Nine-year-old Samuel lives alone in a once-great estate in Surrey with the family’s housekeeper, Ruth. His father is dead and his mother has been abroad for months, purportedly tending to her late husband’s faltering business. She left in a hurry one night while Samuel was sleeping and did not say goodbye. He misses her dearly and maps her journey in an atlas he finds in her study. Samuel’s life is otherwise regulated by Ruth, who runs the house with an iron fist. Only she and Samuel know how brutally she enforces order. As rumors in town begin to swirl, Samuel wonders whether something more sinister is afoot. Perhaps his mother did not leave but was murdered --- by Ruth.

On the day the government decrees that women are no longer allowed more than 100 words per day, Dr. Jean McClellan is in denial. This can't happen here. Not in America. Not to her. Soon women are not permitted to hold jobs. Girls are not taught to read or write. Females no longer have a voice. Before, the average person spoke 16,000 words each day, but now women have only 100 to make themselves heard. For herself, her daughter and every woman silenced, Jean will reclaim her voice.

Roxana Olsen has always dreamed of going to Paris, and after high school graduation finally plans to travel there on a study abroad program. But a logistical mix-up brings Roxana to Copenhagen instead, where she is picked up at the airport by Søren, a 28-year-old guide who is meant to be her steward. Instantly drawn to one another, Roxana and Søren’s relationship turns romantic, and when he asks Roxana to accompany him to a small coastal town for the rest of the summer, she doesn’t hesitate to accept. But as their relationship deepens, Søren’s temperament darkens, and Roxana finds herself increasingly drawn to a local outsider, Zlatan, whom she learns is a Muslim refugee from the Bosnian War.

In the darkly magical realm of THE WRONG HEAVEN, inanimate objects come to life, supernatural beings move among humans, and conflicted female characters seek answers to their sexual and spiritual dilemmas in all the wrong places. In "Horse," a woman considers transforming herself into an animal through a series of injections reminiscent of IVF. In "The Cleas," a young babysitter struggles to reconcile her feminist ideals with her confounding urges, while the dying protagonist of "Black Stones" finds herself strangely attracted to the angel of death. As provocative as they are deeply affecting, these stories reckon with the inescapable confusion of living in a mortal body, laying bare the heart of our deepest longings while teasing out new possibilities for what fiction can do.

America is in the grip of a deadly flu pandemic. When Frank catches the virus, his girlfriend Polly will do whatever it takes to save him, even if it means risking everything. She agrees to a radical plan. If she signs up for a one-way trip into the future to work as a bonded laborer, the company will pay for the life-saving treatment Frank needs. Polly promises to meet Frank again in Galveston, Texas, where she will arrive in 12 years. But when Polly is re-routed an extra five years into the future, Frank is nowhere to be found. Alone in a changed and divided America, Polly must navigate a new life and find a way to locate Frank, to discover if he is alive, and if their love has endured.

Miryem is the daughter and granddaughter of moneylenders, but her father’s inability to collect his debts has left his family on the edge of poverty --- until Miryem takes matters into her own hands. Hardening her heart, the young woman sets out to claim what is owed and soon gains a reputation for being able to turn silver into gold. When an ill-advised boast draws the attention of the king of the Staryk --- grim fey creatures who seem more ice than flesh --- Miryem’s fate, and that of two kingdoms, will be forever altered. She will face an impossible challenge and, along with two unlikely allies, uncover a secret that threatens to consume the lands of humans and Staryk alike.

Growing up in the 1970s and ’80s in New York, Amanda Stern experiences the magic and madness of life through the filter of unrelenting panic. Plagued with fear that her friends and family will be taken from her if she's not watching, Amanda treats every parting as her last. Shuttled between a barefoot bohemian life with her mother in Greenwich Village, and a sanitized, stricter world of affluence uptown with her father, Amanda has little she can depend on. And when Etan Patz disappears down the block from their MacDougal Street home, she can't help but believe that all her worst fears are about to come true.

In FIGHT NO MORE, Nina, a lonely real-estate broker estranged from her only relative, is at the center of a web of stories connecting a community through the houses they inhabit. With crackling satire and surprising tenderness, Lydia Millet introduces an indelible cast of untidy teens, beastly men and strong-minded women whose stories begin to outline the fate of one particular family being torn apart by forces they recognize but cannot control. Millet’s intellect and beautiful prose deliver profound insight into human behavior, from the ordinary to the bizarre, and draws startling contrasts between house and home.

Ellis and Michael are 12-year-old boys when they first become friends, and for a long time it is just the two of them --- cycling the streets of Oxford, teaching themselves how to swim, discovering poetry, and dodging the fists of overbearing fathers. And then one day this closest of friendships grows into something more. But then we fast-forward a decade or so, to find that Ellis is married to Annie, and Michael is nowhere in sight. Which leads to the question: What happened in the years between?

It is 1945, and London is still reeling from years of war. Fourteen-year-old Nathaniel and his older sister, Rachel, seemingly abandoned by their parents, have been left in the care of an enigmatic figure they call The Moth. They suspect he may be a criminal and grow both more convinced and less concerned as they come to know his eccentric crew of friends: men and women with a shared history, all of whom seem determined now to protect and educate (in rather unusual ways) the siblings. But are they really what and who they claim to be? And how should Nathaniel and Rachel feel when their mother returns without their father after months of silence --- explaining nothing, excusing nothing? A dozen years later, Nathaniel begins to uncover all he didn’t know or understand during that time.