Rebecca Solnit’s new book is a reflection on George Orwell’s passionate gardening and the way that his involvement with plants, particularly flowers, and the natural world illuminates his other commitments as a writer and antifascist, and the intertwined politics of nature and power. Sparked by her unexpected encounter with the surviving roses he planted in 1936, Solnit’s account of this understudied aspect of Orwell’s life explores his writing and his actions --- from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left), to his analysis of the relationship between lies and authoritarianism.

Rebecca Solnit describes her formation as a writer and as a feminist in 1980s San Francisco, in an atmosphere of gender violence on the street and throughout society and the exclusion of women from cultural arenas. She tells of being poor, hopeful and adrift in the city that became her great teacher, and of the small apartment that, when she was 19, became the home in which she transformed herself. She explores the forces that liberated her as a person and as a writer --- books themselves; the gay community that presented a new model of what else gender, family and joy could mean; and her eventual arrival in the spacious landscapes and overlooked conflicts of the American West.

Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories --- of her mother and her decline from memory loss, of a trip to Iceland, of an illness --- Solnit revisits fairy tales and entertains other stories. Woven together, these stories create a map that charts the boundaries and territories of storytelling, reframing who each of us is and how we might tell our story.