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Everyone in Foss Butcher’s village knows what happens when the magic-workers come. They harvest human hearts to use in their spells. But Foss never expected that anyone would want hers. So when a sorcerer snags a piece of Foss’ heart without meaning to, she is furious. She stomps toward the grand City to keep his enchanted House and demands that he fixes her before she keels over and dies. But the sorcerer, Sylvester, is not what she expected. Petulant, idle and new to his powers, Sylvester has no clue how to undo the heart-taking, or how to do much of anything. Foss’ only friend is a talking cat, and even the House’s walls themselves have moods. As Foss searches for a cure, she accidentally uncovers that there is much more to the heart-taking --- and to the magic-workers themselves --- than she ever could have imagined.

The concluding Mike Hammer novel begins with a 21st-century funeral before flashing back to the summer of 1973. Nine years after the events of Dig Two Graves, Hammer takes another unlikely vacation --- this time on Long Island to help look after his partner Velda Sterling’s 17-year-old sibling, Mikki. Mikki must deal with the attention of two boys vying for her affection --- Hammer preferring the good kid from a wealthy family over the long-haired doper with an Easy Rider vibe. When Mikki gets hooked on heroin, Hammer --- filled with contempt for dope dealers --- goes on a rampage. He will find those behind the drug racket and teach them what shooting up is all about. But a final resolution awaits him in the future at that funeral.

Recently divorced and slightly heavy-handed with his liquor, Detective John Bowie does all that he can to cope with the actions taken (or not taken) during the investigation of Crissy Mellin, a teenage girl who disappeared more than three years prior. But now, “Crisis Point,” a long-running true crime television series, is soon to air an episode documenting the unsolved case. Beth Collins, a senior producer on “Crisis Point,” is convinced that Crissy’s disappearance was not an isolated incident. A string of disappearances of teenage girls in nearby areas has only one thing in common: They took place on the night of a blood moon. In a last-ditch effort to find out the truth, Beth leaves New York City for Louisiana to enlist Detective Bowie in helping her figure out what happened to Crissy and find the true culprit before he acts on the next blood moon --- in four days’ time.

Beth and her gentle, kind husband, Frank, are happily married, though their relationship relies on the past staying buried. But when Beth’s brother-in-law shoots a dog going after their sheep, Beth doesn’t realize that the gunshot will alter the course of their lives. For the dog belonged to none other than Gabriel Wolfe, the man Beth loved as a teenager --- the man who broke her heart years ago. Gabriel has returned to the village with his young son, Leo, a boy who reminds Beth very much of her own son, who died in a tragic accident. As Beth is pulled back into Gabriel’s life, tensions around the village rise and dangerous secrets and jealousies from the past resurface, this time with deadly consequences. Beth is forced to make a choice between the woman she once was and the woman she has become.

Sloane Caraway is a liar. Harmless lies, mostly, to make her self-proclaimed sad little life a bit more interesting. So when Sloane sees a young girl in tears at a park one afternoon, she can’t help herself. She tells the girl’s (very attractive) dad that she’s a nurse and helps him pull a bee stinger from the girl’s foot. With this lie, and chance encounter, Sloane becomes the nanny for the wealthy and privileged Jay and Violet Lockhart. They’re the perfect New York couple, with a brownstone, a daughter in private school, and summers on Block Island. But maybe Sloane isn’t the only one lying, and all that’s picture-perfect harbors a much more dangerous truth.

I had it all: a fantastic husband, two great kids, an exciting career. And then, at the age of 43, I found out I would be dead before my next birthday. My mother also died at 43. I was 17, and she warned me that women would flock to my suddenly single father like stray cats to an overturned milk truck. They did. And one absolutely evil woman practically destroyed his life, mine and my sister’s. I am not letting that happen to my family. I have three months, and I plan to spend every waking minute searching for the perfect woman to take my place as Alex’s wife, and mother to Kevin and Katie. You’re probably thinking that I’ll never do it. Did I mention that in high school I was voted “Most Likely to Kill Someone to Get What She Wants”?

Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until --- betrayed and brokenhearted --- she must turn to the person she thought she needed least. Omelogor, Chiamaka’s bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka’s housekeeper, is proudly raising her daughter in America --- but faces an unthinkable hardship that threatens all she has worked to achieve.

It’s a safe bet that most of the secretaries on the TV series “Mad Men” would have attended the Katharine Gibbs School in New York City. In its heyday in the 1950s and ‘60s, the iconic institution was synonymous with supplying secretaries --- always properly attired in heels, ladylike hats and white gloves --- to male executives. In EXPECT GREAT THINGS!, Vanda Krefft turns the notion of a “Gibbs girl” on its head, showing us that while the school was getting women who could type 90 words per minute into the C-suite, its more subversive mission was to get them out of the secretarial pool to assume positions of power on the other side of the desk. And Gibbs graduates did just that, tackling the sexism of the era and paving the way for 21st-century women to succeed in any profession.

In July 1944, Arielle von Auspeck arrives at the glamorous Hotel Ritz in occupied Paris. Half French, half German, she is happy to be back in France, where her husband, Gregor, a retired colonel, will join her soon from Germany. But then she receives word that Gregor was part of Operation Valkyrie, a failed attempt to assassinate Hitler in Poland, and has been shot as a traitor. Now, she is whisked away from Paris under cover of darkness for her own safety. As the Allies storm the beaches, she goes into hiding in a small village in Normandy under an assumed name. There, she forms a friendship with Sebastien Renaud, whose wife and daughter were deported in 1941, and who eventually reveals himself as a forger in the Resistance. As war rages on, Arielle and Sebastien work for the Resistance and hold out for the time when they can search for their loved ones.

Finlay Donovan and her nanny/partner-in-crime, Vero, have not always gotten along with Finlay’s elderly neighbor, Mrs. Haggerty, the community busybody and president of the neighborhood watch. But when a dead body is discovered in her backyard, Mrs. Haggerty needs their help. At first a suspect, Mrs. Haggerty is cleared by the police, but her house remains an active crime scene. She has nowhere to go…except Finlay’s house, right across the street. Finlay and Vero have no interest in getting involved in another murder case --- or sacrificing either of their bedrooms. But when the focus of the investigation widens to include Finlay’s ex-husband, Steven, Finlay and Vero are left with little choice but to get closer to Mrs. Haggerty and uncover her secrets…before the police start digging up theirs. But who will solve the mystery first?

On her second birthday in 1967, Bernice McFadden died in a car crash near Detroit, only to be resuscitated after her mother pulled her from the flaming wreckage. FIRSTBORN GIRLS traces her remarkable life from that moment up to the publication of her first novel, SUGAR. Growing up in 1980s Brooklyn, Bernice finds solace in books, summer trips to Barbados and boarding school to escape her alcoholic father. Discovering the works of Alice Walker and Toni Morrison, she finally sees herself and her loved ones reflected in their stories of “messy, beautiful, joyful Black people.” Interwoven with Bernice's personal journey is her family's history, beginning with her four-times enslaved great-grandmother, Louisa Vicey Wilson. Her descendants survived Reconstruction and Jim Crow, joined the Great Migration, and mourned Dr. King’s assassination during the Civil Rights Movement.

Edge, a shadow organization made up of the most powerful figures in Galway society, exists to rid the city of criminals and abusers who have evaded the law. Long wary of the organization, the Vatican is not pleased when rumors start swirling that one of the Catholic Church’s own priests has joined its ranks. An envoy to the Archdiocese shows up at private detective Jack Taylor’s door, asking him to go speak to a priest named Kevin Whelan and dissuade him from any involvement with Edge. Jack accepts the mission, but the next day Father Whelan is found dead. As more Edge members are murdered, the Vatican grows alarmed that someone even worse will take their place. It’s up to Jack Taylor to nail the culprit before Edge is dissolved completely and Galway is thrown into chaos.

It's July 1992, and the Troubles in Northern Ireland are still grinding on after 25 apocalyptic years. Detective Inspector Sean Duffy got his family safely over the water to Scotland, to "Shortbread Land." Duffy is a part-timer now, only returning to Belfast six days a month to get his pension. It's an easy gig, if he can keep his head down. But then a murder case falls into his lap while his protege is on holiday in Spain. A carjacking gone wrong and the death of a solitary, middle-aged painter. But something is not right, and as Duffy probes, he discovers that the painter was an IRA assassin. So the question becomes: Who hit the hitman, and why? This is Duffy's most violent and dangerous case yet, and the whole future of the burgeoning "peace process" may depend upon it.

A coma can change a man, but the world Jack Jr. awakens to is one he barely recognizes. His advertising job is history, his Manhattan apartment is gone, and the love of his life has left him behind. He’s been asleep for two years; with no one to turn to, he realizes it’s been 10 years since he last saw his family. Lost and disoriented, he makes a reluctant homecoming back to the bustling Korean American enclave of Fort Lee, New Jersey; back into the waiting arms of his parents, who are operating under the illusion that he never left; and back to Joja, their ever-struggling sushi restaurant that he was set to inherit before he ran away from it all. There is value in the joyous rhythms of this once-abandoned life. But second chances are an even messier business than running a restaurant, and the lure of a self-determined path might prove too hard to resist.

After more than a year of laying low, Billie, Helen, Mary Alice and Natalie are called back into action. When they receive a summons from the head of the elite assassin organization known as the Museum, they are ready to tackle the greatest challenge of their careers. Someone on the inside has compiled a list of important kills committed by Museum agents, connected to a single, shadowy figure, an Eastern European gangster with an iron fist, some serious criminal ambition, and a tendency to kill first and ask questions later. This new nemesis is murdering agents who got in the way of their power-hungry plans, and the aging quartet of killers is next. Together the foursome embark on a wild ride across the globe on the double mission of rooting out the Museum’s mole and hunting down the gangster who seems to know their next move before they make it.

In 26 sparkling essays, illuminated through both text and image, celebrated author and artist A. Kendra Greene is trying to make sense of the things that matter most in life: love, connection, death, grief, the universe, meaning, nothingness and everythingness. Through a series of encounters with strangers, children and animals, the wild merges with the domestic; the everyday meets the sublime. Each essay returns readers to our smallest moments and our largest ones in a book that makes us realize --- through its exuberant language, playful curation and delightful associative leapfrogging --- that they are, in fact, one and the same.

1940, Emilia-Romagna. Lili and Esti have been best friends since meeting at the University of Ferrara. There is a war being fought across borders, and in Italy, Mussolini’s Racial Laws have deemed Lili and Esti descendants of an “inferior” Jewish race, but life somehow goes on --- until Germany invades northern Italy, and the friends find themselves in occupied territory. Esti convinces Lili to flee first to a villa in the countryside to help hide a group of young war orphans, then to a convent in Florence, where they pose as nuns and forge false identification papers for the Underground. When disaster strikes at the convent, a critically wounded Esti asks Lili to take a much bigger step: to go on the run with Esti’s son, Theo. Terrified to travel on her own, Lili sets out on an epic journey, doing everything she can to keep Theo safe.

PLAY IT FORWARD features 25 inspirational stories of badass women from all corners of the sports universe, curated by TOGETHXR, a sports media company founded by legends Sue Bird, Alex Morgan, Simone Manuel and Chloe Kim. From profiles of professional athletes and Olympians at the top of their game to everyday women putting in the work without a crowd, these are true tales of fierce competitors, dedicated teammates and passionate advocates who are all too accustomed to hearing the word “no.” Each story highlights an inspiring athlete or team who is defying expectations and rebelling against inequality in big and small ways.

Betty MacDonald was a 28-year-old reporter from Hawaii. Zuzka Lauwers grew up in a tiny Czechoslovakian village and knew five languages by the time she was 21. Jane Smith-Hutton was the wife of a naval attaché living in Tokyo. Marlene Dietrich, the German-American actress and singer, was one of the biggest stars of the 20th century. As members of the OSS during World War II, their task was to create a secret brand of propaganda produced with the sole aim to break the morale of Axis soldiers. Betty, Zuzka, Jane and Marlene forged letters and “official” military orders, wrote and produced entire newspapers, scripted radio broadcasts and songs, and even developed rumors for undercover spies and double agents to spread to the enemy. And outside of a small group of spies, no one knew they existed. Until now.

Imagine you could hold a baby hare and bottle-feed it. Imagine that it lived under your roof and lolloped around your bedroom at night, drumming on the duvet cover when it wanted your attention. Imagine that, over two years later, it still ran in from the fields when you called it, slept in your house for hours on end, and gave birth to leverets in your study. For political advisor and speechwriter Chloe Dalton, who spent lockdown deep in the English countryside, far away from her usual busy London life, this became her unexpected reality. RAISING HARE chronicles their journey together, while also taking a deep dive into the lives and nature of hares, and the way they have been viewed historically in art, literature and folklore.

Growing up on his family’s cattle farm in western Iceland, young Orri has gained an appreciation for the beauty found in everyday things. But the outer world still beckons, so he leaves his no-nonsense Lithuanian Jewish mother and his taciturn father, Pabbi, to attend university in Reykjavík. No longer able to find joy in his way of life, Pabbi falls into a depression soon after Orri goes away to school. Feeling adrift and aimless at the end of his first semester, Orri comes home. For the first time, Pabbi allows Orri to help him run the farm. Meanwhile, Orri meets a kindred spirit on the internet: Mihan, a part-time student. Over time, their connection deepens. By year’s end, Orri must decide whether he wants to --- or should --- return to university, and what a future with Mihan would hold, if she’ll have him.

In 1664, England decided to invade the Dutch-controlled city of New Amsterdam on Manhattan Island. Charles II and his brother, the Duke of York, had dreams of empire, and their archrivals, the Dutch, were in the way. But Richard Nicolls, the military officer who led the English flotilla bent on destruction, changed his strategy once he encountered Peter Stuyvesant, New Netherland’s canny director general. TAKING MANHATTAN reveals the founding of New York to be an invention, the result of creative negotiations that would blend the multiethnic, capitalistic society of New Amsterdam with the power of the rising English empire. But the birth of what might be termed the first modern city is also a story of the brutal dispossession of Native Americans and of the roots of American slavery.

Sara has just landed at LAX when agents from the Risk Assessment Administration pull her aside and inform her that she will soon commit a crime. Using data from her dreams, the RAA’s algorithm has determined that she is at imminent risk of harming the person she loves most: her husband. For his safety, she must be kept under observation for 21 days. The agents transfer Sara to a retention center, where she is held with other dreamers, all of them women trying to prove their innocence from different crimes. With every deviation from the strict and ever-shifting rules of the facility, their stay is extended. Months pass, and Sara seems no closer to release. Then one day, a new resident arrives, disrupting the order of the facility and leading Sara on a collision course with the very companies that have deprived her of her freedom.

Just before Christmas 1799, Elma Sands slips out of her Quaker cousin’s boarding house --- and doesn’t come home. Her body is eventually found in the Manhattan Well. Handbills circulate around the city accusing a carpenter named Levi Weeks of seducing and murdering Elma. But privately, quietly, Levi’s wealthy brother calls in a special favor. Aaron Burr’s legal practice can’t finance both his expensive tastes and his ambition to win the 1800 New York elections. To defend Levi Weeks is a double win: a hefty fee plus a chance to grab headlines. Alexander Hamilton has his own political aspirations; he isn’t going to let Burr monopolize the public’s attention. If Burr is defending Levi Weeks, then Hamilton will too. As the trial and the election draw near, Burr and Hamilton race against time to save a man’s life --- and destroy each other.

Long before the Moneyball Era, the Earl of Baltimore reigned over baseball. History’s feistiest and most colorful manager, Earl Weaver transformed the sport by collecting and analyzing data in visionary ways, ultimately winning more games than anybody else during his time running the Orioles from 1968 to 1982. Beyond being a great baseball mind, Weaver was a rare baseball character. Major League Baseball is show business, and Weaver understood how much of his job was entertainment. THE LAST MANAGER uncovers the story of Weaver’s St. Louis childhood with a mobster uncle, his years of minor-league heartbreak, and his unlikely road to becoming a big-league manager, while tracing the evolution of the game from the old-time baseball of cross-country trains and “desk contracts” to the modern era of free agency, video analysis and powerful player agents.