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It seems as if Isabel Dalhousie’s life has fallen into a comfortable and tidy rhythm. Well, as tidy as things can be with two small boys wreaking havoc around the house. But when her husband, Jamie, invites a woman named Dawn --- recently embroiled in a contentious affair with a member of Jamie’s orchestra --- to stay with them, things begin to go awry. Strange noises can be heard from the upper floor, even when Dawn is supposedly at work, and the couple wonders if something more nefarious may be afoot. If that weren’t enough, Professor Robert Lettuce is staging an academic conference and has asked Isabel to publish the conference papers in a special issue of the Review of Applied Ethics. But something is definitely suspect about the funding, and it will be up to Isabel to sort it out.

University professor Gela Nathaniel must make her new master’s program in multimedia art succeed. If it doesn’t, then Royal Hastings University will cut her funding and she’ll be out of the job she loves. The six students in this inaugural course will be key to that success. But how well has she selected the team? At the end of the academic year, when the examiner arrives to grade the students’ final project, he finds himself asking what happened. Because if someone in that course isn’t in mortal danger, then they are already dead. But who, and why? He wants us to read through the students’ coursework, texts, message boards and final essays to see if we can find the answers. Only one thing is certain: nothing about this course has been left to chance, and each of these students has their own very different agenda.

Everybody knows that in 1938, runaway heiress artist Juliette Willoughby perished in an accidental studio fire in Paris, alongside her masterpiece Self Portrait As Sphinx. Fifty years later, two Cambridge art history students are confounded when they stumble across proof that the fire was no accident but something more sinister. What they uncover threatens the very foundation of Juliette’s aristocratic family and revives rumors of the infamous curse that has haunted the Willoughbys for generations. But what does their discovery mean? And how is it connected to a brutal murder in present-day Dubai?

Griffin Dunne’s memoir of growing up among larger-than-life characters in Hollywood and Manhattan finds wicked humor and glimmers of light in even the most painful of circumstances. In the midst of it all, Griffin’s 22-year-old sister, Dominique, was brutally strangled to death by her ex-boyfriend, leading to one of the most infamous public trials of the 1980s. The outcome was a travesty of justice that marked the beginning of their father Dominick Dunne’s career as a crime reporter for Vanity Fair and a victims' rights activist. But THE FRIDAY AFTERNOON CLUB is no mere celebrity memoir. It is, down to its bones, a family story that embraces the poignant absurdities and best and worst efforts of its lovable, infuriating, funny and moving characters --- its author most of all.

Prohibition is a dangerous time to be a working-class woman in New York City, but Vivian Kelly has finally found some measure of stability and freedom. By day, she’s a respectable shop assistant, delivering luxurious dresses to the city’s wealthy and elite. At night, she joins the madcap revelry of New York’s underworld, serving illegal drinks and dancing into the morning at a secretive, back-alley speakeasy known as the Nightingale. She's found, if not love, then something like it with her bootlegger sweetheart, Leo, even if she can't quite forget the allure of the Nightingale's sultry owner, Honor Huxley. Then the husband of a wealthy client is discovered dead in his study, and Vivian was the last known person to see him alive. With the police and the press both eager to name a culprit in the high-profile case, she finds herself the primary murder suspect.

The Paris conference was supposed to be the biggest moment of investment banker Adam Macias’ career. Instead, he arrives at a glamorous rooftop party in time to see his CEO --- and his career --- go up in flames when a dangerous conflagration interrupts the event. Now Adam is a suspect in the investigation into the life-threatening arson. After all, he’d used his ID to let a suspicious woman past a security checkpoint and up to the roof just moments before the fire broke out. Adam finds himself suddenly jobless, and the one woman who could provide him with an alibi --- his best friend and coworker, Jenn --- isn’t returning his calls. Adam knows that only the mysterious woman from the party can save him, but once he finally finds her, he discovers a whole new world of trouble.

Anahrod lives only for survival, forging her own way through the harsh jungles of the Deep with her titan drake by her side. Even when an adventuring party saves her from capture by a local warlord, she is eager to return to her solitary life. But this is no ordinary rescue. It’s Anahrod’s past catching up with her. These cunning misfits --- and their frustratingly appealing dragonrider ringleader --- intend to spirit her away to the dragon-ruled sky cities, where they need her help to steal from a dragon’s hoard. There’s only one problem: the hoard in question belongs to the current regent, Neveranimas --- and she wants Anahrod dead.

Ernesto Vega has lived many lives, from pig farmer to construction worker to famed luchador El Rey Coyote, yet he has always worn a mask. He was discovered by a local lucha libre trainer at a time when luchadores --- Mexican wrestlers donning flamboyant masks and capes --- were treated as daredevils or rock stars. Ernesto found fame, rapidly gaining name recognition across Mexico, but at great expense, nearly costing him his marriage to his wife, Elena. Years later, in East Los Angeles, his son, Freddy Vega, is struggling to save his father’s gym, while Freddy’s own son, Julian, is searching for professional and romantic fulfillment as a Mexican American gay man refusing to be defined by stereotypes.

The Catenan Republic --- the Hierarchy --- may rule the world now, but they do not know everything. I tell them my name is Vis Telimus. I tell them I was orphaned after a tragic accident three years ago, and that good fortune alone has led to my acceptance into their most prestigious school. I tell them that once I graduate, I will gladly join the rest of civilised society in allowing my strength, my drive and my focus --- what they call Will --- to be leeched away and added to the power of those above me, as millions already do. As all must eventually do. I tell them that I belong, and they believe me. But the truth is that I have been sent to the Academy to find answers. To solve a murder. To search for an ancient weapon. To uncover secrets that may tear the Republic apart.

I feared this was the best of times; I hoped it could not get any worse. The faeries stole Sydney Carton as a child and made him a mortal servant of the Faery Realm. Now, he has a rare opportunity for revenge against the fae and Charles Darnay, the changeling left in his stead. It will take magic and cunning --- cold iron and Realm silver --- to hide his intentions from humans and fae and bring his plans to fruition. Shuttling between London and Paris during the Reign of Terror, generations of violence-begetting-violence lead him to a heartbreaking choice in the shadow of the guillotine.

Manhattan psychiatrist Bill Madrian takes pride in the level of trust he establishes with his patients. For a patient to open up, they must truly believe that everything said in a therapy session remains confidential. But Bill has never realized the complications this confidentiality could present --- until he treats Alex Bronzi. One day, in a session with Alex, the young man asks, “Hey Doc, ya wanna know who clipped Boris Levenko?” Boris Levenko was a major crime boss who had been executed a few days prior. The question gives Bill information he desperately did not want to hear. With this knowledge, Bill’s life is upended, and he begins a fight for survival that takes him and his loved ones on a nightmarish journey far beyond the realm of anything he ever could have imagined.

Emily and her new husband, Henry, yearn to leave the bustle of Chicago for the promise of their own American dream among the harsh beauty of the prairie. But leaving the city means leaving Emily’s beloved sister, Annie, who was once closer to her than anyone in the world. Emily and Henry have established their new home among the warmth of the farming community in Kansas. Aligned to the fickle fortunes of nature, their lives hold a precarious and hopeful purpose, until tragedy strikes and their orphaned niece, Dorothy, lands on their doorstep. The wide-eyed child isn’t the only thing to disrupt Emily’s world. Drought and devastating dust storms threaten to destroy everything and her much-loved home becomes a place of uncertainty and danger. When the past catches up with the present and old secrets are exposed, Emily fears she will lose the most cherished thing of all: Dorothy. 

Ben Franklin lingers in our lives and in our imaginations. One of only two non-presidents to appear on US currency, Franklin was a founder, statesman, scientist, inventor, diplomat, publisher, humorist and philosopher. He believed in the American experiment, but Ben Franklin’s greatest experiment was…Ben Franklin. In that spirit of betterment, Eric Weiner embarks on an ambitious quest to live the way Ben lived. Not a conventional biography, BEN & ME is a guide to living and thinking well, as Ben Franklin did. It is also about curiosity, diligence and, most of all, the elusive goal of self-improvement. As Weiner follows Franklin from Philadelphia to Paris, Boston to London, he attempts to uncover Ben’s life lessons, large and small.

Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men --- bodies exploited through slavery and segregation, and, today, threatened, locked up and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? BETWEEN THE WORLD AND ME is Ta-Nehisi Coates’ attempt to answer these questions in a letter to his adolescent son.

Misha knows that chasing success in Hollywood can be hell. But finally, after years of trying to make it, his big moment is here: an Oscar nomination. And the executives at the studio for his long-running streaming series know just the thing to kick his career to the next level: kill off the gay characters, "for the algorithm," in the upcoming season finale. Misha refuses, but he soon realizes that he’s just put a target on his back. And what’s worse, monsters from his horror movie days are stalking him and his friends through the hills above Los Angeles. Haunted by his past, Misha must risk his entire future --- before the horrors from the silver screen find a way to bury him for good.

After a deployment in the Iraq War dually defined by threat and interminable mundanity, Joseph Thomas is fighting to find his footing. Now a doctoral student at The University and an EMS worker at the hospital in North Philly, he encounters round-the-clock friends and family from his past life and would-be future at his job, including contemporaries of his estranged father, a man he knows little about, serving time at Holmesburg prison for the statutory rape of his then-teenage mother. Meanwhile, he and his best friend Ray, a fellow vet, are alternatingly bonding over and struggling with their shared experience and return to civilian life, locked in their own rhythms of lust, heartbreak and responsibility.

Rose Barclay is a nine-year-old girl who witnessed the possible murder of her nanny --- in the midst of her parents' bitter divorce --- and immediately stopped speaking. Stella Hudson is a best interest attorney, appointed to serve as counsel for children in custody cases. From the moment Stella passes through the iron security gate and steps into the gilded, historic DC home of the Barclays, she realizes the case is even more twisted, and the Barclay family far more troubled, than she feared. And there's something eerie about the house itself: It's a plastic house, with not a single bit of glass to be found. As Stella comes closer to uncovering the secrets the Barclays are desperate to hide, danger wraps around her like a shroud, and her past and present are set on a collision course in ways she never expected.

Having arrived at a certain age (her prime), Ann Leary casts a wry backward glance at a life spent trying --- and often failing --- to be nice. With wit and surprising candor, Leary recounts the bedlam of home bat invasions, an obsession with online personality tests, and the mortification of taking ballroom dance lessons with her actor husband. She describes hilarious red-carpet fiascos and other observations from the sidelines of fame, while also touching upon her more poignant struggles with alcoholism, her love for her family, her dogs and so much more.

Warwick Easton’s traveling show has landed him in California. Out of money and about to return to England, Easton gets lucky when silent movie star and Mack Sennett offers him a job performing slapstick comedy stunts as a Keystone Cop. But the laughs turn sour as things quickly start to go awry. Known in his new role only as “Keystone,” Easton finds the line between cop and comedian starts to blur, especially when a series of tragedies strikes the studio. The gory death of a stunt actor on a roller coaster seems like an accident, but then a bludgeoned body is discovered in a bungalow and Amber Honeybee, the beautiful but troubled actress Easton has befriended, vanishes. Easton has no choice but to step into the role of a real detective. Does he have what it takes to unravel the mystery in time and save the girl?

It’s 1953, and for Nick Taylor, a WWII veteran turned company lawyer, oil is the key to the future. Nick comes from humble origins, but thanks to his work for American Oil, he can provide every comfort for his family, including Last House, a secluded country escape. Deep in the Vermont mountains, the Taylors are free from the stresses of modern life. It’s 1968, and America is on the brink of change. Protestors fill the streets to challenge everything from the Vietnam War to racism in the wake of MLK’s shooting --- to the country's reliance on Big Oil. As Nick’s daughter, Katherine, makes her first forays into adult life, she’s caught up in the current of the time and struggles to reconcile her ideals with the stable and privileged childhood her parents worked so hard to provide. But when the Movement shifts in a more radical direction, each member of the Taylor family will be forced to reckon with the consequences of the choices they’ve made for the causes they believed in.

Aima and Kalu are a longtime couple who have just split. When Kalu, reeling from the breakup, visits an exclusive sex party hosted by his best friend, Ahmed, he makes a decision that will plunge them all into chaos, brutally and suddenly upending their lives. Ola and Souraya, two Nigerian sex workers visiting from Kuala Lumpur, collide into the scene just as everything goes to hell. Sucked into the city’s corrupt and glittering underworld, they’re all looking for a way out, fueled by a desperate need to escape the dangerous threat that looms over them.

She said yes to Morelli. She said yes to Ranger. Now Stephanie Plum has two fiancés and no idea what to do about it. But the way things are going, she might not live long enough to marry anyone. While Stephanie stalls for time, she buries herself in her work as a bounty hunter, tracking down an unusually varied assortment of fugitives from justice. With timely assists from her stalwart supporters Lula, Connie and Grandma Mazur, Stephanie uses every trick in the book to reel in these men. But only she can decide what to do about the two men she actually loves. She can’t hold Ranger and Morelli at bay for long, and she’s keeping a secret from them that is the biggest bombshell of all. Now or never, she has to make the decision of a lifetime.

Midway through his life, the artist G begins to paint upside down. Eventually, he paints his wife upside down. He also makes her ugly. The paintings are a great success. In Paris, a woman is attacked by a stranger in the street. Her attacker flees, but not before turning around to contemplate her victim, like an artist stepping back from a canvas. At the age of 22, the painter G leaves home for a new life in another country, far from the disapproval of her parents. Her paintings attract the disapproval of the man she later marries. When a mother dies, her children confront her legacy: the stories she told, the roles she assigned to them, the ways she withheld her love. Her death is a kind of freedom.

As a college English professor, Elizabeth looks forward to the start of each new semester teaching her creative writing seminar. At least until she reads chapter one of The Reckoning, a tale about a high school senior who has an affair with her teacher. She knows this story. It’s all familiar because she lived it. The girl in the story was her best friend Jocelyn, and Elizabeth knows exactly how the story will end --- with the professor dead. Because she was the one who killed him. Someone knows what Elizabeth did 20 years ago and her secret is about to be exposed, but who is the mystery student submitting the chapters? In an effort to find out, Elizabeth returns to her Louisiana hometown where it soon becomes clear that no matter how many years have gone by, she can’t escape her past.

Joni Lark has a secret. She’s one of the most coveted songwriters in LA, and yet she can’t write. There’s an emptiness inside her, and nothing seems to fill it. When she returns to her hometown of Vienna Shores, North Carolina, she hopes that the sand, the surf and the concerts at The Revelry, her family’s music venue, will spark inspiration. But when Joni gets there, nothing is how she left it. Her best friend is hiding something, her mother’s memories are fading fast, and The Revelry is closing. How can Joni write when her world is leaving her behind? Until she hears it. A melody in her head, lyric-less and half-formed, and an alluring and addictive voice to go with it --- belonging, apparently, to a wry musician with an emptiness of his own. Surely, he’s a figment of Joni’s overworked imagination. Then a very real man shows up in Vienna Shores.