Adult

After her husband Alan’s decades of financial fraud are exposed, Suzanne’s wealthy, comfortable life shatters. Alan goes to prison. Suzanne files for divorce, decamps to a barely middle-class Massachusetts beach town, and begins to create a new life and identity. Then Alan is released early, and the many people whose lives he ruined demand restitution. But when Suzanne finds herself awestruck at a major whale stranding, she makes an apparently high-minded decision that ripples with devastating effect not only through Alan’s life as he tries to rebuild but also through the lives of Suzanne and Alan’s son, Alan’s new wife, his estranged mother and, ultimately, Suzanne herself. When damage is done, who pays? Who loses? Who is responsible?

An unnamed male narrator has hit the road. Rid of any possible identifiers, his possessions amount to $168,548 in cash stashed in an envelope under his car seat. Vigilantly avoiding security cameras, he drives until he hits a city where his past is unlikely to track him down, and finds a room to rent from a less-than-stable landlady whose need for money outweighs her desire to ask questions. He seems to have escaped his former self. But can he? In a story that moves with swift dark humor and insight, Jonathan Dee takes us through his narrator’s attempt to disavow his former life of privilege and enter a blameless new existence.

Edith and Ashley have been best friends for over 42 years. They’ve shared the mundane and the momentous together: trick or treating and binge drinking; "Gilligan’s Island" reruns and REM concerts; hickeys and heartbreak; surprise Scottish wakes; marriages, infertility and children. But now Edi is dying of ovarian cancer and spending her last days at a hospice near Ash, who stumbles into heartbreak surrounded by her daughters, ex(ish) husband, dear friends, a poorly chosen lover (or two), and a rotating cast of beautifully, fleetingly human hospice characters. As the Fiddler on the Roof soundtrack blasts all day long from the room next door, Edi and Ash reminisce, hold on and try to let go. Meanwhile, Ash struggles with being an imperfect friend, wife and parent.

From the archives of the American Film Institute comes a unique picture of what it was like to work in Hollywood from its beginnings to its present day. Gleaned from nearly 3,000 interviews, involving 400 voices from the industry, HOLLYWOOD lets a reader “listen in” on candid remarks from the biggest names in front of the camera (Bette Davis, Meryl Streep, Tom Hanks, Harold Lloyd) to the biggest behind it (Frank Capra, Steven Spielberg, Alfred Hitchcock, Jordan Peele), as well as the lesser known individuals who shaped what was heard and seen on screen. The result is like a conversation among the gods and goddesses of film: lively, funny, insightful, historically accurate and, for the first time, authentically honest in its portrait of Hollywood. It’s the insider’s story.

Sixteen-year-old Frankie Budge is determined to make it through yet another summer in Coalfield, Tennessee, when she meets Zeke, a talented artist who has just moved into his grandmother’s house. Romantic and creative sparks begin to fly, and when the two jointly make an unsigned poster, it becomes unforgettable to anyone who sees it. The edge is a shantytown filled with gold seekers. We are fugitives, and the law is skinny with hunger for us. When the posters begin appearing everywhere, people wonder who is behind them and start to panic. Twenty years later, Frances Eleanor Budge gets a call that threatens to upend her carefully built life: a journalist named Mazzy Brower is writing a story about the Coalfield Panic of 1996. Might Frances know something about that?

Here are three things you should know about my husband: 1) He was the great love of my life despite his penchant for going incommunicado, 2) He was, as far as I and everyone else could tell, perfectly happy. Which is significant because… 3) On New Year’s Eve, he killed himself. And here is one thing you should know about me: I found him. Bonus fact: No. I am not okay. SOMEDAY, MAYBE is a debut novel about a young woman’s emotional journey through unimaginable loss, pulled along by her tight-knit Nigerian family, a posse of friends, and the love and laughter she shared with her husband.

The tight-knit Izquierdo family is grappling with misfortunes none of them can explain. Their beloved patriarch has suffered from an emotional collapse and is dying; eldest son Gonzalo’s marriage is falling apart; daughter Dina, beleaguered by the fear that her nightmares are real, is a shut-in. When Gonzalo digs up a strange object in the backyard of the family home, the Izquierdos take it as proof that a jealous neighbor has cursed them. Could this be the reason for all their troubles? As the Izquierdos face a distressing present and an uncertain future, they are sustained by the blood that binds them, a divine presence and an abiding love for one another.

Raised in Jamaica, Mary Seacole first came to England in the 1850s after working in Panama. She wanted to volunteer as a nurse and aide during the Crimean War. When her services were rejected, she financed her own expedition to Balaclava, where her reputation for her nursing --- and for her compassion --- became almost legendary. Popularly known as “Mother Seacole,” she was the most famous Black celebrity of her generation --- an extraordinary achievement in Victorian Britain. However, after her death in 1881, she was largely forgotten. IN SEARCH OF MARY SEACOLE is the fruit of almost 20 years of research and reveals the truth about Seacole's personal life, her "rivalry" with Florence Nightingale and other misconceptions.

Why did Agatha Christie spend her career pretending that she was “just” an ordinary housewife, when clearly she wasn’t? Her life is fascinating for its mysteries and its passions. She went surfing in Hawaii, loved fast cars, and was intrigued by the new science of psychology, which helped her through devastating mental illness. So why, despite all the evidence to the contrary, did Agatha present herself as a retiring Edwardian lady of leisure? She was born in 1890 into a world that had its own rules about what women could and couldn’t do. Lucy Worsley’s biography is not just of a massively, internationally successful writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman.

New York Times bestselling author Jim Harrison (1937–2016) was a writer with a poet’s economy of style and a trencherman’s appetites. Praised as a “national treasure” (Chicago Tribune) and published in 27 languages, he was one of this country’s most beloved and critically acclaimed authors. Best known for his poetry and fiction, such as LEGENDS OF THE FALL, DALVA and RETURNING TO EARTH, Harrison was also a prolific nonfiction writer, with columns running in Sports Illustrated and Esquire, and work in Outside, Field & Stream and others. The first collection of Harrison’s general nonfiction in 30 years, THE SEARCH FOR THE GENUINE is a sparkling, definitive volume of essays and journalism --- from the near-classic to the never-published.