In the lawless, drought-ridden lands of the Arizona Territory in 1893, two extraordinary lives unfold. Nora is an unflinching frontierswoman awaiting the return of the men in her life --- her husband, who has gone in search of water for the parched household, and her elder sons, who have vanished after an explosive argument. Nora is biding her time with her youngest son, who is convinced that a mysterious beast is stalking the land around their home. Meanwhile, Lurie is a former outlaw and a man haunted by ghosts. He sees lost souls who want something from him, and he finds reprieve from their longing in an unexpected relationship that inspires a momentous expedition across the West. How Lurie’s death-defying trek at last intersects with Nora’s plight is the surprise and suspense of INLAND.

Teenager Lucas Leonard made shocking admissions in front of the altar --- he'd practiced witchcraft, conspired to murder his parents, and committed unspeakable crimes. The confessions earned him a brutal beating by a gang of angry church members, including his parents and sister. Lucas was brought to the hospital dead, awakening the sleepy community of Chadwicks, New York, to the horror that had been lurking next door. Nine members of Lucas' church would eventually find themselves facing murder-related charges. But how did they get to that point? And what made Lucas confess? The full story has never been told --- until now.

GROWING THINGS is a chilling collection of psychological suspense and literary horror from the multiple award-winning author of THE CABIN AT THE END OF THE WORLD and A HEAD FULL OF GHOSTS. In “The Teacher,” a student is forced to watch a disturbing video that will haunt and torment her and her classmates’ lives. Four men rob a pawn shop at gunpoint only to vanish, one by one, as they speed away from the crime scene in “The Getaway.” In “Swim Wants to Know If It’s as Bad as Swim Thinks,” a meth addict kidnaps her daughter from her estranged mother as their town is terrorized by a giant monster…or not. Joining these haunting works are stories linked to Tremblay’s previous novels.

When Molly, home alone with her two young children, hears footsteps in the living room, she tries to convince herself it’s the sleep deprivation. But then the footsteps come again, and she catches a glimpse of movement. Suddenly she finds herself face-to-face with an intruder who knows far too much about her and her family. As she attempts to protect those she loves most, Molly must also acknowledge her own frailty. She slips down an existential rabbit hole where she must confront the dualities of motherhood --- the ecstasy and the dread; the languor and the ferocity; the banality and the transcendence --- as the book hurtles toward a mind-bending conclusion.

Roya is a dreamy, idealistic teenager who finds a literary oasis in kindly Mr. Fakhri’s neighborhood book and stationery shop. When Mr. Fakhri introduces Roya to Bahman, who has a burning passion for justice and a love for Rumi’s poetry, she loses her heart at once. A few months later, on the eve of their marriage, Roya agrees to meet Bahman at the town square, but violence suddenly erupts --- a result of the coup d’etat that forever changes their country’s future. In the chaos, Bahman never shows. More than 60 years later, though, an accident of fate leads Roya back to Bahman and offers her a chance to ask him the questions that have haunted her for more than half a century: Why did he leave? Where did he go? How was he able to forget her?

After the death of her mother, 16-year-old Libby Winters lives with her father, Bent, in the middle apartment of their triple decker home --- Bent’s two sisters, Lucy and Desiree, live on the top floor. Quinn Ellis is at a crossroads. When her husband John, who has served two tours in Iraq, goes missing back at home, suffering from PTSD he refuses to address, Quinn finds herself living in the first-floor apartment of the Winters house. For Libby, the new tenant downstairs is an unwelcome guest, another body filling up her already crowded house. But soon enough, an unlikely friendship begins to blossom, when Libby and Quinn stretch and redefine their definition of family and home.

Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. She is utterly repelled by the rest of her fiction-writing cohort, a clique of unbearably twee rich girls who call each other "Bunny." But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door --- ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision.

MY LIFE AS A RAT follows Violet Rue Kerrigan, a young woman who looks back upon her life in exile from her family following her testimony, at age 12, concerning what she knew to be the racist murder of an African-American boy by her older brothers. In a succession of vividly recalled episodes, Violet contemplates the circumstances of her life as the initially beloved youngest child of seven Kerrigan children who inadvertently “informs” on her brothers, setting into motion their arrests and convictions and her own long estrangement.

Meet Roger. Skilled with words, languages come easily to him. He instinctively understands how the world works through the power of story. Meet Dodger, his twin. Numbers are her world, her obsession, her everything. All she understands, she does so through the power of math. Roger and Dodger aren’t exactly human, though they don’t realize it. They aren’t exactly gods, either. Not entirely. Not yet. Meet Reed, skilled in the alchemical arts like his progenitor before him. Reed created Dodger and her brother. He’s not their father. Not quite. But he has a plan: to raise the twins to the highest power, to ascend with them and claim their authority as his own. Godhood is attainable. Pray it isn’t attained.

My name's Griz. My childhood wasn't like yours. I've never had friends, and in my whole life I've not met enough people to play a game of football. My parents told me how crowded the world used to be, but we were never lonely on our remote island. We had each other, and our dogs. Then the thief came. There may be no law left except what you make of it. But if you steal my dog, you can at least expect me to come after you. Because if we aren't loyal to the things we love, what's the point?