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In September 2001, Christopher Whitcomb was the most visible FBI agent in the world. His bestselling memoir, COLD ZERO, had led to novels, articles in GQ, and op-eds in The New York Times. Then one day in 2006, without warning, Whitcomb flew into Somalia and dropped off the face of the earth. For 15 years, he waged a mercenary war on himself, traveling the world with aliases, cash and guns. He built a private army in the jungles of Timor-Leste, working contracts for intelligence agencies, where he survived a coup d’état only to lose his friends, abandon his family, and give up on God. While surfing the wilds of Indonesia, Whitcomb found himself trapped beneath a giant wave, where he came to terms with the chaos of his own clandestine life. He survived the wave to find his way home and rebuild the world that he had abandoned.

For more than two decades, Novak Djokovic, Rafael Nadal and Roger Federer dominated men’s tennis so thoroughly that it became difficult to imagine how the game would keep its shine once they retired. Then came 2024 --- the first year since 2002 that none of them won a Grand Slam tournament --- and a technicolor future was revealed. The major titles were divided between a pair of prodigies in their early 20s: the effervescent showman Carlos Alcaraz and the relentlessly cool Jannik Sinner. Though other young contenders jostled for the spotlight, and Djokovic tried to hold his ground, the transcendentally gifted Alcaraz and Sinner just kept installing their new regime.

When Hap and Leonard are called in on a strange request (subduing a meth-hopped hog) by a desperate young lady, they quickly learn this woman is part of a fringe group: The Hatchet Girls, who have pledged their allegiance to a crazed and grudge-bearing leader bent on bloody societal revenge. The timing couldn't be worse to be caught in such a vile, sticky wicket of a case. Both boys are wrapped up in their domestic lives. Leonard is in the midst of wedding planning with his fiancée, Pookie. And meanwhile, Hap and Brett are hard at work on their new home. Homemaking bliss will have to wait as Hap and Leonard are driven to stop the danger in its tracks and better understand the group's mission and the plans they already have set in place for helter-skelter-esque mayhem.

Healer Anja regularly drinks poison. Not to die, but to save --- seeking cures for those everyone else has given up on. But a summons from the King interrupts her quiet, herb-obsessed life. His daughter, Snow, is dying, and he hopes Anja’s unorthodox methods can save her. Aided by a taciturn guard, a narcissistic cat and a passion for the scientific method, Anja rushes to treat Snow, but nothing seems to work. That is, until she finds a secret world, hidden inside a magic mirror. This dark realm may hold the key to what is making Snow sick. Or it might be the thing that kills them all.

Strange things are happening behind the bright pink facade of Bayside’s premier laundromat, Joyful Suds, home to Joy Moody and her twin daughters. For much of their lives, Joy has been lying to Cassie and Andie. What started as a colorful tale to explain how the twins came to live with her grew over the years and was always something she meant to set straight. The girls have long believed they are vital to the future and must stay hidden to stay safe. Joy has told them that their impending 21st birthday is significant; they will step into their roles as leaders of a revolution, and life as they know it will change. Everything will change, just not in the way they expected. On Andie and Cassie’s birthday, Joy Moody is found dead, and her girls face a world they are not prepared for without their mother.

As the first Black woman to consistently write and publish in the field of science fiction, Octavia Butler was a trailblazer. With her deft pen, she created stories speculating the devolution of the American empire, using it as an apt metaphor for the best and worst of humanity --- our innovation and ingenuity, our naked greed and ambition, our propensity for violence and hierarchy. Her fiction charts the rise and fall of the American project --- the nation’s transformation from a provincial backwater to a capitalist juggernaut (made possible by chattel slavery) to a bloated imperialist superpower on the verge of implosion. In POSITIVE OBSESSION, Susana M. Morris places Butler’s story firmly within the cultural, social and historical context that shaped her life.

Fannie Flagg once said that what the world needs now is a good laugh. And that is what she gives us in these warmhearted, always surprising stories about people who are finding clever ways to deal with the curveballs life sometimes throws at us. Velma in Kansas, a loving great-grandmother, struggles to bridge generational gaps with her family. We cheer for Helen, in Ithaca, New York, who takes an audacious course of action when her husband leaves her for a younger woman. In Bent Fork, Wyoming; in Milwaukee, Wisconsin; in Tucson, Arizona; and in towns and cities all across America, people figure out inventive ways to overcome obstacles to happiness. And in Fort Wayne, Indiana, Special Agent Frawley is studying the mysteries of being human from an original perspective.

Since its initial publication in 1978, THE STAND has been considered Stephen King’s seminal masterpiece of apocalyptic fiction. Generations of writers have been impacted by its dark yet ultimately hopeful vision of the end and new beginning of civilization, and its stunning array of characters. Now for the first time, King has fully authorized a return to the harrowing world of THE STAND through this original short story anthology as presented by award-winning authors and editors Christopher Golden and Brian Keene. Bringing together some of today’s greatest and most visionary writers, THE END OF THE WORLD AS WE KNOW IT features unforgettable, all-new stories set during and after (and some perhaps long after) the events of THE STAND.

In 2018, Zoe Rosenzweig is reeling after the loss of her beloved grandfather, a Holocaust survivor. She becomes obsessed with finding out what really happened to her family during the war. Vienna, 1946: Chana Rosenzweig has endured the horrors of war to find herself, her mother and her younger brother finally free in Vienna. But freedom doesn’t look like they’d imagined it would, as they struggle to make a living and stay safe. Despite the danger, Chana sneaks out most nights to return to the hotel kitchen where she works as a dishwasher, using the quiet nighttime hours to bake her late father’s recipes. Soon, Chana finds herself caught in a dangerous love triangle, torn between the black-market dealer who has offered marriage and protection, and the apprentice baker who shares her passions. How will Chana balance her love of baking against her family’s need for security?

In 1765, plague sweeps through Zacatecas. Alba flees with her wealthy merchant parents and fiancé, Carlos, to his family’s isolated mine for refuge. But she begins suffering from strange hallucinations, sleepwalking and violent convulsions. She senses something cold lurking beneath her skin. Something angry. Something wrong. Elías, haunted by a troubled past, came to the New World to make his fortune and escape his family’s legacy of greed. Alba, as his cousin’s betrothed, is none of his business. Which, of course, is why he can’t help but notice the growing tension between them every time she enters the room…and why he notices her deteriorate when the demon’s thirst for blood gets stronger. In the fight for her life, Alba and Elías become entangled with the occult, the Church, long-kept secrets and each other.

Isla Hansen, a mother reeling from a devastating loss, is beside herself when a mysteriously orphaned child appears on the outskirts of the Hansens’ secluded Colorado property. Although strange and unexplainable, the child’s presence breathes new life into Isla. But as the child settles in, Isla’s husband, Luke, and their five children notice peculiarities that hint at something far beyond the ordinary --- anomalies that challenge the very fabric of reality itself. The tension within the Hansen household grows, and with it, the sense that there is something very wrong with the new kid in the house.

Kinga is a woman who is just trying to make it through the week. There’s a Kinga for every day. On Mondays, you can catch Kinga-A deleting food delivery apps. By Friday, Kinga-E is happy to spend the days soaking, wine-drunk, in the bath. Kingas A–G, perhaps unsurprisingly, live a varied life. Between them is a professional matchmaker, a scent-crazed perfumer, and a window cleaner, all with varying degrees of apathy, anger, introversion and bossiness. At least three of them are Team Toxic. It’s an arrangement that’s not without its fair share of admin, grudges and half-truths. But when Kinga-A discovers a man tied up in their apartment, the Kingas have to reckon with the possibility that one of them might be planning to destroy them all.

“Why do you write?” the organizer of a literary event in Mexico City asks Miriam Toews. Each attempted answer from Toews --- all of them unsatisfactory to the organizer --- surfaces new layers of grief, guilt and futility connected to her sister's suicide. She has been keeping up, she realizes, a decades-old internal correspondence, filling a silence she barely understands. And we, her readers, come to see that the question is as impossible to answer as deciding whether to live life as a comedy or a tragedy. Marking the first time that Toews has written her own life in nonfiction, A TRUCE THAT IS NOT PEACE explores the uneasy pact a writer makes with memory.

Donna Leon’s memoir, WANDERING THROUGH LIFE, gave her legions of fans a colorful tour through her life --- from her childhood in New Jersey to her adventures in China and Iran, to her love of Venice and opera. Nowhere, however, did she discuss her writing life. In BACKSTAGE, Donna reveals her admiration for, and inspiration from, the great crime novelists Ruth Rendell and Ross Macdonald, examining their approach to storytelling as she dissects her favorite books of theirs. She expresses her love for Charles Dickens’ GREAT EXPECTATIONS and her appreciation for Sir Walter Scott’s generosity of spirit. And she chronicles the amount of research she undertakes to be able to present authentically, through Guido Brunetti and his colleagues, places and characters far from her own experience.

Ilana Kurshan, a mother of five living in Jerusalem, struggles to balance her passion for books with her responsibilities as a parent. Gradually she learns how to relate to reading not as a solitary pursuit and an escape from the messiness of life, but rather as a way of forging connection and teaching independence. Introducing her children to sacred and secular literature --- including the beloved classics of her childhood --- she becomes both a better mother and a more compassionate reader. Chief among the books Kurshan reads with her children is the Torah, whose ancient wisdom illuminates her family's path. Structured in five parts corresponding to the first five books of the Bible, CHILDREN OF THE BOOK traces the profound parallels between the biblical narrative and the daily rhythms of parenthood.

Twenty-two years ago, Claire Campbell’s older sister, Natalie, disappeared shortly after her 18th birthday. Days later, her blood was found in a car, a man was arrested, and the case was swiftly closed. In the decades since, Claire has attempted to forget her traumatic past by moving to the city and climbing the ranks as an investigative journalist. Until an unexpected call from her father forces her to come back home and face it all anew. Claire decides on a whim to accept a seasonal job at Galloway Farm, a muscadine vineyard in coastal South Carolina. There, she stumbles across an old diary written by one of the vineyard's owners that describes details of various unsolved crimes. As the days stretch on, Claire starts to obsess over the diary's contents, as well as the lingering feeling that her own sister's disappearance may be somehow tied to it all.

Isabella’s NOT dead. That’s what Gwen tells anyone who asks about the friend who ghosted them all 15 years ago. But if Isabella’s not dead, then where is she? And why did she leave, just when Gwen needed her most? Freshly 53, out of a job, and with children who are starting to fly the nest, Gwen decides to turn detective. Setting out to solve the mystery, Gwen embarks on an adventure across England --- then across Europe --- that will test her marriage and put her on a collision course with reluctant acquaintances, a mother-in-law best described as eccentric, and a rabbit hole full of clues. But Isabella’s not the only one who’s lost.

Alice Law has only ever had one goal: to become one of the brightest minds in the field of Magick. She has sacrificed everything to make that a reality so she can work with Professor Jacob Grimes at Cambridge, the greatest magician in the world. That is, until he dies in a magical accident that could possibly be her fault. Grimes is now in Hell, and she’s going in after him. Because his recommendation could hold her very future in his now incorporeal hands, and even death is not going to stop the pursuit of her dreams. Nor will the fact that her rival, Peter Murdoch, has come to the very same conclusion. With nothing but the tales of Orpheus and Dante to guide them, they set off across Hell to save a man they don’t even like. But there’s something in Alice and Peter’s past that could forge them into the perfect allies…or lead to their doom.

While the doctors can find no explanation for Mona's brief episode of blindness, they agree that the threat of permanent vision loss cannot be ruled out. The girl's grandfather, Henry, may not be able to stop his granddaughter from losing her sight, but he can fill the encroaching darkness with beauty. Every Wednesday for a year, the pair abscond together and visit a single masterpiece in one of Paris's renowned museums. From Botticelli to Basquiat, Mona learns how each artist's work shaped the world around them. In turn, the young girl's world is changed forever by the power of their art. Under the kind and careful tutelage of her grandfather, Mona learns the true meaning of generosity, melancholy, love, loss and revolution.

London, 189–: While the great city is brought to a standstill by a series of blizzards, a landlady complains that her artist tenant is behind on rent. The next thing you know, there are several corpses, and Sherlock Holmes and his biographer, John H. Watson, MD, find themselves drawn into one of the most bizarre cases of the great detective’s career. And into the cutthroat big business of Art, where chicanery and mendacity (and cut throats) proliferate. What makes a work of art worth killing for? Is it the artist, his mistress, his dealer or his blackmailer? The cast of characters is large. But are they perpetrators, accomplices or victims? And just who is Juliet Packwood, with whom Watson has become infatuated?

Kelly Sundberg’s abusive marriage nearly broke her, and finding the courage to leave and begin the difficult process of putting herself back together was only the beginning of her story. THE ANSWER IS IN THE WOUND deftly explores the trials and joys Sundberg encountered not only as a newly single parent but also as someone in full pursuit of life. She developed an appreciation for new spiritual practices, reclaimed her body through tattoos, and even became “the problem” rather than going along to get along in her professional life. From erasure poetry crafted from emails and a court-mandated apology letter from her ex-husband, to engaging with the research of some of the most prominent voices in 50 years of trauma psychiatry and psychology, this book is a profound meditation on trauma and its lasting effects.

Enter the time space, a soaring library filled with books containing the memories of those who have passed and accessed only by specially made watches once passed from father to son. This is where 11-year-old Lisavet Levy finds herself trapped in 1938, waiting for her watchmaker father to return for her. When he doesn’t, she grows up among the books and specters, able to see the world only by sifting through the memories of those who came before her. As she realizes that government agents are entering the time space to destroy books and maintain their preferred version of history, she sets about saving these scraps in her own volume of memories. Until the appearance of an American spy named Ernest Duquesne in 1949 offers her a glimpse of the world she left behind, setting her on a course to change history and possibly the time space itself.

Alice, a professional mother of one, is hosting a playdate with friends at her upscale London home when a disturbed man breaks in. With her child in the next room, Alice panics and kills him --- an act later ruled to have been in self-defense. Everyone tries to encourage Alice to move on with her life. But with strange comments appearing online, a mysterious phone call telling her all is not as it seems, and her husband, nanny and friends behaving strangely, Alice finds herself drawn to the mystery of who her intruder really was. As she digs deeper, she discovers a trail of dark secrets that spiral closer to home than she ever could have imagined.

THE HEIR is the opening installment in a new mystery series set in 1830s London and starring a young Princess Victoria --- the future Queen of England --- as a rebellious amateur sleuth. Victoria remembers nothing but Kensington Palace. Raised with an incredibly strict regimen to follow, the bright 15-year-old is allowed no freedom at any time. But one fateful afternoon, Victoria slips away from her mother to ride out on her beloved gelding, Prince. What would normally be an uneventful trot around very familiar terrain presents the princess with a most bewildering sight --- a dead man, and on the grounds of the palace, no less. Determined to get to the bottom of the inscrutable puzzle, Victoria is met with shocking disrespect and any number of obstacles.

In the wake of a killer hurricane, Doc Ford’s best friend, Tomlinson, insists that he died when his beloved sailboat hit a reef off the Mosquito Coast of Honduras. He now lives to tell the tale, but only because he was brought back to life --- temporarily --- by a runaway orphan who is the direct descendant of the last king of the ancient Mayan people. Corrupt politicians want the child out of the picture before he catalyzes a revolution among the Indigenous population. But the boy, a charismatic 12-year-old, has gone underground with the help of Tomlinson and a network of street urchins. They're all on the run and in the crosshairs when Ford arrives and picks up his friend’s trail. What no one is prepared for, however, is a cataclysmic earthquake that hits the area with the impact of a meteor that nearly destroyed all life on earth more than 60 million years ago.