Urbana, Ohio, was not a utopia when Beth Macy grew up there in the ’70s and ’80s. Her dad was known as the town drunk, which hurt, as did their poverty. But Urbana had a healthy economy and thriving schools, and Macy had middle-class schoolmates whose families became her role models. But as her mother’s health declined in 2020, she couldn’t shake the feeling that her town had dramatically hardened. Macy had grown up as the paper girl, delivering the local newspaper, which was the community’s civic glue. Now she found scant local news and precious little civic glue. This was not an assignment Macy had ever imagined taking on, but after her mother’s death, she decided to figure out what happened to Urbana in the 40 years since she’d left. The result is an astonishing book that brings into focus our most urgent set of national issues.

Nearly a decade into the second wave of America's overdose crisis, pharmaceutical companies have yet to answer for the harms they created. As pending court battles against opioid makers, distributors and retailers drag on, addiction rates have soared to record-breaking levels during the COVID pandemic. Meanwhile, there is scant consensus between law enforcement and medical leaders, nor an understanding of how to truly scale the programs that are out there, working at the ragged edge of capacity and actually saving lives. In RAISING LAZARUS, Beth Macy takes us into the country’s hardest hit places to witness the devastating personal costs that one-third of America's families are now being forced to shoulder.

In DOPESICK, Beth Macy takes us into the epicenter of America's 20-plus-year struggle with opioid addiction. Beginning with a single dealer who lands in a small Virginia town and sets about turning high school football stars into heroin overdose statistics, Macy endeavors to answer a grieving mother's question --- why her only son died --- and comes away with a harrowing story of greed and need. From the introduction of OxyContin in 1996, Macy parses how America embraced a medical culture where overtreatment with painkillers became the norm.

George and Willie Muse were two little boys born to a sharecropper family. One day, a white man offered them a piece of candy, setting off events that would take them around the world and change their lives forever. Captured into the circus, the Muse brothers performed for royalty at Buckingham Palace and headlined over a dozen sold-out shows at New York's Madison Square Garden. But the very root of their success was in the color of their skin and in the outrageous caricatures they were forced to assume. Through hundreds of interviews and decades of research, Beth Macy explores a central and difficult question: Where were the brothers better off? On the world stage as stars, or in poverty at home?