The word atavism, coined by a botanist and popularized by a criminologist, refers to the resurfacing of a primitive evolutionary trait or urge in a modern being. This inventive collection from Lydia Millet offers overlapping tales of urges ranging from rage to jealousy to yearning. The titular atavists include an underachieving, bewildered young bartender; a middle-aged mother convinced that her gentle son-in-law is fixated on geriatric porn; a bodybuilder with an incel’s fantasy life; an arrogant academic accused of plagiarism; and an empty-nester dad determined to host refugees in a tiny house in his backyard. As they pick away at the splitting seams in American culture, Millet’s characters shimmer with the sense of powerlessness we share in an era of mass overwhelm.

The word atavism, coined by a botanist and popularized by a criminologist, refers to the resurfacing of a primitive evolutionary trait or urge in a modern being. This inventive collection from Lydia Millet offers overlapping tales of urges ranging from rage to jealousy to yearning. The titular atavists include an underachieving, bewildered young bartender; a middle-aged mother convinced that her gentle son-in-law is fixated on geriatric porn; a bodybuilder with an incel’s fantasy life; an arrogant academic accused of plagiarism; and an empty-nester dad determined to host refugees in a tiny house in his backyard. As they pick away at the splitting seams in American culture, Millet’s characters shimmer with the sense of powerlessness we share in an era of mass overwhelm.

A fast-moving, heartbreaking collection of short fiction from “the American writer with the funniest, wisest grasp on how we fool ourselves” (Chicago Tribune).

The word atavism, coined by a botanist and popularized by a criminologist, refers to the resurfacing of a primitive evolutionary trait or urge in a modern being. This inventive collection from Lydia Millet offers overlapping tales of urges ranging from rage to jealousy to yearning --- a fluent triumph of storytelling, rich in ideas and emotions both petty and grand.

The titular atavists include an underachieving, bewildered young bartender; a middle-aged mother convinced her gentle son-in-law is fixated on geriatric porn; a bodybuilder with an incel’s fantasy life; an arrogant academic accused of plagiarism; and an empty-nester dad determined to host refugees in a tiny house in his backyard.

As they pick away at the splitting seams in American culture, Millet’s characters shimmer with the sense of powerlessness we share in an era of mass overwhelm. A beautician in a waxing salon faces a sudden resurgence of grief in the midst of a bikini Brazilian; a couple sets up a camera to find out who’s been slipping homophobic letters into their mailbox; a jilted urban planner stalks a man she met on a dating app.

In its rich warp and weft of humiliations and human error, ATAVISTS returns to the trenchant, playful social commentary that made A CHILDREN'S BIBLE a runaway hit. In these stories sharp observations of middle-class mores and sanctimony give way to moments of raw exposure and longing: ATAVISTS performs an uncanny fictional magic, full of revelation but also hilarious, unpretentious and warm.

Audiobook available; read by Hillary Huber, Devon Sorvari, Patrick Zeller and Pete Cross

Ryan and Lillian Bright are deeply in love, recently married, and now parents to a baby girl, Georgette. But Lillian has a son she hasn’t told Ryan about, and Ryan has an alcohol addiction he hasn’t told Lillian about, so Georgette comes of age watching their marriage rise and fall. When a shocking blow scatters their fragile trio, Georgette tries to distance herself from reminders of her parents. Years later, Lillian’s son comes searching for his birth family, so Georgette must return to her roots, unearth her family’s history, and decide if she can open up to love for them --- or herself --- while there’s still time.

Ryan and Lillian Bright are deeply in love, recently married, and now parents to a baby girl, Georgette. But Lillian has a son she hasn’t told Ryan about, and Ryan has an alcohol addiction he hasn’t told Lillian about, so Georgette comes of age watching their marriage rise and fall. When a shocking blow scatters their fragile trio, Georgette tries to distance herself from reminders of her parents. Years later, Lillian’s son comes searching for his birth family, so Georgette must return to her roots, unearth her family’s history, and decide if she can open up to love for them --- or herself --- while there’s still time.

One family. Four generations. A secret son. A devastating addiction. A Texas family is met with losses and surprises of inheritance, but they’re unable to shake the pull back toward each other in this big-hearted family saga perfect for readers of Mary Beth Keane and Claire Lombardo.

Ryan and Lillian Bright are deeply in love, recently married, and now parents to a baby girl, Georgette. But Lillian has a son she hasn’t told Ryan about, and Ryan has an alcohol addiction he hasn’t told Lillian about, so Georgette comes of age watching their marriage rise and fall.

When a shocking blow scatters their fragile trio, Georgette tries to distance herself from reminders of her parents. Years later, Lillian’s son comes searching for his birth family, so Georgette must return to her roots, unearth her family’s history, and decide if she can open up to love for them --- or herself --- while there’s still time.

Told from three intimate points of view, THE BRIGHT YEARS is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.

Audiobook available; read by Ferdelle Capistrano, Joy Osmanski and Lee Osorio

In 1480, the arrival of a well-dressed stranger from London upends John Collan’s life forever. John is not John Collan, the son of Will Collan, but Lambert Simnel, the son of the long-deceased Duke of Clarence. Lambert has been hidden in the countryside after a brotherly rift over the crown --- and because Richard III has a habit of making his nephews disappear. He is removed from his humble origins and sent to Oxford to be educated in a manner befitting the throne’s rightful heir. There he encounters the intractable Joan, the delightfully strong-willed daughter of his Irish patrons, who is imbued with both extraordinary political savvy and occasional murderous tendencies. Together Lambert and Joan form an alliance that will change the fate of the English monarchy.

In 1480, the arrival of a well-dressed stranger from London upends John Collan’s life forever. John is not John Collan, the son of Will Collan, but Lambert Simnel, the son of the long-deceased Duke of Clarence. Lambert has been hidden in the countryside after a brotherly rift over the crown --- and because Richard III has a habit of making his nephews disappear. He is removed from his humble origins and sent to Oxford to be educated in a manner befitting the throne’s rightful heir. There he encounters the intractable Joan, the delightfully strong-willed daughter of his Irish patrons, who is imbued with both extraordinary political savvy and occasional murderous tendencies. Together Lambert and Joan form an alliance that will change the fate of the English monarchy.

Set in the tumultuous period of the Tudors' ascent, THE PRETENDER brings to life the little-known story of Lambert Simnel.

From humble beginnings as a peasant boy, Lambert's life takes an astonishing turn when, at just 10 years old, he becomes a claimant to the English throne as one of the last of the Plantagenet line. As Lambert navigates the treacherous waters of royal intrigue and court life, complex themes of identity, power and destiny unfold, weaving a tapestry of ambition and survival in a world where the stakes couldn't be higher.

In 1480, John Collan’s greatest anxiety is how to circumvent the village’s devil goat on his way to collect water. But the arrival of a well-dressed stranger from London upends his life forever: John is not John Collan, not the son of Will Collan but Lambert Simnel, the son of the long-deceased Duke of Clarence, and has been hidden in the countryside after a brotherly rift over the crown --- and because Richard III has a habit of disappearing his nephews.

Removed from his humble origins and sent to Oxford to be educated in a manner befitting the throne’s rightful heir, Lambert is put into play by his masters. He learns the rules of etiquette in Burgundy and the machinations of the court in Ireland, where he encounters the intractable Joan, the delightfully strong-willed and manipulative daughter of his Irish patrons, a girl imbued with both extraordinary political savvy and occasional murderous tendencies. Joan has two paths available to her --- marry or become a nun. Lambert’s choices are similarly stark: he will either become king or die in battle. Together they form an alliance that will change the fate of the English monarchy.

Inspired by a footnote to history --- the true story of the little-known Simnel, who was a figurehead of the 1487 Yorkist rebellion and ended up working as a spy in the court of King Henry VII --- THE PRETENDER is historical fiction at its finest, a gripping, exuberant, rollicking portrait of British monarchy and life within the court, with a cast of unforgettable heroes and villains drawn from fifteenth-century England. A masterful new work from a major new author.

Audiobook available, read by John Hollingworth