In the blazing hot summer of 1994, there’s nothing for Cora Mowat to do but hang around in empty parking lots. Stuck in her mother's small house and tired of her own restless mind, she’s desperate to break free of the limits of Fife but unsure of what the future holds --- if it holds anything at all for a girl like her trying to find her way in the world. After her mother invites a new man to live with them, tensions quickly rise in the cramped house. Gunner is kind but also strange --- a one-eyed shoplifter with more than a few hidden secrets. But when tragedy strikes shortly after, Cora rebels against her small-town existence in search of love, acceptance and a path to something good. If only she can learn to navigate her grief and everything she thinks she knows about who she is and what she might be capable of, she finally may find the way forward.

Tao is an immigrant fortune teller, traveling between villages with just her trusty mule for company. She only tells "small" fortunes, knowing from bitter experience that big fortunes come with big consequences. Even if it’s a lonely life, it’s better than the one she left behind. But a small fortune unexpectedly becomes something more when a (semi) reformed thief and an ex-mercenary recruit her into their desperate search for a lost child. Soon, they’re joined by a baker with a "knead" for adventure, and --- of course --- a slightly magical cat. Tao starts down a new path with companions as big-hearted as her fortunes are small. But as she lowers her walls, the shadows of her past close in --- and she’ll have to decide whether or not to risk everything to preserve the family she never thought she could have.

Eve Babitz died on December 17, 2021. Found in the wrack, ruin and filth of her apartment was a stack of boxes packed by her mother decades before. Inside was a lost world that centered on a two-story rental in a down-at-the-heel section of Hollywood: 7406 Franklin Avenue, a combination salon-hotbed-living end where writers and artists mixed with movie stars, rock ’n’ rollers and drug trash. 7406 Franklin Avenue was the making of one great American writer: Joan Didion. It also was the breaking and then the remaking --- and thus the true making --- of another great American writer: Eve Babitz. Didion and Babitz formed a complicated alliance, a friendship that went bad, amity turning to enmity. Didion, in spite of her confessional style, is so little known or understood. She’s remained opaque, elusive. Until now.

A girl must watch her figure but never be vain. She must be intelligent but never a know-it-all. She must be ambitious, if she is clever, but not in a way that shows. She must cook and sew and make do and mend. She must know (but never say) that these skills are, in some fundamental way, flawed and frivolous --- feminine. Girls must stay small, even as they grow. Women must show restraint.  And yet. In books, in the landscape of imagination, a girl can run free. Here, with MY GOOD BRIGHT WOLF, Sarah Moss takes on these rules, these lessons from the fables of girlhood, and uses them to fearlessly investigate the nature of memory, the lure of self-control, the impact of privilege, scarcity, parents and love.

Jenny Slate was a human mammal who sniffed the air every morning hoping to find another person to love who would love her, and then we are pleased to report that she did fall in love, but also she was rabid with fear of losing this love because of past injury. And then what happened was that she became a wild-pregnant-mammal-thing, and then she exploded herself by having a whole baby blast through her vagina. Herein lies an account of this journey, told in five phases --- Single, True Love, Pregnancy, Baby and Ongoing --- through luminous, laugh-out-loud funny essays that take the form of letters to a doctor, dreams of a stork, fantasy therapy sessions, gossip between raccoons, excerpts from an imaginary olden timey play, obituaries, theories about post-partum hair loss, graduation speeches and more.

A virus is spreading across America, transforming the infected and making them feral with lust. Sophie, a good Catholic girl, must traverse the hellscape of the midwest to try to find her family while the world around her burns. Along the way she discovers there are far worse fates than dying a virgin. The end times are coming.

Tamar Glass fled an abusive mother when she was 18 to find a better life elsewhere. She has lived in freedom from Ruth for decades until one night she wakes to find her now-elderly mother standing over her bed, disoriented and confused. When Tamar reluctantly takes in her mother, strange events start happening inside her home. Tamar learns that Ruth has been kicked out of her assisted living home, and other facilities refuse to house her and endanger their own residents. Tamar has spent years suppressing her childhood trauma, but it comes rushing back with each strange event in her home. As Tamar copes with their disturbing past, which her mother stubbornly refuses to admit to, she can’t shake the feeling that there’s something worse than her mother lurking in the shadows.

In 2014, in Lookout Mountain, Alabama, the Prophet --- a 70-year-old man who paints his visions --- lives off the grid in a cabin near the Georgia border. While scrounging for materials at the local scrapyard, the Prophet sees a car pull up to an abandoned gas station. In the back seat is a teenage girl with zip ties on her wrists, a girl he realizes he must rescue from her current life. Her name is Michael, and the Prophet feels certain that she is a messenger sent by God to take his end-time warnings to the White House. Michael finds herself in the Prophet’s remote, art-filled cabin, and as their uncertain dynamic evolves into tender friendship, she is offered a surprising opportunity to escape her past --- and perhaps change her future.

With one unexpected email from her estranged best friend, Lucy, Mina Murray’s carefully curated life is turned upside down. Leaving behind her psychiatric practice in London, she returns home to the windswept shores of Wales. Faced with everything she’s left behind, she soon discovers that Lucy’s symptoms mirror those of her mysterious amnesiac patient hundreds of miles away. With nothing but an untreatable sickness connecting the two women, and with Lucy’s life on the line, Mina finds herself asking questions and being drawn ever-deeper into a web of secrets, missing girls, and the powerful, nameless force at its center --- one that has been haunting her for years. As terrible, ancient truths begin to reveal themselves, Mina prepares to confront her own darkest secrets and, with them, an evil beyond comprehension.

In the grisly aftermath of a botched bank heist, career criminal Anne Heller has no choice but to return to her family’s cabin --- a secluded shack in Colorado’s San Luis Valley, and the site of her mother’s untimely death. Along for the ride are Jessup, Anne’s badly wounded partner, and Dutch, the police officer she’s taken hostage. As they wait for help, Anne discovers strange relics from her mother’s past and begins to unfold the mystery of her childhood at the cabin. Then Jessup goes missing, only to turn up dead. Anne and Dutch bury her friend, but that night, he comes back and knocks at the cabin door. Not a dream, not a hallucination, but not exactly Jessup, either. Something else. Something wearing her friend’s face. Something hungry.