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Orla and her husband, Nick, move into an antiquated Georgian house on the Dorset cliffs. But as they settle into the mansion --- Nick absent all week, commuting to the city for work --- Orla finds herself unsettled. She hears voices when no one is around; doors open and close on their own; and her son Sam, who has not spoken in six months, seems to have made an imaginary friend whose motives Orla does not trust. Four decades earlier, Lydia moves into the same house as a live-in nanny to a grieving family. She, too, becomes aware of intangible presences in the large house and becomes increasingly fearful for the safety of the children in her care. Are both families careening towards tragedy? Are Orla and Lydia seeing things that aren’t there? What secrets is the house hiding?

The Hanrahan family is gathering for a momentous weekend as famous artist and notorious egoist Ray Hanrahan prepares for a new exhibition of his art --- the first in many decades --- and one he is sure will burnish his reputation for good. His three children will be there: eldest daughter Leah, always her father’s biggest champion; son Patrick, who has finally decided to strike out on his own; and daughter Jess, the youngest, who has her own momentous decision to make. And what of Lucia, Ray’s steadfast and selfless wife? She is an artist, too, but has always had to put her roles as wife and mother first. What will happen if she decides to change? For Lucia is hiding secrets of her own, and as the weekend unfolds and the exhibition approaches, she must finally make a choice about which desires to follow.

Lottie Rebecca Lee is spoken into the world in Fayetteville, North Carolina, by a Black nurse who declares, “Lord Jesus, if that ain’t the blackest little baby born this side of heaven.” Later, Lottie will prove that she is the ancestors’ promise to unearth the Mississippi and Ghanaian atrocities that have tormented Benjamin Lee, her grandfather who was born during the Great Depression in Mississippi’s red clay tobacco fields, and Benjamin Junior, his son and Lottie Rebecca’s father, born in Fayetteville, North Carolina, where the post-Korean War GI Bill promises prosperity. These two generations of men are haunted by the Mother-Spirit, who did not survive enslavement’s post-traumatic stress violence.

In BOGIE & BACALL, William J. Mann offers a deep and comprehensive look at Lauren Bacall, Humphrey Bogart, and the unlikely love they shared. Mann details their early years --- Bogart’s effete upbringing in New York City; Bacall’s rise as a model and actress. He paints a vivid portrait of their courtship and 12-year marriage: the fights, the reconciliations, the children, the affairs, Bogie’s illness and Bacall’s steadfastness until his death. He offers a sympathetic yet clear-eyed portrait of Bacall’s life after Bogie, exploring her relationships with Frank Sinatra and Jason Robards, who would become her second husband, and the identity crisis she faced. Surpassing previous biographies, Mann digs deep into the celebrities’ personal lives and considers their relationship from surprising angles.

A young woman bonds with an encampment of poets after a devastating earthquake. Against her better judgment, a college student begins to fall for an acquaintance who might be dead. And a Confucian disciple returns to the Master bearing a jar full of grisly remains. Weaving between reality and dreamy surreality, these nine stories wend toward elsewhere, a comforting, frustrating, just-out-of-reach place familiar to anyone who has ever experienced longing. Through it all, Yan Ge’s protagonists peer thoughtfully at their own feelings of displacement --- physical or emotional, the result of travel, emigration or exile. ELSEWHERE explores the utility (or not) of art in the face of lonesomeness, quotidian and spectacular.

Rachel Ruskin never intended to return to her family’s tobacco farm in Shiloh, North Carolina. But when her academic career studying Southern folklore in New York City flames out, she has no choice. Back in her hometown in the wake of family loss, she is alone, haunted by memories, by ghosts, and by Shiloh’s buried history of racism and violence. When another child is accidentally shot and killed, however, Rachel can no longer avoid confronting her own past wrongs, nor can she continue to hold herself apart from her community. How can the people of Shiloh reconcile their love of hunting and their belief in tradition with the loss of more children? How can she find a way back to those she grew up loving?

The Barbary Coast, 1621. A mysterious vessel floats silently on the water. It is known only as the Ghost Ship. For months it has hunted pirates to liberate those enslaved by corsairs, manned by a courageous crew of mariners from Italy and France, Holland and the Canary Islands. But the bravest men on board are not who they seem. And the stakes could not be higher. If arrested, they will be hanged for their crimes. Can they survive the journey and escape their fate?

In baseball, there are superstars, stars and everyday players...and then there are the rest. Within the rest are role players, specialists and journeymen...and then there are the backup catchers. THE TAO OF THE BACKUP CATCHER is about them, the backup catchers, who exist near the bottom of the roster, the end of the bench, and between the numbers in a sport --- and a society --- increasingly driven by cold, hard analytics. It is a story of grown men who once dreamed of stardom and generational wealth. Instead, they were handed a broom and a deeper understanding of who wins and why, who stands tall and who folds, and who will invest their own lives in catching bullpens and the back ends of doubleheaders.

A professor finds a photograph of her deceased mother in a compromising position on the wall of a museum. A twenty-something’s lucrative remote work sparks paranoia and bigotry. A transplant to a new city must make a choice about who she trusts when her partner reveals a violent history. The summer after her divorce from an older man, an exiled painter’s former friends grapple with rumors that she attempted to pass as a teenager. In this long-awaited debut collection, Kathleen Alcott turns her skills as a stylist on the unfreedoms of American life --- as well as the guilt that stalks those who survive them.

Flavia Albia has taken over her father's business as a private informer. She only has two hard and fast rules --- avoid political cases and family cases because nothing good comes of either of them. Unfortunately, since Albia isn't good at avoiding either, it's really more of a guideline. So when her Aunt Junia demands Albia track down a couple of deadbeats who owe her money, it's an offer Albia can't refuse. It turns out to be a relatively easy job and leads to some new work --- tracking down some essential paperwork for the debtor family. But if Albia doesn't find the paperwork that proves that family's ancestor was a properly freed slave, the family could lose everything. The more she digs, the more skeletons she finds in their closet, until murder in the past leads to murder in the present.

For as long as she could remember, Susannah Faulkner knew that even though she lived a dangerous and violent life, she would try her best to do some good in the world. She’s hunted down evil men before, but the one man who puts fear into her heart, the one man who could destroy everything she loves, is the one man she cannot track down. And worst of all, she doesn’t know what will happen when she finds him. Or if he finds her first. Finn, an ex-soldier who served alongside Susannah’s father in  Iraq, left Suzie with a simple choice a year ago: she could watch her family die one by one, or she could pursue him in a deadly game of cat-and-mouse. The stubborn and skillful Suzie knows just how dangerous he is and how far he will go to complete his vengeance. And so the hunt begins.

ONLOOKERS is an astute new story collection about people living in the same Southern town whose lives intersect in surprising ways. Peaceful Charlottesville, Virginia, drew national attention when white nationalists held a rally there in 2017; the repercussions of this horrific event are still felt today. Confederate monuments such as General Robert E. Lee atop his horse were then still standing. The statues are a constant presence and a metaphoric refrain throughout this collection, though they represent different things to different characters. Some landmarks may have faded from consciousness but provoke fresh outrage when viewed through newly opened eyes.

A happily married woman has come to the Right Sort Marriage Bureau to find a new wife for her husband. Dying of cancer, she wants the owners --- Miss Iris Sparks and Mrs. Gwendolyn Bainbridge --- to make sure that her entomologist, academic husband finds someone new once she passes. Shortly thereafter, she's found dead in Epping Forest, in what appears to be a suicide. But that doesn't make sense to either Sparks or Bainbridge. At the same time, Bainbridge is attempting to regain legal control of her life, opposed by the conservator who has been managing her assets --- perhaps not always in her best interest. When that conservator is found dead, Bainbridge herself is one of the prime suspects. Attempting to make sense of two deaths at once, Sparks and Bainbridge are once again on the case.

Someone is playing deadly games. Lieutenant Luke Pittman lies in the hospital in a coma after being attacked by one of their own. Veronica Manes, Burning Lake’s most respected modern-day witch, is dead, her murder left unsolved. Natalie Lockhart has become embroiled in a case with threads that become increasingly difficult to untangle. Now, a new horror is uncovered, one that shocks the town as never before, and the dark, shadowy path forward for Natalie is paved with challenges that haunt her past --- Veronica’s unsolved case. Her sister’s traumatic murder. The long-lost disappearance of her old best friend. Natalie’s obsession with finding the truth leads to a twisted, elemental struggle between good and evil --- and nothing will ever be the same again.

With an ex-husband relocated across the country, her father bouncing back after the loss of his beloved wife, and her daughter, Xandra, thriving at boarding school, Nina Morgan Clarke is stepping into her dream job as a trifecta: a first-generation, Black female head of the storied Royal-Hawkins School. To mark the moment, Nina and her best friend, Marisol, take a long-overdue girls’ trip to celebrate the second half of Nina’s life --- which is shaping up to be the best part of her life. As Nina’s school year gets underway, all seems to be progressing as planned. Before long, wunder-hire Jared Jones relentlessly pushes Nina to her ethical limits. Soon after, dutiful Xandra accuses one of her teachers of misconduct. And most alarming, the repercussions of her trip with Marisol force Nina into a life-altering choice.

1926, Hyde Park, New York. Born to modest means but befriended by the wealthy, aspiring dress designer Pandora Carmichael has been surrounded by privilege yet never at home in it. That hasn’t stopped her from dreaming --- of a romance in a rarified world that could also give her the status and resources to start a business of her own. When she’s introduced to a charismatic Princeton student, Pandora’s future begins to fall into place. Marriage provides Pandora with a devoted husband, comfortable love, and the prominence and affluence to open a boutique. It’s a fantasy realized, until scandal and tragedy upend Pandora’s life and she flees Hyde Park with a heart-wrenching secret. As the Depression looms, Pandora must rethink everything she’s ever wanted.

On the second to last day of summer school in 1984, Calvin and Jason Schott hijack a school bus carrying 19 students, an unthinkable act of violence that devastates the community of Brookwood. Thirty years later, Brenda and Emily Mashburn --- twin sisters and survivors of the ordeal --- are forced to relive the kidnapping as they film a documentary about the event in an attempt to thwart Calvin's looming parole hearing. Meanwhile, Jason fights for his brother's release, hoping that a reunited family can finally bring peace to their elderly mother and ease the guilt he feels over his role in the kidnapping. The result is a feud between the two families, with neither side willing to back down.

Doomsday is coming as an evil mastermind plots to destroy all of humankind. Not even The Shadow knows the enemy’s true identity. But the clock is ticking with people all over the world dropping dead each and every day. As The Shadow gathers a small band of allies, he knows this is one fight he cannot lose. Because anything else means the end of all life.

Nearly a decade into the second wave of America's overdose crisis, pharmaceutical companies have yet to answer for the harms they created. As pending court battles against opioid makers, distributors and retailers drag on, addiction rates have soared to record-breaking levels during the COVID pandemic. Meanwhile, there is scant consensus between law enforcement and medical leaders, nor an understanding of how to truly scale the programs that are out there, working at the ragged edge of capacity and actually saving lives. In RAISING LAZARUS, Beth Macy takes us into the country’s hardest hit places to witness the devastating personal costs that one-third of America's families are now being forced to shoulder.

Summer, 1976. Jesse and his brother, Edgar, are on the road in search of victims. They’re rovers, nearly indestructible nocturnal beings who must consume human blood in order to survive. For 70 years they’ve lurked on the fringes of society, roaming from town to town, dingy motel to dingy motel, stalking the transients, addicts and prostitutes they feed on. This hard-boiled supernatural hell ride kicks off when the brothers encounter a young woman who disrupts their grim routine, forcing Jesse to confront his past and plunging his present into deadly chaos as he finds himself scrambling to save her life. The story plays out through the eyes of the brothers, a grieving father searching for his son’s murderer, and a violent gang of rover bikers.

In her 20s and working for a landscaper, Carla has been told by everyone that she’s on the wrong path. Then she is hired for a job at the home of Viridian, a lauded and lovely aging poet who introduces Carla to an eccentric circle of writers. At first she is perplexed by their predilection for reciting lines in conversation, the stories of their many liaisons, their endless wine-soaked nights. Soon, though, she becomes enamored with this entire world: with Viridian, whose reputation has been defined by her infamous affair with a male poet, Mathias; with Viridian’s circle; and especially with the power of words. When a fight emerges over a vital cache of poems that Mathias wrote about Viridian, Carla gets drawn in. But how much will she sacrifice for a group that may or may not see her as one of their own?

From the outside, Elena Vega’s life appears to be an easy one. But her 20s are aimless and lacking in connection. Something has always been amiss in her life: her father, the brilliant but deeply troubled Santiago Vega. Santiago is the shining star of his migrant family --- the one who made it out and struck it rich --- but he is a haunted man, plagued by trauma, bipolar disorder and alcoholism. He’s lost contact with Elena over the years and returned to San Juan to wrestle his demons alone. Then Hurricane Maria strikes, and Santiago vanishes. Elena crisscrosses the storm-swept island of San Juan and reaches deep into his family tree to find relatives she’s never met, each of whom seems to possess a clue about Santiago’s fate.

After leaving behind the comforts and the shackles of a prestigious law firm, a restless attorney makes ends meet in mid-2000s Brooklyn by picking up odd jobs from a colorful assortment of clients. When a mysterious woman named Anna Reddick turns up at his apartment with $10,000 in cash and asks him to track down her missing husband Newton, an antiquarian bookseller who she believes has been pilfering rare true-crime volumes from her collection, he trusts it will be a quick and easy case. But when the real Anna Reddick --- a magnetic but unpredictable literary prodigy --- lands on his doorstep with a few bones to pick, he finds himself out of his depth, drawn into a series of deceptions.

A glamorous woman is murdered in her ultra-luxurious London mansion, and her husband goes missing. But according to public records, neither of them exists. The only leads police have are several objects arranged around the woman’s body, including a set of keys and a book called How to Process a Murder by Laughton Rees --- a book that appears to have helped the killer forensically cleanse the crime scene. Laughton Rees is an academic who doesn’t usually work live cases after the brutal murder of her mother as a teen left her traumatized and emotionally scarred. But the presence of her book at this scene draws her unwillingly into the high-profile investigation and media circus that springs up around it.

True crime, as an entertainment genre, has always prioritized clear narrative arcs: victims wronged, police detectives in pursuit, suspects apprehended, justice delivered. But what stories have been ignored? In EVIDENCE OF THINGS SEEN, 14 of the most innovative crime writers working today cast a light on the cases that give crucial insight into our society. Wesley Lowery writes about a lynching left unsolved for decades by an indifferent police force and a family’s quest for answers. Justine van der Leun reports on the thousands of women in prison for defending themselves from abuse. May Jeong reveals how the Atlanta spa shootings tell a story of America. This anthology pulls back the curtain on how crime itself is a by-product of America’s systemic harms and inequalities.