Adult

Written during the early months of lockdown, INTIMATIONS explores ideas and questions prompted by an unprecedented situation. What does it mean to submit to a new reality --- or to resist it? How do we compare relative sufferings? What is the relationship between time and work? In our isolation, what do other people mean to us? How do we think about them? What is the ratio of contempt to compassion in a crisis? When an unfamiliar world arrives, what does it reveal about the world that came before it? Zadie Smith clears a generous space for thought, open enough for each reader to reflect on what has happened --- and what should come next.

Both timeless and urgent, the 11 stories in Laura van den Berg’s first story collection since her prize-winning book THE ISLE OF YOUTH confront misogyny, violence and the impossible economics of America. In “Lizards,” a man mutes his wife’s anxieties by giving her a LaCroix-like seltzer laced with sedatives. In the title story, a woman poses as her more successful sister during a botched Italian holiday, a choice that brings about strange and destructive consequences, while in “Karolina,” a woman discovers her prickly ex-sister-in-law in the aftermath of an earthquake and is forced to face the truth about her violent brother.

The site of the old campus bungalow where two girls were brutally slain is now a flower patch covered with chrysanthemums. It’s been 50 years since the Immaculate Conception Murders. Three more students and a teacher were killed in a sickening spree that many have forgotten. But there is one person who knows every twisted detail. Hannah O’Rourke and her volatile half-sister, Eden, have little in common except a parent. Yet they’ve ended up at the same small college outside Chicago, sharing a bungalow with another girl. When their arrival coincides with a spate of mysterious deaths, Hannah’s journalism professor, Ellie Goodwin, knows it’s more than a fluke. A copycat is recreating those long-ago murders.

In a small, unnamed town in the American South, a church congregation arrives for a service and finds a figure asleep on a pew. The person is genderless and racially ambiguous and refuses to speak. One family takes in the strange visitor and nicknames them Pew. As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. By the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of who they really are --- a devil or an angel or something else entirely --- is dwarfed by even larger truths.

Smart, self-assured and beautiful, Edie always worked hard. She worked as a teller at a bank, she worked to save her first marriage, and later, she worked to raise her daughter even as her second marriage came apart. Edie just wanted a good life, but everywhere she turned, her looks defined her. Two brothers fought over her. Her second husband became unreasonably possessive and jealous. Her daughter resented her. And now, as a grandmother, Edie finds herself harassed by a younger man. It’s been a lifetime of proving that she is allowed to exist in her own sphere. THE LIVES OF EDIE PRITCHARD tells the story of one woman just trying to be herself, even as multiple men attempt to categorize and own her.

In the turbulent period around the birth of her first child and the death of her father, Rachel Cohen turned to Jane Austen to make sense of her new reality. For Cohen, simultaneously grief-stricken and buoyed by the birth of her daughter, reading Austen became her refuge and her ballast. She was able to reckon with difficult questions about mourning, memorializing, living in a household, paying attention to the world, reading, writing and imagining through Austen’s novels. AUSTEN YEARS is a deeply felt and sensitive examination of a writer’s relationship to reading, and to her own family, winding together memoir, criticism and biographical and historical material about Austen herself.

Twenty-something Anne meets the man of her dreams right out of college, but after they get married, Anne notices that her husband begins acting differently. Why is Ethan suddenly so moody? And will their marriage endure? Ten years later, Anne and her 12-year-old daughter, Thea, are safely living in Vermont. When Thea takes to brooding and showing classic signs of teen angst, a trip to the White Mountains of New Hampshire --- accompanied by Anne’s mother, Rose --- seems like the perfect chance to bond. But a man follows the three women on a hike at a nature reserve and drags them at gunpoint to an abandoned cabin in the woods. Just like that, their peaceful weekend away turns into a fight for survival.

Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, THE ONLY GOOD INDIANS follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in violent, vengeful ways.

Kendra Atleework grew up in Swall Meadows, in the Owens Valley of the Eastern Sierra Nevada, where annual rainfall averages five inches and in drought years measures closer to zero. After Kendra’s mother died of a rare autoimmune disease when Kendra was just 16, her once-beloved desert world came to feel empty and hostile, as climate change, drought and wildfires intensified. The Atleework family fell apart, even as her father tried to keep them together. Kendra escaped to Los Angeles, and then Minneapolis, a land of tall trees, full lakes and water everywhere you look. But after years of avoiding her troubled hometown, she realized that she needed to come to terms with its past and present and had to go back.

It’s been years since Zoe Fairchild has been to the small Devon village of her birth, but the wounds she suffered there still ache. When she learns that her old friend and grandmother’s caretaker has gone missing, Zoe and her 15-year-old daughter return to England to help. Zoe dreads seeing her estranged mother, who left when Zoe was seven to travel the world. As the four generations of women reunite, the emotional pain of the past is awakened. And to complicate matters further, Zoe also must confront the ex-boyfriend she betrayed many years before. Anxieties spike when tragedy befalls another woman in the village. As the mystery turns more sinister, new grief melds with old betrayal.