In the 1950s, as a continuation of MOSES, MAN OF THE MOUNTAIN, Zora Neale Hurston penned a historical novel about one of the most infamous figures in the Bible, Herod the Great. In Hurston’s retelling, Herod is not the wicked ruler of the New Testament who is charged with the “slaughter of the innocents,” but a forerunner of Christ --- a beloved king who enriched Jewish culture and brought prosperity and peace to Judea. An intimate of both Marc Antony and Julius Caesar, the Judean king lived during the first-century BCE, in a time of war and imperial expansion that was rife with political assassinations and bribery, as the old world gave way to the new. Portraying Herod within this vivid and dynamic world of antiquity, little known to modern readers, Hurston’s unfinished manuscript brings this complex, compelling and misunderstood leader fully into focus.

YOU DON'T KNOW US NEGROES is the quintessential gathering of provocative essays from one of the world’s most celebrated writers, Zora Neale Hurston. Spanning more than three decades and penned during the backdrop of the birth of the Harlem Renaissance, Montgomery bus boycott, desegregation of the military and school integration, Hurston’s writing articulates the beauty and authenticity of Black life as only she could. Collectively, these essays showcase the roles that enslavement and Jim Crow have played in intensifying Black people’s inner lives and culture rather than destroying it.

In 1925, Barnard student Zora Neale Hurston --- the sole black student at the college --- was living in New York, “desperately striving for a toe-hold on the world.” During this period, she began writing short works that captured the zeitgeist of African American life and transformed her into one of the central figures of the Harlem Renaissance. HITTING A STRAIGHT LICK WITH A CROOKED STICK is an outstanding collection of stories about love and migration, gender and class, racism and sexism that proudly reflect African American folk culture. Brought together for the first time in one volume, they include eight of Hurston’s “lost” Harlem stories, which were found in forgotten periodicals and archives.

Fair and long-legged, independent and articulate, Janie Crawford sets out to be her own person -- no mean feat for a black woman in the '30s. Janie's quest for identity takes her through three marriages and into a journey back to her roots.