Adult

CIA case officer Sam Joseph is dispatched to Paris to recruit Syrian Palace official Mariam Haddad. The two fall into a forbidden relationship, which supercharges Haddad’s recruitment and creates unspeakable danger when they enter Damascus to find the man responsible for the disappearance of an American spy. But the cat-and-mouse chase for the killer soon leads to a trail of high-profile assassinations and the discovery of a dark secret at the heart of the Syrian regime, bringing the pair under the all-seeing eyes of Assad’s spy catcher, Ali Hassan, and his brother Rustum, the head of the feared Republican Guard.

If there's one thing Bath detective Peter Diamond has no patience for, it's a dumb git trying to get involved in one of his investigations --- for example, a Philip Marlowe-wannabe private investigator like the self-styled Johnny Getz (his card claims he Getz results). But fate has saddled Diamond with this trial. A Bath antiques dealer, Septimus "Seppy" Hubbard, has disappeared without a trace, and his daughter, Ruby, has hired Johnny Getz to find him. When a dead body is discovered in Seppy's locked-up store, the missing persons case becomes a murder investigation, and now Diamond has to collaborate with the insufferable private eye.

Just when things have finally cooled down for 88-year-old Maud after the disturbing discovery of a dead body in her apartment in Gothenburg, a couple of detectives return to her doorstep. Though Maud dodges their questions with the skill of an Olympic gymnast a fifth of her age, she wonders if suspicion has fallen on her. The truth is, ever since Maud was a girl, death has seemed to follow her. In these six interlocking stories, memories of unfortunate incidents from Maud’s past keep bubbling to the surface. Meanwhile, certain Problems in the present require immediate attention. Luckily, Maud is no stranger to taking matters into her own hands, even if it means she has to get a little blood on them in the process.

In 12 BYTES, the New York Times bestselling author of WHY BE HAPPY WHEN YOU CAN BE NORMAL? draws on her years of thinking and reading about artificial intelligence in all its bewildering manifestations. In her brilliant, laser-focused, uniquely pointed and witty style of storytelling, Jeanette Winterson looks to history, religion, myth, literature, the politics of race and gender, and computer science to help us understand the radical changes to the way we live and love that are happening now.

In June 1954, 18-year-old Emmett Watson is driven home to Nebraska by the warden of the juvenile work farm where he has just served 15 months for involuntary manslaughter. His mother long gone, his father recently deceased and the family farm foreclosed upon by the bank, Emmett's intention is to pick up his eight-year-old brother, Billy, and head to California where they can start their lives anew. But when the warden drives away, Emmett discovers that two friends from the work farm have hidden themselves in the trunk of the warden's car. Together, they have hatched an altogether different plan for Emmett's future, one that will take them all on a fateful journey in the opposite direction --- to the City of New York.

No one mourned when San Francisco DA Wes Farrell put Paul Riley in prison 11 years ago for the rape and murder of his girlfriend. And no one is particularly happy to see him again when he’s released after The Exoneration Initiative uncovered evidence that pinned the crime on someone else. In fact, Riley soon turns up murdered, surrounded by the loot from his latest scam. But if Riley was really innocent all along, who wanted him dead? To the cops, it’s straightforward: the still-grieving father of Riley’s dead girlfriend killed the former prisoner. Farrell, now out of politics and practicing law with master attorney Dismas Hardy, agrees to represent the defendant, Doug Rush --- and is left in the dust when Rush suddenly vanishes.

Richelle Bach and her identical twin sister, Michelle, couldn’t be more different, and their paths diverge as they embark on adulthood. Years pass, until --- at their father’s behest --- they both come home for Christmas. What happens then forever damages their relationship, and Richelle vows never to see or speak to her sister again. In their father’s last days, he asks Richelle to forgive Michelle, a deathbed promise she never fulfills as her twin is killed in an accident. Now, painfully alone and broken, Richelle has one last dream: to be an author. The plot of her book, The Prodigal Daughter, is a story based on her sister’s life. It’s not until she meets Justin Ek, a man who harbors his own loss, that a secret promise is revealed.

DIANA’S BOYS revealed the powerful bond between Princes William and Harry, and how it strengthened even more in the wake of their mother’s tragic death. Now, 20 years later, Queen Elizabeth II is in her mid-90s, Prince Charles is in his 70s, and all eyes are turned increasingly toward William and Harry again. Christopher Andersen picks up where he left off, covering everything that has happened to the brothers as they have grown up, gotten married to two remarkable women, and had children --- all while facing continual waves of controversy and questions about the ways their relationship has shifted.

Edward Dickens, the 10th child of England’s most famous author Charles Dickens, has consistently let his parents down. Unable to apply himself at school and adrift in life, the teenaged boy is sent to Australia in the hopes that he can make something of himself --- or at least fail out of the public eye. He soon finds himself in the remote Outback, surrounded by Aboriginals, colonials, ex-convicts, ex-soldiers and very few women. Determined to prove to his parents and, more importantly, himself that he can succeed in this vast and unfamiliar wilderness, Edward works hard at his new life amidst various livestock, bushrangers, shifty stock agents and frontier battles.

In LOOK FOR ME AND I'LL BE GONE, his sixth collection of stories, John Edgar Wideman imbues with energy and life the concerns that have consistently infused his fiction and nonfiction. How does it feel to grow up in America, a nation that encourages (sometimes unwittingly, but often on purpose) its citizens to see themselves as colored or white, as inferior or superior? The story “Separation” begins with a boy afraid to stand alone beside his grandfather’s coffin, then wends its way back and forth from Pittsburgh to ancient Sumer. “Atlanta Murders” starts with two chickens crossing a road and becomes a dark riff, contemplating “Evidence of Things Not Seen,” James Baldwin’s report on the 1979-1981 child murders in Atlanta, Georgia.