In the New Mexico badlands, the skeleton of a woman is found --- and the case is assigned to FBI Agent Corrie Swanson. The victim walked into the desert, shedding clothes as she went, and died in agony of heatstroke and thirst. Two rare artifacts are found clutched in her bony hands --- lightning stones used by the ancient Chaco people to summon the gods. Is it suicide or…sacrifice? Agent Swanson brings in archaeologist Nora Kelly to investigate. When a second body is found --- exactly like the other --- the two realize the case runs deeper than they imagined. As Corrie and Nora pursue their investigation into remote canyons, haunted ruins and long-lost rituals, they find themselves confronting a dark power that, disturbed from its long slumber, threatens to exact an unspeakable price.

Mason, a Gen Z adrenaline junkie, and Mann, an ex-con, ex-actress and lawyer turned sleuth, have already solved one murder together. Now they face a second crime that’s way too close to home. Alexa Rousso keeps having accidents, and no one but her thinks it’s a coincidence. Could her checkered past be coming back to get her? Mason and Mann’s investigation takes them to the Bay Area, the Central Coast, and --- of course --- the hippest spots in Los Angeles. Will the Berkeley boho vibe convert Mann from vintage couture? Will the wine snobs of Ojai drive Mason to drink (or to vinicide, which isn’t even a thing)? More importantly, will they solve the mystery before the murderer’s sights settle on the detectives themselves. Or will this new challenge also be their last?

A year ago, Elle made a deal with the devil to save her sister. Now, they live on a desolate spit of land beyond Halifax harbor. Elle, as lighthouse keeper, steers unsuspecting sailors to their destruction. Those are the terms of her bargain. Liney need never know the cost. Her safety is worth every drop of blood. But a sinner's pact is not so simple. When the devil returns, demanding more --- more shipwrecks, no survivors --- Elle knows what she must do to keep Liney safe. Then a woman washes ashore. Is she a soul to be sacrificed, or part of a darker design? As Liney and the stranger grow closer, Elle faces an impossible choice: kill, and break Liney's heart, or forfeit her own soul.

Twenty-two years ago, Claire Campbell’s older sister, Natalie, disappeared shortly after her 18th birthday. Days later, her blood was found in a car, a man was arrested, and the case was swiftly closed. In the decades since, Claire has attempted to forget her traumatic past by moving to the city and climbing the ranks as an investigative journalist. Until an unexpected call from her father forces her to come back home and face it all anew. Claire decides on a whim to accept a seasonal job at Galloway Farm, a muscadine vineyard in coastal South Carolina. There, she stumbles across an old diary written by one of the vineyard's owners that describes details of various unsolved crimes. As the days stretch on, Claire starts to obsess over the diary's contents, as well as the lingering feeling that her own sister's disappearance may be somehow tied to it all.

The human “oddities” in the Museum of the Strange are less wondrous than the gawking rubes had been promised. But Alida is something else. The real thing. Traveling Depression-era America from carnival midways to speakeasies, Alida is resigned to an exploited and lonely life on the road as the museum’s golden ticket. Until she’s rescued by two compassionate strangers. Franklin and Loretta Fairchild see in Alida a gifted and uncannily well-read girl in need of a loving touch and a family. With the openhearted couple and their three precociously imaginative children, Alida finds it. Yet despite everyone’s overwhelming generosity and acceptance, Alida knows she is still a very different kind of girl. Her dreams bear that out. They’re vivid, unsettling and threatening. Alida fears that they’re also warnings. And that it’s the Fairchilds who may need rescue from a bad, bad world.

Reeling from a breakup and overlooked at her job as a lighting designer, Iris Sunnegren finds herself stuck, disconnected and lonely in crowded New York City. Then a mysterious neighbor, an older Frenchwoman, makes her a gift: a bespoke perfume. One spritz, a dab behind the ears, and Iris feels like a different woman. Suddenly, she is the object of every man’s desire. She can cast off her inhibitions and use her newfound allure to dazzle the high-profile client, attract a man who excites her like no other, and access all the rarified spaces that once excluded her. Invigorated by the perfume, Iris embodies her maximum power --- a flower fully bloomed. But there is danger in connecting to our primal emotions. Scent awakens buried memories, and nightmares of the childhood house fire Iris barely survived return to haunt her.

The Hamptons on Long Island is known for its beautiful beaches, its luxury lifestyle --- and its exclusive legal advice. When Jane Smith takes on a famous celebrity client, she’s armed and ready: with brilliant arguments, hard evidence --- and two Glocks. Yet she is chased down and shot at, and she risks contempt of court. That’s when mounting a legal defense turns into self-defense. Knowing every day in court could be her last, she’s a survivor. For now.

When Roxie makes a tongue-in-cheek wish to live out the plot of her favorite author’s next novel, she has romance in mind --- namely, the sweet, safe, swoon-worthy storylines Anna Matthews is known for. It should be a dream come true when her wish is granted and she finds herself swept into a first date with a handsome stranger who seems designed to take her breath away. Except for one little hiccup: That handsome stranger tries to take her breath away. Literally. With a knife. Thrown into a perilous genre she’s never read, Roxie is desperate for help. So when her escape takes her straight into the path of Grant Hoffman, an anxious English professor with a convenient love of crime novels, she decides that kidnapping a grown man is a small price to pay for her own survival.

Anatol invites five of his oldest friends to his family home in the Wiltshire countryside to celebrate his 30th birthday. At his request, they play a game of his invention called Motive Method Death. The rules are simple: Everyone chooses two players at random, then writes a short story in which one kills the other. Points are awarded for making the murders feel real. Of course, it’s only natural for each friend to use what they know. But once they’ve put it in a story, each secret is out. It’s not long before the game reawakens old resentments and brings private matters into the light of day. With each fictional crime, someone new gets a very real motive. Can all six friends survive the weekend, or will truth turn out to be deadlier than fiction?

Sue and Mal Eastwood run an isolated rural pub called The Case is Altered, where a weekly trivia game has revived its flagging fortunes --- that is, until a body is found in the nearby river. Soon after, a mysterious new team arrives and shakes up the diverse field of regulars by scoring top marks in every round...every week. Meanwhile, Sue and Mal have a secret of their own. Before arriving here, they were caught up in a secret police operation that meant they had to leave town --- and whatever happened back then seems to have finally caught up with them. Five years later, the pub lies derelict, and their nephew, Dominic, is determined to make a documentary about their story. What happened at this unassuming pub? And can a single question really kill?

When her first-love-turned-close-friend, Gabe, dies unexpectedly at 29, 30-year-old Julia is launched into an intercontinental quest to recover his lost possessions. Her journey takes her from Los Angeles to London and into the murky realm of the past. It also sets Julia on a collision course with the last woman he loved, a guarded, self-possessed florist and restaurateur named Elizabeth, who insists on withholding Gabe’s beloved guitar --- one of the departed indie rock musician’s dearest belongings --- for reasons Julia can’t understand. Both women, it turns out, have something to hide and soon find themselves engaged in a complex dance of withholding and revelation.

A man and a woman walk into a restaurant. The woman expects a lovely night filled with endless plates of samosas. Instead, she finds out her husband is having an affair with a woman named Maggie. A short while after, her chest starts to ache. She walks into an examination room, where she finds out the pain in her breast isn’t just heartbreak --- it’s cancer. She decides to call the tumor Maggie. Unfolding in fragments over the course of the ensuing months, MAGGIE; OR, A MAN AND A WOMAN WALK INTO A BAR follows the narrator as she embarks on a journey of grief, healing and reclamation.

Most people don’t even notice them --- three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an aspiring artist herself, knows otherwise. Twenty-five years earlier, in a distant seaside town, a group of teenagers find refuge from their bruising home lives by spending long summer days on an abandoned pier, telling silly jokes, sharing secrets, and committing small acts of rebellion. Out of that summer emerges a transcendent work of art, a painting that unexpectedly will be placed into 18-year-old Louisa’s care. She embarks on a surprise-filled cross-country journey to learn how the painting came to be and to decide what to do with it.

In “Machine City,” a college student’s chance role in a friend’s movie blurs the line between his character and his true self. (Is he a robot?) In “Slide to Unlock,” a man comes to terms with his life via the passwords he struggles to remember in extremis. (What’s his mom’s name backward?) And in “Weird Menace,” a director and faded movie star gab about science fiction, bad costume choices and lost loves on a commentary track for a B-film from the ’80s that neither remembers all that well. In Ed Park’s utterly original collection, characters bemoan their fleeting youth, focus on their breathing, meet cute, break up, write book reviews, translate ancient glyphs, bid on stuff online, whale watch, and once in a while find solace in the sublime.

Fred and Thea Morgan-Lane coauthor the wildly successful Death Takes a Holiday series, and they’ve been invited to the Italian castle where it all began for a mystery conference celebrating their first novel, Death Takes the Castle. But 20 years and 20 books after they met, Thea wants out. Shortly after their arrival at the beautiful Castellarosa, a shocking death takes place when the wrong person drinks a cocktail meant for Thea. Could someone be trying to kill her? When a second death occurs, a disturbing pattern emerges. These deaths aren’t random --- they’re following the murders in Death Takes a Castle exactly. In order to save the day --- and maybe even their marriage --- the unhappy couple will have to work together to figure out who is using their book as a blueprint for a killing spree.

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity --- our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project --- the nation’s transformation from a provincial backwater to a capitalist juggernaut (made possible by chattel slavery) to a bloated imperialist superpower on the verge of implosion. In POSITIVE OBSESSION, Susana M. Morris places Butler’s story firmly within the cultural, social and historical context that shaped her life.

When Savvy Summers first opened Essie's soul food café, she never expected her customer-favorite sweet potato pie to become the center of a murder investigation. But when Grandy Jaspers, the 75-year-old neighborhood womanizer, drops dead at table two, she suddenly has more to worry about than just maintaining Essie's reputation for the finest soul food in the Chicagoland area. Even as the police deem Grandy’s death an accident, Savvy quickly finds herself --- and her beloved café --- in the middle of an entire city’s worth of bad press. Desperate to clear her name and keep her business afloat, Savvy and her snooping assistant manager, Penny Lopés, take it upon themselves to find who really killed Grandy.

In the aftermath of a tumultuous year, Fiona Winslow finds solace in the decaying grandeur of Wurimbirra, the rambling family estate she once called home. Intent on restoring it, she discovers the keys to more than just the dilapidated mansion. Beneath the crumbling plaster and dust are secrets that have been buried for a generation. When a curious book, The Midnight Estate, catches her attention in her late uncle’s library, Fiona is plunged into a tale that mirrors her own --- a story of love, loss and betrayal. But as the lines between fiction and reality blur, Fiona must ask herself: Is the true mystery the one hidden within the walls of her ancestral home, or is it within the pages of a book that chose her as much as she chose it?

When a series of deaths within the small Cotswolds birdwatching community begins to unravel her village, Agatha and her team at Raisin Investigators are certain there has been foul play involved. Now, they must dig up decades' worth of tempestuous relationships and simmering secrets among the birdwatching enthusiasts of the village in order to prevent any further deaths. But with Agatha's own relationship with John Glass on the rocks after he is called away on his job as a cruise ship dance instructor, and Sir Charles Fraith now attempting to step into John’s shoes as her lover, Agatha has her work cut out for her. She will have to break out her binoculars and embrace her bitter side to solve the murders and wrangle the sickly-sweet temptations in her own life.

The targeted murder of four officers is only the first in a series of attacks that leaves police scared, angry and, most disturbingly of all, vengeful. As Tom Thorne and Nicola Tanner dig into the reasons for the violence, a deeper darkness begins to emerge: the possibility that these murders are payback. The price paid for an unspeakable betrayal. To uncover the truth, Thorne will be forced to question everything he stands for. He can trust nobody, and the shocking secrets revealed by one terrible night will fracture his entire world.