In July 1970, actress Elaina Styles was slain in her rented Seattle mansion along with her husband and their son’s nanny. When the baby’s remains were found buried in a shallow grave close to a hippie commune, police moved in --- only to find all its members already dead in a grisly mass suicide. Now, decades later, a film about the murders is shooting at the mansion. As on-set caterer Laurie Trotter digs deep into what happened all those years ago, a legacy of brutal vengeance reaches its terrifying climax.

Each of the characters in SPEAK is attempting to communicate across gaps --- to estranged spouses, lost friends, future readers, or a computer program that may or may not understand them. Louisa Hall explores how the chasm between computer and human --- shrinking rapidly with today’s technological advances --- echoes the gaps that exist between ordinary people. Though each speaks from a distinct place and moment in time, all five characters share the need to express themselves while simultaneously wondering if they will ever be heard or understood.

One June day, an old book arrives on Simon Watson's doorstep, sent by an antiquarian bookseller who purchased it on speculation. It is a log from the owner of a traveling carnival in the 1700s, who reports strange and magical things, including the drowning death of a circus mermaid. Since then, generations of "mermaids" in Simon's family have drowned --- always on July 24, which is only weeks away. Could there be a curse on Simon's family? What does it have to do with the book, and can he get to the heart of the mystery in time to save his sister?

The lives of the Barretts are torn apart when 14-year-old Marjorie begins to display signs of acute schizophrenia. As their stable home devolves into a house of horrors, they turn to a local Catholic priest for help. Father Wanderly suggests an exorcism and contacts a production company that is eager to document the Barretts’ plight, resulting in what would become a hit reality TV show. Fifteen years later, a bestselling writer interviews Marjorie’s younger sister, Merry, at which point long-buried secrets and painful memories that clash with what was broadcast begin to surface.

BITTER BRONX, Jerome Charyn's new collection, is suffused with the texture and nostalgia of a lost time and place, combining a keen eye for detail with the author's lived experience. These stories are informed by a childhood growing up near that middle-class mecca, the Grand Concourse; falling in love with three voluptuous librarians at a public library in the Lower Depths of the South Bronx; and eating at Mafia-owned restaurants along Arthur Avenue's restaurant row.

Plum Kettle does her best not to be noticed --- because when you’re fat, to be noticed is to be judged, mocked, or worse. With her job answering fan mail for a popular teen girls’ magazine, she is biding her time until her weight-loss surgery. Then, when a mysterious woman starts following her, Plum finds herself falling down a rabbit hole and into an underground community of women who live life on their own terms. There Plum agrees to a series of challenges that force her to deal with her past, her doubts, and the real costs of becoming “beautiful.”

See the girl. Leah Wilde is 24, a runaway on a black motorbike, hunting for answers while changing her identity with each new Central European town. See the man, Izsák, having come of age in extraordinary suffering and tragedy in 19th-century Budapest; witness to horror, love, death, and the wrath of a true monster. See the monster, a beautiful, seemingly young woman who stalks the American West, seeking the young and the strong to feed upon, desperate to return to Europe where her coven calls.

The stories in Austin Bunn’s collection explore the existential question: What happens at “the end” and what lies beyond it? In “How to Win an Unwinnable War,” a summer class on nuclear war for gifted teenagers turns a struggling family upside down. A young couple’s idyllic beach honeymoon is interrupted by terrorism in the lush, haunting “Getting There and Away.” When an immersive videogame begins turning off in the heartbreaking “Griefer,” an obsessive player falls in love with a mysterious player in the final hours of a world.

From the age of five, all Jamie Brickhouse wanted was to be at a party with a drink in one hand and a cigarette in the other, and all Mama Jean wanted was to keep him at that age, her Jamie doll forever. A Texan Elizabeth Taylor with the split personality of Auntie Mame and Mama Rose, always camera-ready and flamboyantly outspoken, Mama Jean haunted him his whole life, no matter how far away he went or how deep in booze he swam.

The tattooed plus sign on Finnegan's hand marks him as a Positive. At any time, the zombie virus could explode in his body, turning him from a rational human into a ravenous monster. If he reaches his 21st birthday without an incident, he'll be cleared. Until then, he must go to a special facility for positives. But when the military caravan transporting him is attacked, Finn becomes separated. To make it to safety, he must embark on a perilous cross-country journey across an America transformed.