Adult

In BUNNY, Samantha Heather Mackey, a lonely outsider student at a highly selective MFA program in New England, was first ostracized and then seduced by a clique of creepy-sweet rich girls who call themselves “Bunny.” An invitation to the Bunnies’ Smut Salon leads Samantha down a dark rabbit hole (pun intended) into the violently surreal world of their off-campus workshops where monstrous creations are conjured with deadly and wondrous consequences. When WE LOVE YOU, BUNNY opens, Sam has just published her first novel to critical acclaim. But at a New England stop on her book tour, her one-time frenemies, furious at the way they’ve been portrayed, kidnap her. Now a captive audience, it’s her (and our) turn to hear the Bunnies’ side of the story.

Sue and Mal Eastwood run an isolated rural pub called The Case is Altered, where a weekly trivia game has revived its flagging fortunes --- that is, until a body is found in the nearby river. Soon after, a mysterious new team arrives and shakes up the diverse field of regulars by scoring top marks in every round...every week. Meanwhile, Sue and Mal have a secret of their own. Before arriving here, they were caught up in a secret police operation that meant they had to leave town --- and whatever happened back then seems to have finally caught up with them. Five years later, the pub lies derelict, and their nephew, Dominic, is determined to make a documentary about their story. What happened at this unassuming pub? And can a single question really kill?

At 2:30am on July 11, 2020, Jen Hatmaker woke up to her husband of 26 years whispering in his phone to another woman from their bed. It was the end of life as she knew it. In the months that followed, she went from being a shiny, funny, popular leader, to a divorced wreck on antidepressants and anti-anxiety meds parenting five kids alone with no clue about her own bank accounts. Having led millions of women for over a decade --- urging them to embrace authenticity, find radical agency, and create healthy relationships --- this seemed nothing less than total failure. In AWAKE, Jen shares for the first time what happened when she found herself completely lost at sea --- and how she made it to shore.

HISTORY MATTERS brings together selected essays by beloved historian David McCullough, some published here for the first time, written at different points over the course of his long career, but all focused on the subject of his lifelong passion: the importance of history in understanding our present and future. Edited by McCullough’s daughter, Dorie McCullough Lawson, and his longtime researcher, Michael Hill, this book is a tribute to a master historian and offers fresh insights into McCullough’s enduring interests and writing life. It also features a foreword by Jon Meacham.

Six friends reunite in London to celebrate the life of their recently deceased ex-employer, a professor who brought them together in 1999 to help build a dating website based on psychological testing. But what is meant to be a night of bittersweet nostalgia soon becomes a twisted and deadly game. The old friends are given an ultimatum: reveal their darkest secrets to the group or pick each other off one by one. It soon becomes clear that their current predicament is related to their shared past. The love questionnaire they helped develop in 1999 for the dating site was also turned into a tool for weeding out psychopaths: The Wasp Trap. This experiment and the other tragic events of that summer long ago may help reveal the truth behind a killer hiding in plain sight.

Summer, 1989: Ten-year-old Suzanne is drawn like a magnet to her father’s forbidden world of electric guitars and tricked-out cars. When her mother remarries, she jumps at the chance to tag along on the concert tour that just might be Gil and the Kills’ wild ride to glory. But as the band blazes up the charts, internal power struggles set Gil and his group on a collision course destined for a bloody reckoning --- one shrouded in mystery and lore for decades to come. The only witness to a desperate act of violence, Suzanne spends the next 29 years trying to disappear. She trades the music and mayhem of her youth for the quiet of the suburbs and the company of her mild-mannered husband, Rob. But when her father’s sudden death resurrects the troubled past she tried so hard to bury, she leaves it all behind and hits the road in search of answers.

Festering masses of worms and flies have taken root in dark corners across Appalachia. In exchange for unwavering loyalty and fresh corpses, these hives offer a few struggling humans salvation. A fresh start. It’s an offer that none refuse. Crane is grateful. Among his hive’s followers, Crane has found a chance to transition, to never speak again, to live a life that won’t destroy him. He even met Levi: a handsome ex-Marine and brutal killer who treats him like a real man, mostly. But when Levi gets Crane pregnant --- and the hive demands the child’s birth, no matter the cost --- Crane’s desperation to make it stop will drive the community that saved him into a devastating spiral that can only end in blood.

Helene Simonauer and Evelyn Turner are two formidable women whose paths cross when their children marry. Both women are sharp, cunning and unwavering in their conflicting beliefs about marriage, responsibility and family and, most pressingly, their efforts to vie for the love of their shared granddaughter. AT LAST paints a vivid portrait of the American Midwest, capturing the essence of a time and place where societal norms and personal aspirations often clashed. Marisa Silver’s narrative weaves together the lives of Helene and Evelyn, from their vastly different childhoods through the pivotal events that define them.

Years after escaping New York and the center of its artistic world --- a group of self-important, depraved and unscrupulous artists, curators and hangers-on --- our narrator is back in town. She’s wandering around the Lower East Side, thinking about the recent death of her former best friend, Rebecca, when she runs into Eugene, one half of the artist-curator couple at the heart of her old social set. Despite her better judgment, she accepts his invitation to a dinner party. And though the party is held only hours after Rebecca’s funeral, it's not a memorial of Rebecca but a dinner held in honor of a young, newly famous actress. When the guest of honor finally arrives, she sets in motion a disastrous end to the evening, laying bare the depravity and decadence of the hosts’ empty little lives.

MOTHER MARY COMES TO ME is a soaring account of how Arundhati Roy became the person and the writer she is. “Heart-smashed” by her mother Mary’s death in September 2022 yet puzzled and “more than a little ashamed” by the intensity of her response, Roy began to write, to make sense of her feelings about the mother she ran from at age 18, “not because I didn’t love her, but in order to be able to continue to love her.” And so begins this astonishing, sometimes disturbing and surprisingly funny memoir of the author’s journey from her childhood in Kerala, India, where her single mother founded a school, to the writing of her prize-winning novels and essays, through today.