Summer, 1989: Ten-year-old Suzanne is drawn like a magnet to her father’s forbidden world of electric guitars and tricked-out cars. When her mother remarries, she jumps at the chance to tag along on the concert tour that just might be Gil and the Kills’ wild ride to glory. But as the band blazes up the charts, internal power struggles set Gil and his group on a collision course destined for a bloody reckoning --- one shrouded in mystery and lore for decades to come. The only witness to a desperate act of violence, Suzanne spends the next 29 years trying to disappear. She trades the music and mayhem of her youth for the quiet of the suburbs and the company of her mild-mannered husband, Rob. But when her father’s sudden death resurrects the troubled past she tried so hard to bury, she leaves it all behind and hits the road in search of answers.

Every night, in the college’s ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story. One dark October evening in the defunct churchyard, they find a hole that wasn’t there before. A fresh, open grave where no grave should be. But who dug it, and for whom? Before they go their separate ways, the gravedigger returns. As they trail him through the night, they realize he may be the key to a string of strange happenings around town that have made headlines for the last few weeks --- and they may be closer to the mystery than they thought.

On the day Oliver Marks is released from jail, the man who put him there is waiting at the door. Detective Colborne wants to know the truth, and after 10 years, Oliver is finally ready to tell it. A decade ago: Oliver is one of seven young Shakespearean actors at Dellecher Classical Conservatory, a place of keen ambition and fierce competition. Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extras. But in their fourth and final year, good-natured rivalries turn ugly, and on opening night real violence invades the students’ world of make-believe. In the morning, the fourth-years find themselves facing their very own tragedy, and their greatest acting challenge yet: convincing the police, each other and themselves that they are innocent.