Adult

At 44, Vincent enjoys strolling the streets of Paris and teaching at the modern art museum; she has a vibrant group of friends; and she’s even caught the eye of a young, charismatic man named Loup. But Vincent is also in Paris to escape a painful betrayal. Her husband, Cillian, has published a bestselling book divulging secrets about their marriage and his own past, hinting that when he was a teenager, he may have had a child with a young woman back in Dublin --- before he moved to California and never returned. Now estranged from her husband, Vincent has agreed to see Cillian again at their son’s wedding the following summer, but Loup introduces new complications.

In SWING AND A HIT, All-Star Yankee and five-time World Series champion Paul O’Neill elaborates on his most important hitting principles, lessons and memories --- exploring those elements across 10 chapters (to align with the nine innings of a baseball game and one extra inning). Here, O’Neill describes what he did as a hitter, how he adjusted to pitchers, how he boosted his confidence, how he battled with umpires (and water coolers), and what advice he would give to current hitters. O’Neill has always been a tough out at the plate. Recalling how he started to swing a bat as a two-year-old and kept swinging it professionally until he was 38, O’Neill provides constant insights into the beauty and frustration of playing baseball.

Loulie al-Nazari is the Midnight Merchant, a criminal who, with the help of her jinn bodyguard, hunts and sells illegal magic. When she saves the life of a cowardly prince, she draws the attention of his powerful father, the sultan, who blackmails her into finding an ancient lamp that has the power to revive the barren land --- at the cost of sacrificing all jinn. With no choice but to obey or be executed, Loulie journeys with the sultan's oldest son to find the artifact. Aided by her bodyguard, who has secrets of his own, they must survive ghoul attacks, outwit a vengeful jinn queen and confront a malicious killer from Loulie's past.

Awaiting the return of her husband and young son from a road trip, Obiajulu Ejiofor receives shattering news. There’s been a fatal car crash, and one of them is dead. In WHERE THE CHILDREN TAKE US, Obiajulu’s daughter, Zain E. Asher, tells the story of her mother’s harrowing fight to raise four children as a widowed immigrant in South London. There is tragedy in this tale, but it is not a tragedy. Drawing on tough-love parenting strategies, Obiajulu teaches her sons and daughters to overcome the daily pressures of poverty, crime and prejudice --- and much more. With her relentless support, the children exceed all expectations --- becoming a CNN anchor, an Oscar-nominated actor (Asher’s older brother, Chiwetel Ejiofor, from 12 Years a Slave), a medical doctor and a thriving entrepreneur.

For more than two decades, there have been two golfers who have captivated, bemused, inspired, frustrated, fascinated and entertained us, and in doing so have demanded our attention --- Tiger Woods and Phil Mickelson. Even with all the ink that has been spilled on Tiger, no one has ever written about his relationship with Phil and how their careers have been inextricably intertwined. Furthermore, very little has been written about Phil Mickelson, who is more than just an adversary. He is a fascinating Hall of Fame golfer in his own right. These two biggest names (and draws) in golf have, for better and for worse, been the ultimate rivals. But it is so much more complicated than that.

“Never again” became Queen Elizabeth II’s mantra shortly after Princess Diana’s tragic death. More specifically, there could never be “another Diana” --- a member of the family whose global popularity upstaged, outshone and posed an existential threat to the British monarchy. Picking up where Tina Brown’s THE DIANA CHRONICLES left off, THE PALACE PAPERS reveals how the royal family reinvented itself after the traumatic years when Diana’s blazing celebrity ripped through the House of Windsor like a comet. Brown takes readers on a tour de force journey through the scandals, love affairs, power plays and betrayals that have buffeted the monarchy over the last 25 years.

Set against the tropics and megacities of the Americas, MARIA, MARIA takes inspiration from wild creatures, tarot, and the porous borders between life and death. Motivated by love and its inverse, grief, the characters who inhabit these stories negotiate boldly with nature to cast their desired ends. As the enigmatic community college professor in “Brujería for Beginners” reminds us, “There’s always a price for conjuring in darkness. You won’t always know what it is until payment is due.” This commitment drives the disturbingly faithful widow in “Tijuca,” who promises to bury her husband’s head in the rich dirt of the jungle, and the sisters in “Moksha,” who are tempted by a sleek obsidian dagger once held by a vampiric idol.

Sisters Helen and Lutie have moved to Denver from Iowa after their parents’ deaths. They share a small, neat house and make a modest income from a rental apartment in the basement. When their tenant dies from the Spanish Flu, they are thrust into caring for the woman’s small daughter, Dorothy. Soon after, Lutie comes home from work and discovers a dead man on their kitchen floor and Helen standing above the body. She has no doubt Helen killed the man --- Dorothy’s father --- in self-defense, but she knows that will be hard to prove. Meanwhile, Lutie also worries about her fiancé “over there.” As it happens, his wealthy mother harbors a secret of her own and helps the sisters as the danger deepens.

In New York Times bestselling author and Emmy Award-winning writer and producer Jessi Klein’s second collection, she hilariously explodes the cultural myths and impossible expectations around motherhood and explores the humiliations, poignancies and possibilities of midlife. In interconnected essays like “Listening to Beyoncé in the Parking Lot of Party City,” “Your Husband Will Remarry Five Minutes After You Die,” “Eulogy for My Feet” and “An Open Love Letter to Nate Berkus and Jeremiah Brent,” Klein explores this stage of life in all its cruel ironies, joyous moments and bittersweetness.

Everyone comes from someplace. Everyone has somewhere they feel safe. Some people have found their home and are content where they are. Others feel trapped and yearn to go somewhere else. Many are somewhere else and yearn to go back. But even in these safest of places, sometimes crime hits home. What happens then? In this volume, Mystery Writers of America brings together some of today’s biggest crime writers --- and some of our most exciting new talents --- to consider this question. Each writer has defined home as they see fit: a place, a group, a feeling. The crime can come from without or within. What happens when crime hits home?