Adult

A traditional haunted house story in a contemporary setting (and full of current fears), HORRORSTÖR comes conveniently packaged in the form of a retail catalog, complete with illustrations of ready-to-assemble furniture and other, more sinister accessories. We promise you’ve never seen anything quite like it!

Cotton Malone, once a member of an elite intelligence division within the Justice Department known as the Magellan Billet, is now retired and owns an old bookshop in Denmark. But when his former boss asks him to track down a rogue North Korean who may have acquired some top secret Treasury Department files --- the kind that could bring the United States to its knees --- Malone is vaulted into a harrowing 24-hour chase that begins on the canals in Venice and ends in the remote highlands of Croatia.

Six years ago in Vienna, terrorists took over a hundred hostages, and the rescue attempt went terribly wrong. The CIA’s Vienna station was witness to this tragedy, gathering intel from its sources during those tense hours, assimilating facts from the ground and from an agent on the inside. So when it all went wrong, the question had to be asked: Had their agent been compromised, and how?

When Sergeant Billy Graves is called to a 4:00 a.m. fatal slashing of a man in Penn Station, his investigation of the crime moves beyond the usual handoff. And when he discovers that the victim was once a suspect in the unsolved murder of a 12-year-old boy, the bad old days are back in Billy's life with a vengeance, tearing apart enduring friendships forged in the urban trenches and even threatening the safety of his family.

WE ARE PIRATES by Lemony Snicket author Daniel Handler is a novel about our desperate searches for happiness and freedom, about our wild journeys beyond the boundaries of our ordinary lives. It’s also about a teenage girl who pulls together a ragtag crew to commit mayhem in the San Francisco Bay, while her hapless father tries to get her home.

It’s just another day at the office for London book editor Samantha “Sam” Clair. Checking jacket copy for howlers, wondering how to break it to her star novelist that her latest effort is utterly unpublishable, lunch scheduled with gossipy author Kit Lowell, whose new book will dish the juicy dirt on a recent fashion industry scandal. Little does she know the trouble Kit’s book will cause before it even goes to print. Someone doesn't want Kit's manuscript published, and unless Sam can put the pieces together in time, they'll do anything to stop it.

Six years ago, Melody Pieterson was attacked and left for dead. Her neighbor and close friend, David Alden, was found guilty of the crime and imprisoned. Soon after David is released from prison, Eve Elliot is murdered in an attack almost identical to Melody’s. But as she learns more about Eve's murder, Melody starts to wonder if perhaps David hadn’t betrayed her after all...if perhaps the killer is someone else entirely, someone who’s still out there, preparing to strike again.

Ellen is a Midwestern literature professor who is drawn into the war when her legal ward, Michael, enlists as a Marine. Lacey is a proud Army wife who struggles to pay the bills and keep things going for her son while her husband is deployed. Ellen and Lacey cope with the fear and stress of a loved one at war while trying to get by in a society that often ignores or misunderstands what war means to women today. When Michael and Eddie are injured in Iraq, Ellen and Lacey’s lives become intertwined in Walter Reed Army Hospital, where each woman must live while caring for her wounded soldier.

Detective Rachel Getty is asked by her boss, Esa Khattak, to look into the death of Christopher Drayton, who may have been a war criminal with ties to the Srebrenica massacre of 1995. But as Rachel and Khattak dig deeper into Drayton’s life and death, every question seems to lead only to more questions. Had the specters of Srebrenica returned to haunt Drayton at the end, or had he been keeping secrets of an entirely different nature?

A ROOM OF ONE’S OWN is an extended essay by Virginia Woolf. First published in 1929, the essay was based on a series of lectures she delivered at Newnham College and Girton College, two women's colleges at Cambridge University in October 1928. The essay is generally seen as a feminist text, and is noted in its argument for both a literal and figural space for women writers within a literary tradition dominated by patriarchy.