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Sarai Walker

Biography

Sarai Walker

Sarai Walker is the author of THE CHERRY ROBBERS and DIETLAND. DIETLAND has been published in more than a dozen countries and was adapted as a television series for AMC.

Sarai has lectured on feminism and body image internationally, and has spoken about these topics widely in the media. Her articles and essays have appeared in The New York Times, The Washington Post, The Guardian and elsewhere, and she worked as a writer and editor on an updated version of Our Bodies, Ourselves. She holds an MFA in creative writing from Bennington College and a PhD in English from the University of London.

Books by Sarai Walker

by Sarai Walker - Fiction, Gothic, Women's Fiction

Iris Chapel and her five elegant sisters, all of them heiresses to the Chapel firearms fortune, live cloistered in a lavish Victorian mansion. Neglected by both a distant, workaholic father and a mentally troubled mother --- who believes their home is haunted by the victims of Chapel weapons --- the sisters have grown up with only each other for company. They long to escape the eerie fairy tale of their childhood and move forward into the modern world, but for young women in 1950s Connecticut, the only way out is through marriage. Yet it soon becomes clear that for the Chapel sisters, marriage equals death. When the eldest sister walks down the aisle, tragedy strikes. This is just the beginning of a chain of disasters that will make each woman wonder if true love will kill her, too.

by Sarai Walker - Fiction

Plum Kettle does her best not to be noticed --- because when you’re fat, to be noticed is to be judged, mocked, or worse. With her job answering fan mail for a popular teen girls’ magazine, she is biding her time until her weight-loss surgery. Then, when a mysterious woman starts following her, Plum finds herself falling down a rabbit hole and into an underground community of women who live life on their own terms. There Plum agrees to a series of challenges that force her to deal with her past, her doubts, and the real costs of becoming “beautiful.”