YOU DON'T KNOW US NEGROES is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles that enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it.

YOU DON'T KNOW US NEGROES is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles that enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it.

Spanning more than 35 years of work, the first comprehensive collection of essays, criticism and articles by the legendary author of the Harlem Renaissance, Zora Neale Hurston, showcasing the evolution of her distinctive style as an archivist and author.

YOU DON'T KNOW US NEGROES is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could.

Collectively, these essays showcase the roles that enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it. She argues that in the process of surviving, Black people re-interpreted every aspect of American culture --- "modif[ying] the language, mode of food preparation, practice of medicine, and most certainly religion.” White supremacy prevents the world from seeing or completely recognizing Black people in their full humanity, and Hurston made it her job to lift the veil and reveal the heart and soul of the race.

These pages reflect Hurston as the controversial figure she was --- someone who stated that feminism is a mirage and that the integration of schools did not necessarily improve the education of Black students. Also covered is the sensational trial of Ruby McCollum, a wealthy Black woman convicted in 1952 for killing her lover, a white doctor.

Demonstrating the breadth of this revered and influential writer’s work, YOU DON'T KNOW US NEGROES AND OTHER ESSAYS is an invaluable chronicle of a writer’s development and a window into her world and mind.

Audiobook available, read by Robin Miles

It's an incendiary moment for St Oswald's school. For the first time in its history, a headmistress is in power, the gates opening to girls. Rebecca Buckfast has spilled blood to reach this position. Barely 40, she is just starting to reap the harvest of her ambition. As the new regime takes on the old guard, the ground shifts. And with it, the remains of a body are discovered. But Rebecca is here to make her mark. She'll bury the past so deep it will evade even her own memory, just like she has done before. After all, you can't keep a good woman down.

It's an incendiary moment for St Oswald's school. For the first time in its history, a headmistress is in power, the gates opening to girls. Rebecca Buckfast has spilled blood to reach this position. Barely 40, she is just starting to reap the harvest of her ambition. As the new regime takes on the old guard, the ground shifts. And with it, the remains of a body are discovered. But Rebecca is here to make her mark. She'll bury the past so deep it will evade even her own memory, just like she has done before. After all, you can't keep a good woman down.

An electrifying tale of psychological suspense and revenge at an elite grammar school where secrets run deep.

Now I'm in charge, the gates are my gates. The rules are my rules.

It's an incendiary moment for St Oswald's school. For the first time in its history, a headmistress is in power, the gates opening to girls.

Rebecca Buckfast has spilled blood to reach this position. Barely 40, she is just starting to reap the harvest of her ambition. As the new regime takes on the old guard, the ground shifts. And with it, the remains of a body are discovered.

But Rebecca is here to make her mark. She'll bury the past so deep it will evade even her own memory, just like she has done before. After all, you can't keep a good woman down.

Audiobook available, read by Alex Kingston and Steven Pacey

At first, the residents of Kauai Beach Resort took little notice of their new neighbors. The couple seemed to keep to themselves --- until the police knocked on their door with a search warrant. Lori Vallow and Chad Daybell had fled to Hawaii in the midst of being investigated for the disappearance of Lori’s children, Tylee and JJ, back in Idaho. As authorities searched for the missing children, they uncovered more suspicious deaths with links to both Lori and Chad. In June 2020, the remains of JJ and Tylee were discovered on Chad’s property, and the newlyweds were charged with murder. And in a shocking development, horrifying statements revealed that their fanatical beliefs had convinced them the children had become zombies.

At first, the residents of Kauai Beach Resort took little notice of their new neighbors. The couple seemed to keep to themselves --- until the police knocked on their door with a search warrant. Lori Vallow and Chad Daybell had fled to Hawaii in the midst of being investigated for the disappearance of Lori’s children, Tylee and JJ, back in Idaho. As authorities searched for the missing children, they uncovered more suspicious deaths with links to both Lori and Chad. In June 2020, the remains of JJ and Tylee were discovered on Chad’s property, and the newlyweds were charged with murder. And in a shocking development, horrifying statements revealed that their fanatical beliefs had convinced them the children had become zombies.

In THE DOOMSDAY MOTHER, bestselling true crime author John Glatt tells the twisted tale of Lori Vallow, accused of having her two children murdered to start a new life with her new husband, doomsday prepper Chad Daybell.

At first, the residents of Kauai Beach Resort took little notice of their new neighbors. The glamorous blonde and her tall husband fit the image of the ritzy gated community. The couple seemed to keep to themselves --- until the police knocked on their door with a search warrant. Lori Vallow and Chad Daybell had fled to Hawaii in the midst of being investigated for the disappearance of Lori’s children back in Idaho --- Tylee and JJ --- who hadn’t been seen alive in five months.

For years, Lori Vallow had been devoted to her children and her Mormon faith. But when her path crossed with Chad Daybell, a religious zealot who taught his followers how to prepare for the end-times, the tumultuous relationship transformed her into someone unrecognizable. As authorities searched for Lori’s children, they uncovered more suspicious deaths with links to both Lori and Chad, including the death of Lori’s third and fourth husbands, her brother, and Chad’s wife. In June 2020, the gruesome remains of JJ and Tylee were discovered on Chad’s property, and the newlyweds were arrested and charged with murder. And in a shocking development, horrifying statements revealed that the couple’s fanatical beliefs had convinced them the children had become zombies --- a belief that may have led to their deaths.

Bestselling author and journalist John Glatt takes readers deeper into the devastating story of Lori Vallow and Chad Daybell in an attempt to unravel the lethal relationship of this doomsday couple.

Audiobook available, read by Shaun Grindell

When Emma’s husband, Ben, falls in love with a large Victorian mansion for sale in upstate New York, he swears to her the fixer-upper will be worth the risk. With a baby on the way, Emma would like to live in a charming, safe community --- and in a space larger than a one-bedroom New York City apartment. On impulse, she agrees to Ben’s plan and they put in an offer on the house. Sure, the mansion has a somewhat creepy backstory and is a bit dilapidated, but Emma and Ben are in this together. Aren't they? When strange things start happening, Emma begins to experience a little buyer’s remorse. What’s the real history of this house? Is its dark history repeating itself? Why does her husband suddenly seem so distant? Is she in danger? Is her baby?

When Emma’s husband, Ben, falls in love with a large Victorian mansion for sale in upstate New York, he swears to her the fixer-upper will be worth the risk. With a baby on the way, Emma would like to live in a charming, safe community --- and in a space larger than a one-bedroom New York City apartment. On impulse, she agrees to Ben’s plan and they put in an offer on the house. Sure, the mansion has a somewhat creepy backstory and is a bit dilapidated, but Emma and Ben are in this together. Aren't they? When strange things start happening, Emma begins to experience a little buyer’s remorse. What’s the real history of this house? Is its dark history repeating itself? Why does her husband suddenly seem so distant? Is she in danger? Is her baby?

The New York Times bestselling author of A SIMPLE FAVOR brings her “sly, satirical, subversive” (L.S. Hilton, author of ULTIMA) prose to a pitch-perfect psychological suspense novel about a young couple whose disintegrating marriage and remote new home in rural, upstate New York make for a terrifying descent into the darker side of human nature.

When Emma’s husband, Ben, falls in love with a large Victorian mansion for sale in upstate New York, he swears to her the fixer-upper will be worth the risk. With a baby on the way, Emma would like to live in a charming, safe community, after all --- and in a space larger than a one-bedroom New York City apartment. On impulse, she agrees to Ben’s plan and they put in an offer on the house.

Sure, the mansion has a somewhat creepy backstory and is a bit dilapidated, but Emma and Ben are in this together. Aren’t they? When strange things start happening, Emma begins to experience a little buyer’s remorse. What’s the real history of this house? Is its dark history repeating itself? Why does her husband suddenly seem so distant? Is she in danger? Is her baby?

Combining the domestic anxiety of Liane Moriarty and the haunting twists and turns of Shirley Jackson, ALL I WANT is an intensely absorbing novel that will change the way you look at your neighbors.

Audiobook available; read by Emily Tremaine, Kevin R. Free and Madeleine Maby

Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball Greene, they never know what harm may befall them: inhumane physical toil in the plantation’s quarry by day, a beating by night, or the sale of a loved one at any moment. The latter hurts the reserved and stubborn William, who finds himself falling for Margaret, a small but mighty woman with self-possession beyond her years. And it hurts Cato, whose first love, Iris, was sold off with no forewarning. He now finds solace in his hearty band of friends. But their relationships begin to fray when a visiting minister with a mysterious past starts to fill their heads with ideas about independence.

Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball Greene, they never know what harm may befall them: inhumane physical toil in the plantation’s quarry by day, a beating by night, or the sale of a loved one at any moment. The latter hurts the reserved and stubborn William, who finds himself falling for Margaret, a small but mighty woman with self-possession beyond her years. And it hurts Cato, whose first love, Iris, was sold off with no forewarning. He now finds solace in his hearty band of friends. But their relationships begin to fray when a visiting minister with a mysterious past starts to fill their heads with ideas about independence.

THE WATER DANCER meets THE PROPHETS in this spare, gripping and beautifully rendered novel exploring love and friendship among a group of enslaved Black strivers in the mid-19th century.

They call themselves the Stolen. Their owners call them captives. They are taught their captors’ tongues and their beliefs but they have a language and rituals all their own.

In a world that would be allegorical if it weren’t saturated in harsh truths, Cato and William meet at Placid Hall, a plantation in an unspecified part of the American South. Subject to the whims of their tyrannical and eccentric captor, Cannonball Greene, they never know what harm may befall them: inhumane physical toil in the plantation’s quarry by day, a beating by night, or the sale of a loved one at any moment. It’s that cruel practice --- the wanton destruction of love, the belief that Black people aren’t even capable of loving --- that hurts the most.

It hurts the reserved and stubborn William, who finds himself falling for Margaret, a small but mighty woman with self-possession beyond her years. And it hurts Cato, whose first love, Iris, was sold off with no forewarning. He now finds solace in his hearty band of friends, including William, who is like a brother; Margaret; Little Zander; and Milton, a gifted artist. There is also Pandora, with thick braids and long limbs, whose beauty calls to him.

Their relationships begin to fray when a visiting minister with a mysterious past starts to fill their heads with ideas about independence. He tells them that with freedom comes the right to choose the small things --- when to dine, when to begin and end work --- as well as the big things, such as whom and how to love. Do they follow the preacher and pursue the unknown? Confined in a landscape marked by deceit and uncertainty, who can they trust?

In an elegant work of monumental imagination that will reorient how we think of the legacy of America’s shameful past, Jabari Asim presents a beautiful, powerful and elegiac novel that examines intimacy and longing in the quarters while asking a vital question: What would happen if an enslaved person risked everything for love?

Audiobook available; read by Joniece Abbott-Pratt, Lamarr Gulley, JD Jackson, Adam Lazarre-White, Imani Jade Powers and Kylah Williams