Adult

Miranda Reynolds always thought she would rather die than live in Femlandia. But that was before the country sank into total economic collapse and her husband walked out, leaving her and her 16-year-old daughter with nothing. The streets are full of looting, robbing and killing, and Miranda and Emma no longer have much choice --- either starve and risk getting murdered, or find safety. And so they set off to Femlandia, the women-only colony that Miranda's mother established decades ago. There are no men allowed in the colony, but babies are being born --- and they're all girls. Miranda discovers just how the all-women community is capable of enduring, and it leads her to question how far her mother went to create this perfect, thriving, horrifying society.

Rebecca Solnit’s new book is a reflection on George Orwell’s passionate gardening and the way that his involvement with plants, particularly flowers, and the natural world illuminates his other commitments as a writer and antifascist, and the intertwined politics of nature and power. Sparked by her unexpected encounter with the surviving roses he planted in 1936, Solnit’s account of this understudied aspect of Orwell’s life explores his writing and his actions --- from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left), to his analysis of the relationship between lies and authoritarianism.

Barbara "Babe" Paley, Gloria Guinness, Marella Agnelli, Slim Hayward, Pamela Churchill, C. Z. Guest, Lee Radziwill --- they were the toast of midcentury New York, each beautiful and distinguished in her own way. These women captivated and enchanted Truman Capote --- and at times, they infuriated him as well. He befriended them, received their deepest confidences, and ingratiated himself into their lives. Then, in one fell swoop, he betrayed them in the most surprising and shocking way possible. Laurence Leamer delves into the years following the acclaimed publication of BREAKFAST AT TIFFANY’S in 1958 and IN COLD BLOOD in 1966, when Capote struggled with a crippling case of writer's block.

Julian Lawndsley has renounced his high-flying job in the city for a simpler life running a bookshop in a small English seaside town. But only a couple of months into his new career, Julian’s evening is disrupted by a visitor. Edward, a Polish émigré living in Silverview, the big house on the edge of town, seems to know a lot about Julian’s family and is rather too interested in the inner workings of his modest new enterprise. When a letter turns up at the door of a spy chief in London warning him of a dangerous leak, the investigations lead him to this quiet town by the sea.

Anna is at a stage of her life when she's beginning to wonder who she really is. She has separated from her husband, her daughter is all grown up, and her mother is dead. Searching through her mother's belongings one day, Anna finds clues about the African father she never knew. His student diaries chronicle his involvement in radical politics in 1970s London. Anna discovers that he eventually became the president --- some would say dictator --- of a small nation in West Africa. And he is still alive. When Anna decides to track her father down, a journey begins that is disarmingly moving, funny and fascinating.

Darcy’s aunt Ermintrude has moved to a house on the edge of the Sandringham estate, near the royal family, and wants to invite her nephew and his new bride, Georgie, for Christmas. Georgie soon learns that the notorious Mrs. Simpson, mistress to the Prince of Wales, also will be in attendance. It is now crystal clear to Georgie that the Queen expects her to do a bit of spying. There have been a couple of strange accidents at the estate recently. Two gentlemen of the royal household have died under mysterious circumstances, and another has been shot by mistake during a hunt. Georgie begins to suspect that a member of the royal family is the real target, but her investigation will put her new husband and love of her life in the crosshairs of a killer.

Stone Barrington is nearing his New York City abode when he stumbles into trouble. As it turns out, a new client is in danger --- and with both business and the safety of the city at stake, Stone has no choice but to get involved. It’s soon clear that a complicated scheme is being hatched, and the source remains enigmatic, but it’s only a matter of time before he and Stone must each show their hands. From ritzy Manhattan high-rises to the lush serenity of the Connecticut countryside, the game of cat-and-mouse can end with only one victor.

With a claim on artists from Jimmie Rodgers to Jason Isbell, Americana can be hard to define, but you know it when you hear it. John Milward’s AMERICANALAND is filled with the enduring performers and vivid stories that are at the heart of Americana. At base a hybrid of rock and country, Americana is also infused with folk, blues, R&B, bluegrass and other types of roots music. Performers like Bob Dylan, Johnny Cash, Ray Charles and Gram Parsons used these ingredients to create influential music that took well-established genres down exciting new roads. The name Americana was coined in the 1990s to describe similarly inclined artists like Emmylou Harris, Steve Earle and Wilco. Today, Brandi Carlile and I’m With Her are among the musicians carrying the genre into the 21st century.

Sheriff Heidi Kick has a dead body on her hands, a homeless young man last seen alive miles from the Bad Axe. Chillingly, the medical examiner confirms what Sheriff Kick has been experiencing in her own reoccurring nightmares of late: the victim was buried alive. As the relentless summer heat bears down and more bodies are discovered, Sheriff Kick also finds herself embroiled in a nasty reelection campaign. These days her detractors call her “Sheriff Mommy,” and as her family troubles become public, vicious rumors threaten to sway the electorate and derail her investigation. Vietnam veteran Leroy Fanta, editor-in-chief of the local paper, believes that Heidi’s strange case might be tied to a reclusive man writing deranged letters to the opinions section for years.