Adult

The Swedish National Crime Unit receives a video of a young woman in her home, clearly unaware that she's being watched. Soon after the tape is received, the woman's body is found horrifically mutilated. With the arrival of the next, similar video, the police understand that the killer is toying with them, warning of a new victim, knowing there's nothing they can do. Detective Margot Silverman is put in charge of the investigation, and soon asks Detective Joona Linna for help. Linna, in turn, recruits Erik Maria Bark, the hypnotist and expert in trauma, with whom Linna has worked before. Bark is leery of forcing people to give up their secrets. But this time, Bark is the one hiding things.

After Ya’ara Stein is forced out of her job at the Mossad --- the secret intelligence service of Israel --- she is called upon by the Prime Minister for a classified job. Known for her aptitude, beauty and deadliness, Stein is asked to set up a secret unit that will act independently, answerable only to the Prime Minister. This streamlined and deadly unit, filled with bright young men and women recruited and trained by Stein, quickly faces threats both old and new. Descendants of the lethal militant Red Army Faction have returned to terrorize Europe, and fears of a radical Islam splinter group force the unit to distinguish between facts and smoke screens.

Edna Ferber, not completely satisfied with her forthcoming novel ICE PALACE, has just returned to Alaska for further research and is fascinated by Jack Mabie and his wild tales. Plus the previous summer, young Athabascan lawyer Noah West --- bent on bettering the lives of Alaskan Natives --- had sharpened Edna's sense of a corner of the territory she'd ignored. When Jack is found beaten to death, Noah becomes a suspect. Two violent deaths follow. Edna, Noah's advocate, decides she needs to clear his name, believing the murders are connected. As debates over potential statehood rage, Edna begins unearthing scandals and sordid stories hidden in Fairbanks but also dating back to village life in Fort Yukon and down into the Lower 48.

Kihrin grew up in the slums of Quur, a thief and a minstrel's son raised on tales of long-lost princes and magnificent quests. When he is claimed against his will as the missing son of a treasonous prince, Kihrin finds himself at the mercy of his new family's ruthless power plays and political ambitions. Practically a prisoner, Kihrin discovers that being a long-lost prince is nothing like what the storybooks promised. The storybooks have lied about a lot of other things, too: dragons, demons, gods, prophecies and how the hero always wins. Then again, maybe he isn't the hero after all. For Kihrin is not destined to save the world. He's destined to destroy it.

In June 1916, eccentric glass genius Louis C. Tiffany dynamites the breakwater at Laurelton Hall --- his fantastical Oyster Bay mansion --- so as to foil the town from reclaiming the beach for public use. The explosion shakes both the apple crate where Prudence, the daughter of Tiffany’s prized gardener, is sleeping and the rocks where Randall, her seven-year-old brother, is playing. Nearly a century later, Prudence receives an unexpected visit from Grace, a hospice nurse and Randall’s granddaughter. The mementos Grace carries from her grandfather’s house stir Prudence’s long-repressed memories and bring her to a new understanding of the choices she made in work and love, and what she faces now in her final days.

Relatively unknown during her life, the artist, filmmaker and writer Kathleen Collins emerged on the literary scene in 2016 with the posthumous publication of the short story collection WHATEVER HAPPENED TO INTERRACIAL LOVE? Said Zadie Smith, “To be this good and yet to be ignored is shameful, but her rediscovery is a great piece of luck for us.” That rediscovery continues in NOTES FROM A BLACK WOMAN’S DIARY, which spans genres to reveal the breadth and depth of the late author’s talent. The compilation is anchored by more of Collins’ short stories, which reveal the ways in which relationships are both formed and come undone. Also collected here is the work Collins wrote for the screen and stage.

In the small hours of the morning, Abi Knight is startled awake by the phone call no mother ever wants to get: her teenage daughter, Olivia, has fallen off a bridge. Not only is Olivia brain dead, she is pregnant and must remain on life support to keep her baby alive. And then Abi sees the angry bruises circling Olivia’s wrists. When the police unexpectedly rule Olivia’s fall an accident, Abi decides to find out what really happened that night. Heartbroken and grieving, she unravels the threads of her daughter’s life. Was Olivia’s fall an accident? Or something far more sinister?

Nina Gregory has always been a good daughter. Raised by her father, owner of New York City's glamorous Gregory Hotels, Nina was taught that family, reputation and legacy are what matter most. And Tim --- her devoted boyfriend and best friend since childhood --- feels the same. But when Nina's father dies, he leaves behind a secret that shocks Nina to her core. As her world falls apart, Nina begins to see the men in her life --- her father, her boyfriend and, unexpectedly, her boss, Rafael --- in a new light. Soon Nina finds herself caught between the world she loves and a passion that could upend everything.

When the renowned poet Fiona Skinner is asked about the inspiration behind her iconic work, The Love Poem, she tells her audience a story about her family and a betrayal that reverberates through time. It begins in a big yellow house with a funeral, an iron poker, and a brief variation forever known as the Pause: a free and feral summer in a middle-class Connecticut town. The Skinner siblings emerge from the Pause staunchly loyal and deeply connected. Two decades later, they find themselves once again confronted with a family crisis that tests the strength of these bonds, forcing them to question the life choices they’ve made and ask what, exactly, they will do for love.

After 10 years in Paris, where she learned photography and became part of the movement that invented modern art, Chicago-born, Irish-American Nora Kelly is at last returning home. Her skill as a photographer will help her cousin Ed Kelly in his rise to Mayor of Chicago. But when she captures the moment that an assassin’s bullet narrowly misses President-elect Franklin Roosevelt and strikes Anton Cermak, she enters a world of international intrigue and danger. Now, Nora must balance family obligations against her encounters with larger-than-life historical characters. She moves through the Roaring Twenties, the Great Depression and World War II, but it’s her unexpected trip to Ireland that transforms her life.