In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, ‘I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.’ Her subjects range far and wide: Robespierre and Danton, the Hite report, Saudi Arabia where she lived for four years in the 1980s, the Bulger case, John Osborne, the Virgin Mary as well as the pop icon Madonna, a brilliant examination of Helen Duncan, Britain’s last witch. Constantly illuminating, always penetrating and often very funny, interleaved with letters and other ephemera gathered from the archive, MANTEL PIECES is an irresistible selection from one of our greatest living writers.

The latest work from the celebrated author of the historical novels WOLF HALL and BRING UP THE BODIES is a collection of 10 stories, Hilary Mantel’s first collection since 2003’s LEARNING TO TALK. Many of these contemporary tales play with the conventions of genre; there’s even a vampire tale. But the title story, about an imagined attempt on the former Prime Minister’s life, will, not surprisingly, get the most attention.

Anne Boleyn has failed to give Henry a son, and her sharp intelligence and audacity will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice. At a word from Henry, Thomas Cromwell is ready to bring her down.

Anne Boleyn has failed to give Henry a son, and her sharp intelligence and audacity will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice. At a word from Henry, Thomas Cromwell is ready to bring her down.