Adult

Set in Leigh Newman’s home state of Alaska, NOBODY GETS OUT ALIVE is a collection of dazzling, courageous stories about women struggling to survive not just grizzly bears and charging moose but the raw, exhausting legacy of their marriages and families. In “Howl Palace” --- winner of The Paris Review’s Terry Southern Prize, a Best American Short Story, and Pushcart Prize selection --- an aging widow struggles with a rogue hunting dog and the memories of her five ex-husbands while selling her house after bankruptcy. In the title story, “Nobody Gets Out Alive,” newly married Katrina visits her hometown of Anchorage and blows up her own wedding reception by flirting with the host and running off with an enormous mastodon tusk.

It began four years ago with a worldwide uptick of bacterial infections. Antibiotic resistance soon roiled across the globe. Diseases long thought beaten came surging back. The death toll skyrocketed. Then New York City was ravaged by the most heinous act of bioterror the world had ever seen. Detective Jacob Gibson, who lost his wife in the 8/17 attack, is home caring for his sick daughter when his partner summons him to a sprawling shantytown in Central Park, the apparent site of a mass murder. Jake is startled to discover that, despite a life of abject squalor, the victims died in perfect health --- and his only hope of finding answers is a 12-year-old boy on the run from some very dangerous men.

West Yorkshire, 1904. When recently graduated Ruby May takes a nanny position looking after the children of Charles and Lilian England, a wealthy couple from a powerful dynasty of mill owners, she hopes it will be the fresh start she needs. But as she adapts to life at the isolated Hardcastle House, it becomes clear something is not quite right about the beautiful, mysterious Mrs. England. Distant and withdrawn, Lilian shows little interest in her children or charming husband and is far from the angel of the house Ruby was expecting. As the warm, vivacious Charles welcomes Ruby into the family, a series of strange events forces her to question everything she thought she knew.

Nancy Harrison is running for Senate, and she’s determined to win. There’s just one problem: her grown children. Greta and Nick Harrison are adrift. Nick is floundering in his attempts to write a musical about the life of Joan Didion. And then there’s his little sister, Greta. Smart, pretty and completely unmotivated, allowing her life to pass her by like the shoppers at the Apple store where she works. One morning the world wakes up not to Nancy making headlines, but to Greta. She’s in Paris. With extremist protestors. Throwing a bottle of champagne through a beloved bistro’s front window. In order to save her campaign, not to mention her daughter, Nancy and Nick must find Greta before it’s too late.

Kim Stanley Robinson first ventured into the Sierra Nevada mountains during the summer of 1973. He returned from that encounter a changed man, awed by a landscape that made him feel as if he were simultaneously strolling through an art museum and scrambling on a jungle gym like an energized child. He has returned to the mountains throughout his life --- more than a hundred trips --- and has gathered a vast store of knowledge about them. THE HIGH SIERRA is his lavish celebration of this exceptional place and an exploration of what makes this span of mountains one of the most compelling places on Earth.

Susan and Norma have been best friends for years, at first thrust together by force of circumstance (a job at The Pin Cushion, a haberdashery shop in 1990s Leicestershire) and then by force of character (neither being particularly inclined to make friends with anyone else). But now, 30 years later, faced with a husband seeking immortality and Norma out of reach on a wave of professional glory, Susan begins to wonder if she has made the right choices about life, love, work and, most importantly, friendship.

Hanna has barely spoken to her family since the tragedy that rocked their lives 14 years ago. The tragedy for which they held Hanna responsible. Then she sees her family home listed as the scene of a horrific crime. Number of victims: three. Date of crime: today. Frantic, Hanna tries to contact her family, only to find they have disappeared. To find them, Hanna will have to confront what happened all those years ago. And the person determined to make her pay for it.

SFPD Sergeant Lindsay Boxer has guns on her mind. There’s buzz of a last-ditch shipment of drugs and weapons crossing the Mexican border ahead of new restrictive gun laws. Before Lindsay can act, her top informant tips her to a case that hits disturbingly close to home. Former cops. Professional hits. All with the same warning scrawled on their bodies: You talk, you die. Now it’s Lindsay’s turn to choose.

After a rough year at NYU, aspiring writer Lora Ricci is thrilled to land a summer internship at ELLE magazine where she meets Cat Wolff, contributing editor and enigmatic daughter of a clean-energy mogul. As a friendship emerges between the two women, Lora opens up to Cat about her desperate struggles and lost scholarship. Cat’s solution: Drop out of NYU and become her ghostwriter. So when the internship ends, Lora moves into Cat’s suite at the opulent Plaza Hotel. Writing during the day and accompanying Cat to extravagant parties at night, Lora’s life quickly shifts from looming nightmare to dream-come-true. But as Lora is drawn into Cat’s glamorous lifestyle, Cat’s perfect exterior cracks, exposing an illicit, shady world.

As a young teenager, Ruth Rymer decided she wanted to be a lawyer because "lawyers get to walk around the courtroom and ask the questions." On her 40th birthday as a newly minted attorney, Rymer made a decision to root out misogyny in her professional life. Her law career included establishing family law as a certified specialty in California, leading the way to making family law a more respectable practice for attorneys. In 1996, Rymer was awarded a PhD for her study of divorce and the fight of women for their "lives, safety, sanity, and status." From the "child in residence" she once was to the women's rights champion she is today, Rymer has come a long way. RAISING THE BAR uplifts with the courage and persistence it took to be a pioneer advocate for women in the second half of the 20th century.