Adult

NO WAY HOME tells the haunting story of Terrence Tully, an LA medical resident who is abruptly informed that his mother has died. Arriving at her home in a forlorn Nevada desert town, the naive doctor finds himself “like a swimmer caught in a riptide,” drawn into a love triangle involving the manipulative, margarita–swilling receptionist Bethany and her ex–boyfriend Jesse, a vengeful middle–school teacher cocksure about his sexual prowess. There is indeed no way home for Tully, who cannot extricate himself from this aimless, post–20–something world where motorcycle races and violent brawls puncture the daily grind of nowhere jobs, aimless sex, and recreational highs. Is retribution, Boyle asks, a natural human instinct? Can sexual jealousy bring on a level of vengeance that is downright pathological?

Indian American author Manil Suri grew up in a large crumbling apartment in Bombay (now Mumbai) which his parents, who were Hindu, shared with three Muslim families. Their single room, at times a refuge from the religious and territorial tensions pervading the apartment, was also a prison that held them captive. At age 20, Suri managed to break free and come to the US, where he finally found the freedom to embrace his sexuality and find a life partner. But the room, which still held his parents hostage, kept wrenching him back to Bombay. Eventually it was only his mother, Prem, left, who had staked all her happiness on her son but was unable to escape the room’s hold on her. When a rash of mysterious incidents seemed to beset the room, Suri realized how little time he had left to convince Prem that a happier life might await beyond the four walls that both enthralled and imprisoned her.

For 30 years Anne Enright --- one of our greatest living novelists (Times) --- has been paying attention: casting her lucid and distinctive gaze across the world, literature, and her own life, and drawing us into her precise insights. These essays, collated from throughout Enright’s career, take us from Galway to Honduras, from keen–eyed memoir to urgent political writing. Enright writes about the free voices and controlled bodies of women in society: she interprets Sophocles’s Antigone through the lens of the Mother and Baby Homes in Galway; writes on Ireland’s successful 2018 referendum on abortion rights; and offers new perspectives on writers such as Alice Munro, Toni Morrison, James Joyce, Helen Garner, and Angela Carter.

Anne Kim is a lawyer in New York, her success built on forgetting the past. When her father dies, she returns to Edmonton for the funeral and is shocked to discover he was from North Korea and left his brother behind. As she reads the undelivered letters her father wrote to his brother about life in Canada, she is transported back to her childhood in the 1980s and 90s. She recalls the struggles her parents faced as immigrants who ran a grocery store in a rural prairie town. Anne and her brother, Charles, felt the weight of their father’s expectations: Anne was driven to excel and overachieve, whereas Charles rebelled, determined to pursue his own dreams. His rebellion created a rift that culminated in a devastating act, irrevocably shattering their family and leaving Anne overwhelmed by an inescapable guilt.

Nineteen-year-old undocumented immigrant Hee-Jin lies on the floor of her cramped Seoul apartment, listening for footsteps. But the knock on the door isn’t the police finally coming to deport her to North Korea. Instead, sprawled on the doorstep is a disfigured, bird-like corpse --- and it has her eyes. Her younger sister, artist Hee-Young, is meant to be on an art program in America, not dead of a strange overdose. But in Hee-Young’s pocket is a plane ticket and US passport. Seeing her chance for freedom, Hee-Jin steals her sister’s identity and takes her place, determined to uncover what really happened to her. But the deeper she dives into the program’s strange workings, the closer she gets to the monstrous secret at its heart.

When Tom Layward’s wife had an affair 12 years ago, he resolved to leave her as soon as his youngest child left the nest. Now, while driving his college-bound daughter to Pittsburgh, he remembers his promise to himself. He is also on the run from his own health issues and a forced leave from work. So, rather than returning to his wife in Westchester, Tom keeps driving west, with the vague plan of visiting people from his past --- an old college friend, his ex-girlfriend, his brother, his son --- en route, maybe, to California. He’s moving towards a future he hasn’t even envisioned yet while he considers his past and the choices he’s made that have brought him to this particular present.

From her impoverished childhood in the Smoky Mountains to international stardom as a singer, songwriter, actress, businesswoman and philanthropist, Dolly Parton has exceeded everyone's expectations except her own. AIN’T NOBODY’S FOOL is a deep dive into the social, historical and personal forces that made Dolly Parton one of the most beloved and unifying figures in public life and includes interviews with friends, family members, school mates, Nashville neighbors, members of her band, studio musicians, producers and many others. It also features never-before-seen photographs and unearthed documents shedding light on her family's hardscrabble life.

Maisy Gallagher has her own dreams, but when her father passes away, she selflessly sets them aside to help her family. Despite knowing it was the right thing to do, she can’t help but wish for the road not taken. Chase Furst, the hardened heir to a financial empire, is on the other hand primarily focused on his own life and on his work as a bank executive. His childhood was marred by his mother’s struggle with addiction, and left him cynical and emotionally distant. But then Chase meets Maisy, a beautiful woman full of optimism and kindness who can see past his defenses. To his surprise and annoyance, she offers to help him during a time of need, and declines his offer of payment. Instead, she asks him to pay it forward --- and not with money or a quick fix, but through an act of true selflessness.