Botswana sometimes feels like a small town, so when a client wanders into the detective agency, it comes as little surprise that Mma Ramotswe has met him once before. But Mr. B has not made the trip to Gaborone for pleasure. The animal rescue center he runs, Elephant Havens, is in peril. Someone in the surrounding villages is tarnishing its reputation, and Mr. B cannot fathom why. Determined as ever to aid a noble cause, Mma Ramotswe, her trusted associate Mma Makutsi, and Mr. J.L.B. Matekoni travel to Maun to restore the community’s trust in the sanctuary. In navigating this precarious situation and others in THE BIG CATS DANCE PARTY, Mma Ramotswe and her associates once again must rely on their compassion, gentle humor and good sense to win the day.

Drawing on newly discovered archival materials and previously overlooked documents, Thomas Meyer tells the story of an intellectual icon whose character and ideas continue to captivate and challenge us to this day. Tracing anew Hannah Arendt’s journey from Königsberg to Paris, where she fled after being imprisoned in 1933, and finally to New York in 1941, Meyer illuminates her formative years and the development of her radical and brilliant books, as well as her lifelong philosophical debate with Martin Heidegger, whose Nazism was a permanent challenge for her. Meyer’s account centers on two pivotal phases: Arendt’s years in Paris after fleeing Nazi Germany and her time in the United States leading up to the landmark publication of THE ORIGINS OF TOTALITARIANISM in 1951.

Angelica Glass spent decades as a social worker helping families struggling with poverty, addiction, abuse and neglect. Needing relief from work-related stress, she turned to walking as an outlet. What began as a way to incorporate more exercise into her busy life transformed into something extraordinary: a years-long odyssey in which Glass drew upon physical exercise, a close observation of the natural world, and long periods of introspection to reconcile with her own past. Between moments of awe as she explored her community and documented what she saw with her camera, she grappled with the turmoil of her early years in a complicated, challenging family, the aging process, long-held insecurities and grief.

When a young Katharine Hepburn loses her beloved brother, she makes two decisions: she will become famous, and she will never let anyone hurt her again. Leaving home at 21 to pursue an acting career, Kate is lured to Hollywood, accompanied by her lover, Laura. Los Angeles in the early 1930s is a town full of secrets, and Kate has plenty to hide. Soon she is scooped into the studio system and launched as a star. But stars must play by the rules, and Kate --- brilliant, bisexual and strong-willed --- refuses to conform. Surrounded by a legendary circle of intimates, Kate navigates a web of sex, ambition and betrayal. As her career ascends, she faces an agonizing choice: be the star everyone wants her to be, or risk everything to become the woman she always was.

Emily Brontë (1818–1848) was only 27 years old when she began work on one of the most important novels in the English language. Two years later in 1847, she completed WUTHERING HEIGHTS. It took the world almost a century to catch up to Brontë’s masterpiece, and it has taken even longer to know Brontë --- an elusive figure, with a ghostly legacy provoked by her early death and the loss (and likely destruction) of almost all her personal papers. Drawing on formerly inaccessible notebooks and manuscripts, THIS DARK NIGHT constructs a portrait of Brontë, her famous writing sisters Charlotte and Anne, and the effect of their sisters’ and mother’s tragic deaths. 

For 30 years, Anne Enright has been paying attention: casting her lucid and distinctive gaze across the world, literature and her own life, and gifting us with her precise insights. These essays, collated from across Enright’s career, take us from Galway to Honduras, from keen-eyed memoir to urgent political writing. Enright writes about the free voices and controlled bodies of women in society. She interprets Sophocles’ Antigone through the lens of the Mother and Baby Homes in Galway, writes on Ireland’s successful 2018 referendum on abortion rights, and offers new perspectives on writers including Alice Munro, Toni Morrison, James Joyce, Helen Garner and Angela Carter.

Judy Blume’s influential novels turned classics touched the lives of tens of millions of readers. For more than 55 years, her work has done something revolutionary: it rewired the world’s expectations of what literature for young people can be --- frank, candid, earthy, and unafraid to show the messier sides of humanity. But little is known about the real woman behind the iconic persona, and the unlikely journey of her literary ascension, until now. In JUDY BLUME, longtime Blume aficionado Mark Oppenheimer pens a beautiful, multidimensional portrait of the acclaimed author through extensive interviews with Blume herself, invaluable access to her papers and correspondence, and thoughtful analysis of Blume’s beloved novels, including early, unpublished works that shed light on the pathbreaking writer she would become. 

What can we learn from an ordinary life observed with extraordinary skill? In THE IRISH GOODBYE, Beth Ann Fennelly writes of the small moments that shape a life, in the process dignifying the diminutive through the act of attention. Fennelly explores her roles as a friend, wife, mother and daughter, documenting a brush with an old flame or the devastating death of her sister in crystalline, precise sentences. The longer essays concern Fennelly’s relationships --- with a beloved mother-in-law, a decades-long friendship between five former college roommates, an artist who paints a series of nude portraits in Fennelly’s town, for which she poses. Interspersed between these longer memoirs are sections of flash nonfiction, a form Fennelly innovated in the genre-defying HEATING & COOLING. 

On September 24, 2021, Rachel Eliza Griffiths married her husband, the novelist Salman Rushdie. On the same day, hundreds of miles away, Griffiths’ closest friend and chosen sister, the poet Kamilah Aisha Moon, who was expected to speak at the wedding, died suddenly. Eleven months later, as Griffiths attempted to piece together her life as a newlywed with heartbreak in one hand and immense love in the other, a brutal attack nearly killed her husband. As trauma compounded trauma, Griffiths realized that in order to survive her grief, she would need to mourn not only her friend, but the woman she had been on her wedding day, a woman who had also died that day.

The 15th century was a violent age. In QUEENS AT WAR, Alison Weir chronicles the five queens who got caught up in wars that changed the courses of their lives: the Hundred Years’ War between England and France, and the Wars of the Roses between the royal Houses of Lancaster and York. Against this tempestuous backdrop, Weir describes the lives of five Plantagenet queens, who occupied the consort’s throne from 1403 to 1485: Joan of Navarre, Katherine of Valois, Margaret of Anjou, Elizabeth Widville and Anne Neville. The Medieval Queens books strip away centuries of historical mythologizing to shed light on the genuine accomplishments and bravery of these fascinating female monarchs. QUEENS AT WAR brings the series to an action-packed close.