Dr. Seuss is a classic American icon. Whimsical and wonderful, his work has defined our childhoods and the childhoods of our own children. Theodor Geisel, however, had a second, more radical side. It is there that the allure and fascination of his Dr. Seuss alter ego begins. He had a successful career as an advertising man and then as a political cartoonist, his personal convictions appearing, not always subtly, throughout his books. Remember the environmentalist of THE LORAX? Geisel was a complicated man on an important mission. He introduced generations to the wonders of reading while teaching young people about empathy and how to treat others well.

Zoe Morgan’s childhood was marked by her younger sister’s tragic illness, watching as her parents dedicated themselves completely to her final days and then divorced. As a young woman driven by these painful memories, Zoe sets the bar high for herself, studying hard and pursuing a career in the nonprofit world, where her deep compassion for disadvantaged children finds a focus. When Zoe falls in love and has her own child, she is determined to be a perfect mother as well. But before long, old scars long dormant begin to pull Zoe to the edge of an abyss too terrifying to contemplate.

Childhood friends Hannah, Maya, Blue and Renee share a bond that feels more like family. Growing up, they had difficult home lives, and the summers they spent together in Montauk were the happiest memories they ever made. Then, the summer after graduation, one terrible night changed everything. Twelve years have passed since that fateful incident, and their sisterhood has drifted apart, each woman haunted by her own lost innocence. But just as they reunite in Montauk for one last summer, hoping to find happiness once more, tragedy strikes again. This time it’ll test them like never before, forcing them to confront decisions they’ve each had to live with and old secrets that refuse to stay buried.

Julia has had enough. Enough of the sex noises her roommate makes. Enough of her dead-end government job. Enough of the one-night stand who accused her of breaking his penis. The only thing she hasn’t had enough of is orgasms; she hasn’t had proper sex in three years. So when Julia gets invited to a warehouse party in a part of town where trendy people who have lots of sex go on a Friday night, she readily accepts. And that night she meets someone: a conceptual artist, who also happens to be a woman. Soon it becomes clear that her new lover, Sam, needs to call the shots, and Julia’s newfound liberation comes to bear a suspicious resemblance to entrapment.

In the lawless, drought-ridden lands of the Arizona Territory in 1893, two extraordinary lives unfold. Nora is an unflinching frontierswoman awaiting the return of the men in her life --- her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home. Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. How Lurie’s death-defying trek at last intersects with Nora’s plight is the surprise and suspense of INLAND.

In July 1953, at a glittering party thrown by Truman Capote in Portofino, Italy, Tennessee Williams and his longtime lover Frank Merlo meet Anja Blomgren, a mysteriously taciturn young Swedish beauty and aspiring actress. Their encounter will go on to alter all of their lives. Ten years later, Frank revisits the tempestuous events of that fateful summer from his deathbed in Manhattan, where he waits anxiously for Tennessee to visit him one final time. Anja, now legendary film icon Anja Bloom, lives as a recluse in the present-day U.S., until a young man connected to the events of 1953 lures her reluctantly back into the spotlight after he discovers she possesses the only surviving copy of Williams' final play.

Terri Rayburn is a girl with a reputation. She doesn’t deserve it, but having grown up on the outskirts of Summer Hill, Virginia, she knows how small towns work. The only way to deal with vicious gossip is to ignore it. When Terri returns home from a short trip to find a handsome stranger living in her house, she smells a rat. Someone is trying to fix her up, and she has to admit that Nate Taggert is just her type. However, Nate is engaged to the daughter of the mayor and strictly off-limits. As he starts to hear rumors about Terri, he’s determined to discover the source of the gossip. Terri doesn’t want to revisit the past, but Nate won’t stop until he discovers the truth --- even if the truth might be more than either of them can handle.

Blanche Auzello and her husband, Claude, the mistress and master of the Ritz, allow the glamour and glitz of the hotel to take their minds off their troubled marriage, and off the secrets that they keep from their guests --- and each other. Until June 1940, when the German army sweeps into Paris, setting up headquarters at the Ritz. Suddenly, Blanche and Claude must navigate a terrifying new reality. In order to survive, and strike a blow against their Nazi “guests,” they must spin a web of deceit that ensnares everything and everyone they cherish. But one secret is shared between Blanche and Claude alone --- the secret that, in the end, threatens to imperil both of their lives, and to bring down the legendary Ritz itself.

Hap Collins looks like a good ol’ boy. But even in his misspent youth, his best pal is Leonard Pine, who is black, gay and the ultimate outsider. Inseparable friends, Hap and Leonard climb into the boxing ring, visit their families, get in bar fights and just go fishing --- all the while confronting racists, righting wrongs and eating a whole lot of delicious food. In OF MICE AND MINESTRONE, Joe R. Lansdale --- along with his daughter Kasey Lansdale’s down-home recipes and New York Times bestselling crime author Kathleen Kent’s introduction --- has cooked up a new passel of tales for you about the unlikeliest duo East Texas has to offer, created by his own self.

When Patsy gets her long-coveted visa to America, it comes after years of yearning to leave Pennyfield, the beautiful but impoverished Jamaican town where she was raised. More than anything, Patsy wishes to be reunited with her oldest friend, Cicely, whose letters arrive from New York steeped in the promise of a happier life and the possible rekindling of their young love. But Patsy’s plans don’t include her overzealous, evangelical mother or even her five-year-old daughter, Tru. Beating with the pulse of a long-withheld confession, PATSY gives voice to a woman who looks to America for the opportunity to choose herself first --- not to give a better life to her family back home.

In the dead of night, a Czech farm girl and a British soldier travel through the countryside. Izabela and prisoner of war Bill have secretly married and are on the run, with Izzy dressed as a man. The young husband and wife evade capture for as long as possible --- until they are cornered by Nazi soldiers with tracking dogs. The couple are assumed to be escaped British soldiers and transported to a POW camp. However, their ordeal has just begun, as they face appalling living conditions and the constant fear of Izzy's exposure. But in the midst of danger and deprivation comes hope, for the young couple are befriended by a small group of fellow prisoners. These men become their new family, willing to jeopardize their lives to save Izzy from being discovered and shot.

Inspired by the Cervantes classic, Sam DuChamp, mediocre writer of spy thrillers, creates Quichotte, a courtly, addled salesman obsessed with television who falls in impossible love with a TV star. Together with his (imaginary) son Sancho, Quichotte sets off on a picaresque quest across America to prove worthy of her hand, gallantly braving the tragicomic perils of an age where “Anything-Can-Happen.” Meanwhile, his creator, in a midlife crisis, has equally urgent challenges of his own. Just as Cervantes wrote DON QUIXOTE to satirize the culture of his time, Salman Rushdie takes the reader on a wild ride through a country on the verge of moral and spiritual collapse.

“You shouldn’t be here. It’s too late…” These, heard over the phone, were the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death in his bachelor pad with a bottle of wine --- a 1982 Chateau Lafite worth £3,000, to be precise. Why this bottle? And why those words? And why was a three-digit number painted on the wall by the killer? And, most importantly, which of the man’s many, many enemies did the deed? Baffled, the police are forced to bring in Private Investigator Daniel Hawthorne and his sidekick, the author Anthony. But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide.

The peaceful town of Painters Mill is shattered when an Amish grandmother is brutally murdered on an abandoned farm. When Chief of Police Kate Burkholder arrives on the scene, she learns that the woman’s seven-year-old granddaughter is gone, abducted in plain sight. The girl’s family is a pillar of the Amish community, well-respected by all. But Kate soon realizes they’re keeping secrets --- and the sins of their past may be coming back to haunt them. What are they hiding and why? Kate’s investigation brings her to an isolated Old Order Amish settlement along the river, a community where family is everything and tradition is upheld with an iron fist. But the killer is close behind, drawing more victims into a twisted game of revenge.

Hollywood powerhouse Jo is photographed making her assistant Emma laugh on the red carpet, and just like that, the tabloids declare them a couple. The so-called scandal couldn't come at a worse time --- threatening Emma's promotion and Jo's new movie. As the gossip spreads, it starts to affect all areas of their lives. Paparazzi are following them outside the office, coworkers are treating them differently, and a “source” is feeding information to the media. But their only comment is “no comment.” With the launch of Jo’s film project fast approaching, the two women begin to spend even more time together, getting along famously. They begin to realize the rumor might not be so off base after all. But is acting on the spark between them worth fanning the gossip flames?

A body is unearthed in Griffith Park. The cops tag it a routine dead-man job. They're wrong. It's an early-warning signal of Chaos. There's a murderous fire and a gold heist. There's Fifth Column treason on American soil. There are homegrown Nazis, Commies and race racketeers. It's populism ascendant. There are two dead cops in a dive off the jazz-club strip. And three men and one woman have a hot date with history. Elmer Jackson is a corrupt Vice cop. He's a flesh peddler and a bagman for the L.A. Chief of Police. Hideo Ashida is a crime-lab whiz, lashed by anti-Japanese rage. Dudley Smith is a PD hardnose working Army Intelligence. He's gone rogue and gone all-the-way fascist. Joan Conville was born rogue. She's a defrocked Navy lieutenant and a war profiteer to her core. L.A. '42. Homefront madness. Wartime inferno.

In the summer of 1932, on the banks of Minnesota’s Gilead River, Odie O’Banion is an orphan confined to the Lincoln Indian Training School, a pitiless place where his lively nature earns him the superintendent’s wrath. Forced to flee after committing a terrible crime, he and his brother, Albert, their best friend, Mose, and a brokenhearted little girl named Emmy steal away in a canoe, heading for the mighty Mississippi and a place to call their own. Over the course of one summer, these four orphans journey into the unknown and cross paths with others who are adrift, from struggling farmers and traveling faith healers to displaced families and lost souls of all kinds.

A grieving woman asks war veteran Peter Ash to find her eight-year-old grandson. The woman's daughter has been murdered. Erik, the dead daughter's husband, is the sole suspect, and he has taken his young son and fled to Iceland for the protection of Erik's lawless family. Finding the boy becomes more complicated when Peter is met at the airport by a man from the United States Embassy. For reasons both unknown and unofficial, it seems that Peter's own government doesn't want him in Iceland. The police give Peter two days of sightseeing in Reykjavik before he must report back for the first available seat home. But when they realize Peter isn't going home until he accomplishes his mission, they start hunting him, too.

Sadie Keller is determined to find out how her brother died, even if no one else thinks it’s worth investigating. Untimely deaths are all too common in rural Blackwater, Kansas, where crime and overdoses are on the rise, and the small-town police force is consumed with the recent discovery of a child’s skull in the woods. Eighteen-year-old Henley Pettit knows more than she’d like to about the seedy side of Blackwater, and she’s desperate to escape before she’s irreparably entangled in her family’s crimes. As more bones are found in the woods, time is running out for Sadie to uncover the truth and for Henley to make her escape. Both women are torn between family loyalties and the weight of the secrets they carry.