In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. A MEMOIR OF MY FORMER SELF collects the finest of this writing over four decades. Her subjects are wide-ranging, sharply observed and beautifully rendered. She discusses nationalism and her own sense of belonging; our dream life popping into our conscious life; the many themes that feed into her novels --- revolutionary France, psychics, Tudor England; and other novelists, from Jane Austen to V.S. Naipaul. She writes fiercely and heartbreakingly about the battles with her health that she endured as a young woman, and the stifling years she found herself living in Saudi Arabia.

Absorbing and evocative, these drawn-from-life stories by Hilary Mantel begin in the 1950s in an insular northern village “scoured by bitter winds and rough gossip tongues.” For the young narrator, the only way to survive is to get up, get on, get out. In “King Billy Is a Gentleman,” the child must come to terms with the loss of a father and the puzzle of a fading Irish heritage. “Curved Is the Line of Beauty" is a story of friendship, faith and a near-disaster in a scrap-yard. The title story sees our narrator ironing out her northern vowels with the help of an ex-actress with one lung and a Manchester accent. In “Third Floor Rising," she watches, amazed, as her mother carves out a stylish new identity.

In 1987, when Hilary Mantel was first published in the London Review of Books, she wrote to the editor, Karl Miller, “I have no critical training whatsoever, so I am forced to be more brisk and breezy than scholarly.” This collection of 20 reviews, essays and pieces of memoir from the next three decades tells the story of what happened next. Her subjects range far and wide: Robespierre and Danton, the Hite report, Saudi Arabia where she lived for four years in the 1980s, the Bulger case, John Osborne and the Virgin Mary. There are essays about Jane Boleyn, Charles Brandon, Christopher Marlowe and Margaret Pole, which display the astonishing insight into the Tudor mind we are familiar with from the bestselling Wolf Hall Trilogy.

The latest work from the celebrated author of the historical novels WOLF HALL and BRING UP THE BODIES is a collection of 10 stories, Hilary Mantel’s first collection since 2003’s LEARNING TO TALK. Many of these contemporary tales play with the conventions of genre; there’s even a vampire tale. But the title story, about an imagined attempt on the former Prime Minister’s life, will, not surprisingly, get the most attention.

Anne Boleyn has failed to give Henry a son, and her sharp intelligence and audacity will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice. At a word from Henry, Thomas Cromwell is ready to bring her down.

Anne Boleyn has failed to give Henry a son, and her sharp intelligence and audacity will alienate his old friends and the noble families of England. When the discarded Katherine dies in exile from the court, Anne stands starkly exposed, the focus of gossip and malice. At a word from Henry, Thomas Cromwell is ready to bring her down.