and reckon with secrets from the past destined to erupt.

At the center of FOREGONE is famed Canadian American leftist documentary filmmaker Leonard Fife, one of 60,000 draft evaders and deserters who fled to Canada to avoid serving in Vietnam. Fife, now in his late 70s, is dying of cancer in Montreal and has agreed to a final interview in which he is determined to bare all his secrets at last, to demythologize his mythologized life. The interview is filmed by his acolyte and ex–star student, Malcolm MacLeod, in the presence of Fife’s wife and alongside Malcolm’s producer, cinematographer and sound technician, all of whom have long admired Fife but who must now absorb the meaning of his astonishing, dark confession.